Stories of the stepmother, the substitute mother, or the “other mother” have infused popular culture for centuries and continue to do so today. She plays a substantial role in our collective imagination, whether we are a part of a step family or not. Despite the fact that the stepmother remains a prevalent figure, both in popular culture and reality, scholars have largely avoided addressing this fraught figure. I Could Not Call Her Mother explores representations of the stepmother in American popular culture from the colonial period to 1960. The archetypal stepmother appears from nineteenth-century romance novels and advice literature to 1930s pulp fiction and film noir. Leslie J. Lindenauer argues that when considered in her historic context, the stepmother serves as a bellwether for changing constructions of motherhood and family. She examines popular culture's role in shaping and reflecting an increasingly normative middle class definition of the ideal mother and family, which by the 1920s became the dominant construct. Lindenauer adds to the rich and growing literature on the history of motherhood. It echoes and is informed by the scholarship that has defined ideal motherhood as a moving target, historically constructed. In so doing, it illuminates the relationship between ideal motherhood and ideal womanhood.

Wisdom and Initiation in Gabon: A Philosophical Analysis of Fang Tales, Myths, and Legends is a study of the philosophical significance of Fang mythology and the rituals of Initiation that lead to Wisdom. Bonaventure Mvé Ondo argues that Fang tales, myths, and legends are components of the foundation of a worldview that sustains and protects a unique, historical Fang identity. For Mvé Ondo, the contemporary challenges to the existence and identity of the Fang require, perhaps more than ever, recognition of the central role of mythology. At an historical moment when Africans are faced with the challenges of westernization, the metaphysics of the Fang, illustrated and preserved by tales, myths, and legends, is a critical element of Fang survival. Mythology is far more than a collection of amusing or awe inspiring stories, they are profoundly important moral lessons for the Fang in their continuing encounters with such contemporary challenges as materialism and, as the “stories” in this book illustrate, the constant struggle to live lives of purpose and meaning. For Mvé Ondo, the critical, central issue for the Fang is to focus on the distinction at the heart of his analysis, i.e., the crucial distinction between “to have” and to “to be.” The lessons transmitted from generation to generation by these marvelous stories are, Mvé Ondo argues, central to living lives that reflect and perpetuate the eternal truths of the Fang experience.

Dying and creating or, could we put it the other way round, creating and dying? Rosemary Gordon has chosen the first, the challenging title and the one that stimulates the reader to find out how they inter-relate. There are essential links between the facts and the concepts. C. G. Jung devoted much attention to the psychology of death, re-birth and transformation: the author acknowledges her debt to him, to his creative spirit and to the depth of his understanding. As she is a working analytical psychologist, much of the material in her. But she is also a theorist: the human and the academic come together.Many Westerners in the course of their daily lives conceal their fears of death and so they deprive themselves of the possibility of getting into touch with the hidden sources of creativeness. Patients in analysis communicate some of their deepest feelings and thoughts about preparing for death, and grieving, and dying.