In the heart of a bustling town lies the Stanton House Convent, a beacon for artists seeking inspiration and solace. Beneath its historic charm and creative pulse lies a chilling secret known only to a select few. Room 313, an ordinary space at first glance, is the epicenter of whispered legends, unsolved mysteries, and artistic genius that comes at a terrifying cost. As the doors of Room 313 swing open to various inhabitants over the years—Craig, the sculptor, Julie, the passionate painter; William, the haunted writer; Father Hendrick, the determined exorcist—each becomes entwined in a gripping dance with forces beyond comprehension. The room's eerie allure draws them in, but will they emerge unscathed, or will they become yet another shadow in its dark legacy? From the enigmatic director Amanda Walker, whose ties to the room run deeper than anyone suspects, to Steven's quest for understanding before seeking solace elsewhere, the lives touched by Room 313 are forever altered. Rumors swirl, the media descends, and the Stanton House's reputation teeters between a haven for unparalleled creativity and a doorway to the unknown. In "Shadows of the Stanton House: Room 313", delve deep into the tangled web of passion, fear, and the supernatural. Discover the room's ancient origins, its victims, its champions, and the eldritch forces that lie in wait. Unravel the mysteries, but beware—for some secrets demand a heavy price. Join us in a tale where the boundaries between reality and nightmare blur, and where every corner of the Convent may echo with whispers from the past.

"Of the crucial men close to President Lincoln, Secretary of War Edwin Stanton (1814-1869) was the most powerful and controversial. Stanton raised, armed, and supervised the army of a million men who won the Civil War. He organized the war effort. He directed military movements from his telegraph office, where Lincoln literally hung out with him ... Now with this worthy complement to the enduring library of biographical accounts of those who helped Lincoln preserve the Union, Stanton honors the indispensable partner of the sixteenth president"--

Brave-hearted young Polly attempts to stop mean old Mr. Gum from poisoning Jake, a huge dog adopted by the town of Lamonic Bibber that keeps destroying Mr. Gum's garden, and thus provoking the angry fairy who lives there. Includes a glossary of such English terms as gob and trouserface.

A bold new collection showcasing the trailblazing individuals who fought for women’s suffrage, honoring the Nineteenth Amendment’s centennial anniversary. On August 18, 1920, women in the United States secured their right to vote with the passage of the Nineteenth Amendment to the Constitution. Their fight for suffrage took decades of campaigning and marching, protesting and picketing, speeches and imprisonments. Millions of women across the country gave their all to achieve victory. From Lucretia Mott, who stoked the first flames of the suffrage movement in the 1800s, to Alice Paul, the militant twentieth-century suffragist who helped clinch ratification, Women Win the Vote! maps the road to the Nineteenth Amendment through the lives of nineteen of these fierce and courageous women who paved the way. With vivid profiles of iconic figures like Sojourner Truth and Elizabeth Cady Stanton, as well as those who may be less well-known, like Mary Ann Shadd Cary and Adelina Otero-Warren, this vibrant collection celebrates the one hundredth anniversary of the Nineteenth Amendment and the daring individuals who upended tradition to empower future generations of women.

Melissa Stanton's The Stay-at-Home Survival Guide is an all-encompassing, truth-telling how-to book that addresses the many practical and psychological issues facing stay-at-home moms today. How do you create time for yourself? Is there really time to do it all (feed the kids, keep them busy, clean the house, balance the checkbook, and take a shower)? How do you deal with the absence of the "professional you"? An invaluable resource for mothers, The Stay-at-Home Survival Guide includes interviews with stay-at-home moms, discussions with experts (family therapists, educators, medical specialists, career counselors), checklists to help you make the most of your time and keep you balanced, and Melissa Stanton's own experiences leaving a career as an editor for People magazine to become a stay-at-home mom herself.

From New York Times bestselling author Simon Baatz, the first comprehensive account of the murder that shocked the world. In 1901 Evelyn Nesbit, a chorus girl in the musical Florodora, dined alone with the architect Stanford White in his townhouse on 24th Street in New York. Nesbit, just sixteen years old, had recently moved to the city. White was forty-seven and a principal in the prominent architectural firm McKim, Mead & White. As the foremost architect of his day, he was a celebrity, responsible for designing countless landmark buildings in Manhattan. That evening, after drinking champagne, Nesbit lost consciousness and awoke to find herself naked in bed with White. Telltale spots of blood on the bed sheets told her that White had raped her. She told no one about the rape until, several years later, she confided in Harry Thaw, the millionaire playboy who would later become her husband. Thaw, thirsting for revenge, shot and killed White in 1906 before hundreds of theatergoers during a performance in Madison Square Garden, a building that White had designed. The trial was a sensation that gripped the nation. Most Americans agreed with Thaw that he had been justified in killing White, but the district attorney expected to send him to the electric chair. Evelyn Nesbit's testimony was so explicit and shocking that Theodore Roosevelt himself called on the newspapers not to print it verbatim. The murder of White cast a long shadow: Harry Thaw later attempted suicide, and Evelyn Nesbit struggled for many years to escape an addiction to cocaine. The Girl on the Velvet Swing, a tale of glamour, excess, and danger, is an immersive, fascinating look at an America dominated by men of outsize fortunes and by the women who were their victims.

The long-awaited collection of James the Stanton's beloved Gnartoons comics is here! Drink a 40 with a skateboarding dog, light a cop car on fire with a herd of friendly forest critters, and eat a pizza brunch with a bunch of radical dinosaurs. Stanton's trademark trippy humor wriggles and shines its way through each lushly illustrated comic vignette, now lovingly presented in a deluxe hardcover.

Also available in an open-access, full-text edition at http://oaktrust.library.tamu.edu/handle/1969.1/86080 The black sun, an ages-old image of the darkness in individual lives and in life itself, has not been treated hospitably in the modern world. Modern psychology has seen darkness primarily as a negative force, something to move through and beyond, but it actually has an intrinsic importance to the human psyche. In this book, Jungian analyst Stanton Marlan reexamines the paradoxical image of the black sun and the meaning of darkness in Western culture. In the image of the black sun, Marlan finds the hint of a darkness that shines. He draws upon his clinical experiences—and on a wide range of literature and art, including Goethe’s Faust, Dante’s Inferno, the black art of Rothko and Reinhardt—to explore the influence of light and shadow on the fundamental structures of modern thought as well as the contemporary practice of analysis. He shows that the black sun accompanies not only the most negative of psychic experiences but also the most sublime, resonating with the mystical experience of negative theology, the Kabbalah, the Buddhist notions of the void, and the black light of the Sufi Mystics. An important contribution to the understanding of alchemical psychology, this book draws on a postmodern sensibility to develop an original understanding of the black sun. It offers insight into modernity, the act of imagination, and the work of analysis in understanding depression, trauma, and transformation of the soul. Marlan’s original reflections help us to explore the unknown darkness conventionally called the Self. The image of Kali appearing in the color insert following page 44 is © Maitreya Bowen, reproduced with her permission,[email protected].