The bestselling French phenomenon, winner of the Prix Lion Noir, now available in English for the first time... When Madame Préau returns to her own house outside Paris after several years spent in a convalescent home, she immediately notices that the neighborhood has changed. Now, instead of a beautiful garden next door there is a new house. And she can see directly into her new neighbors' windows. Madame Préau quickly feels that something isn't right. Her neighbors have two perfectly healthy children who play in the yard after school. But there is also a third child: a young boy who looks malnourished and abused, and tosses small stones at her window in an apparent call for help. The family denies his existence. But is the little boy real, or merely a hallucination of a lonely, mentally unstable old woman cut off from her own beloved grandson? When the police refuse to listen to her, Madame Préau decides to take matters into her own hands. She's determined to help the little boy, and she'll do anything to make sure he's safe...

When a modern young boy is transported back in time to a Stone Age village, he learns all about a new way of life.

Raymond Briggs’s funniest creation–theBoy Wonder of the Stone Age. This funny, sad, yet wonderfully life-affirming story is about a misunderstood boy genius who refuses to accept the limitations of the world in which he lives. Young Ug is upwardly mobile, always on the brink of finding a better way, a nicer way of getting through life. He discovers that the fire that comes out of the sky can make dead animal bits taste terrific, but his mother thinks this is a disgusting idea and, she adds, “Terrific? What sort of word is that? Don’t you bring language like that into this cave!” He invents the wheel but doesn’t know quite what to do with it. What he really wants is a pair of soft, warm trousers. But how many millions of years must he wait for them? Ug’s story is told in more than 100 colorful frames with speech balloons much like a graphic novel but for a younger audience. Witty footnotes explain some of the many hilarious anachronisms.

It's a race against time to save Eli, in this third book in the award-winning, Narnia-inspired Indigenous middle-grade fantasy series. After discovering a near-lifeless Eli at the base of the Great Tree, Morgan knows she doesn't have much time to save him. And it will mean asking for help — from friends old and new. Racing against the clock, and with Arik and Emily at her side, Morgan sets off to follow the trail away from the Great Tree to find Eli's soul before it's too late. As they journey deep into the northern woods, a place they've been warned never to enter, they face new challenges and life-threatening attacks from strange and horrifying creatures. But a surprise ally comes to their aid, and Morgan finds the strength to focus on what's most important: saving her brother's life.

What if the monsters from your favorite horror books were real? Eddie Fennicks has always been a loner, content to lose himself in a mystery novel by his favorite author, Nathaniel Olmstead. That's why moving to the small town of Gatesweed becomes a dream come true when Eddie discovers that Olmstead lived there before mysteriously disappearing thirteen years ago. Even better, Eddie finds a handwritten, never-before-seen Nathaniel Olmstead book printed in code and befriends Harris, who's as much an Olmsteady as he is. But then the frightening creatures of Olmstead's books begin to show up in real life, and Eddie's dream turns into a nightmare. Eddie, Harris, and their new friend, Maggie, must break Olmstead's code, banish all gremlins and monster lake-dogs from the town of Gatesweed, and solve the mystery of the missing author, all before Eddie's mom finishes writing her own tale of terror and brings to life the scariest creature of all.

A Washington Post Best Fiction Book of 2022 From the son of acclaimed author James Agee, a haunting novel depicting an American boy’s childhood in Mexico, ensconced in a world comprised of communist European exiles, local union activists, street children, and avant-garde artists like Frida Kahlo. Joel Agee’s hallucinatory first novel begins in a house with a large garden in an unnamed Mexican town in the late 1940s, where six-and-a-half-year-old Peter reads, dreams, and plays with his friends. He is a nascent explorer, artist, philosopher, mystic, and scientist. His world is still new, not yet papered over with received knowledge. And the actual world around him is a unique one in history: a community of leftist emigrés who have found refuge in Mexico from the Nazi and fascist regimes of Europe, rubbing shoulders with Mexican labor activists and leftists such as Frida Kahlo. But the emigrés long for home — including Peter’s step-father, who wants to return to his native Germany. Going back to Europe may not be safe for any of them yet, however, which gives rise to anguished arguments among Peter’s parents’s and their tight group of friends. And slowly, Peter begins to comprehend that his world may be turned upside down – that he might be forced to take leave of everyone he knows: his best friend, Arón; his father’s friend Sándor, who talks about revolution and performs magic tricks; and Zita, the family’s live-in-maid, who has taught him the consoling mysteries of prayer . . . Steeped in the magic and myths of childhood — yet haunted by a harsh adult world bedeviled by instability and political turmoil — Joel Agee’s The Stone World is an unforgettable portrait of a family that will inevitably invite comparison with another classic family story, that of his father James Agee’s A Death in the Family.

Two boys struggle with their sexual abuse trauma in this dramatic and emotional young adult novel by the NY Times bestselling author of The Wonder of Boys. "Gurian incorporates autobiographical elements into a story built not around easy answers but anguished inner arguments...of use for discussing the cycle of abuse." --Kirkus Reviews

Written by Sally Hopgood, this picture book tells the heart-warming story about emotions and the magic of nature.

Siblings Leah and Alan wake one morning in the middle of an enchanted forest and encounter a strange and spectacular world filled with foppish lions, giant rabbits, and a talking stone frog for a guide.

In the summers of the early 1970s, Morris Ardoin and his siblings helped run their family's roadside motel in a hot, buggy, bayou town in Cajun Louisiana. The stifling, sticky heat inspired them to find creative ways to stay cool and out of trouble. When they were not doing their chores—handling a colorful cast of customers, scrubbing motel-room toilets, plucking chicken bones and used condoms from under the beds—they played canasta, an old ladies’ game that provided them with a refuge from the sun and helped them avoid their violent, troubled father. Morris was successful at occupying his time with his siblings and the children of families staying in the motel’s kitchenette apartments but was not so successful at keeping clear of his father, a man unable to shake the horrors he had experienced as a child and, later, as a soldier. The preteen would learn as he matured that his father had reserved his most ferocious attacks for him because of an inability to accept a gay or, to his mind, broken, son. It became his dad’s mission to “fix” his son, and Morris’s mission to resist—and survive intact. He was aided in his struggle immeasurably by the love and encouragement of a selfless and generous grandmother, who provides his story with much of its warmth, wisdom, and humor. There’s also suspense, awkward romance, naughty French lessons, and an insider’s take on a truly remarkable, not-yet-homogenized pocket of American culture.