A powerful and sombre account of the horrific violence of World War II.

1942, at the Eastern Front. Soldiers crouch in horrible holes in the ground, mingling with corpses. Tunneled beneath a radio mast, German soldiers await the order to blow themselves up. Russian tanks, struggling to break through enemy lines, bog down in a swamp, while a German runner, bearing messages from headquarters to the front, scrambles desperately from shelter to shelter as he tries to avoid getting caught in the action. Through it all, Russian artillery—the crude but devastatingly effective multiple rocket launcher known to the Germans as the Stalin Organ and to the Russians as Katyusha—rains death upon the struggling troops. Comparable to such masterpieces of war literature as Ernst Jünger's Storm of Steel and Erich Remarque's All Quiet on the Western Front, The Stalin Front is a harrowing, almost photographic, description of violence and devastation, one that brings home the unforgiving reality of total war.

Completely updated for the twenty-first century, this reference presents definitions and origins of thousands of words, idioms, catchphrases, slogans, nicknames, and events from TV, literature, music, comic strips, and computer games.

Based on meticulous research in previously unavailable documents in the Soviet archives, this compelling book illuminates the secret inner mechanisms of power in the Soviet Union during the years when Stalin established his notorious dictatorship. Oleg V. Khlevniuk focuses on the top organ in Soviet Russia's political hierarchy of the 1930s--the Political Bureau of the Central Committee of the Communist Party--and on the political and interpersonal dynamics that weakened its collective leadership and enabled Stalin's rise. Khlevniuk's unparalleled research challenges existing theories of the workings of the Politburo and uncovers many new findings regarding the nature of alliances among Politburo members, Sergei Kirov's murder, the implementation of the Great Terror, and much more. The author analyzes Stalin's mechanisms of generating and retaining power and presents a new understanding, unmatched in texture and depth, of the highest tiers of the Communist Party in a crucial era of Soviet history.

"As it was 1938 to1954 Germany" is the captivating coming - of - age story of a boy during the most tumultuous period of the 20th Century on a farm near Berlin. As North Americans we have little opportunity to know about that period except from the Allied perspective. It is enlightening to learn about the human struggles of a farm family through and in the early years after the war. Readers will be rewarded by immersing themselves in Christians detailed memoir of his childhood years. The book is an easy read, both suspenseful and humorous. A most enjoyable and engaging read. Robert McFetridge Bowser, BC, Canada Christian's book is an amazing collection of his childhood memories growing up during WW2. The incredible detail in which he recollects the many twists and turns made this book a real page turner. I couldn't put it down and it reminded me of the stories my father shared of his childhood during the same time period. Anyone who wants to understand how this generation learned how to make the best out of the most difficult situations and to never lose hope will enjoy Christian's book. Michel Luhnau Calgary, AB, Canada

History, they say, is written by the victors, and to date that has certainly been true of World War II. What few German accounts do exist are, furthermore, generally written by those in positions of authority, not by the soldiers and airmen who fought in the front line. Servants of Evil shows us, for the first time, the Second World War as seen from "the other side" — by the boys and men who went to war believing in the Reich and in victory, only to see the myth of German invincibility crumble in the face of supposed impossibilities: the fighting ability and determination of the Russians; the strength of the Royal Air Force; the defeat of the U-boats by improved radar technology; the might and remarkable manufacturing capability of the USA — and, finally, the fall of Berlin.

“Music illuminates a person and provides him with his last hope; even Stalin, a butcher, knew that.” So said the Russian composer Dmitri Shostakovich, whose first compositions in the 1920s identified him as an avant-garde wunderkind. But that same singularity became a liability a decade later under the totalitarian rule of Stalin, with his unpredictable grounds for the persecution of artists. Solomon Volkov—who cowrote Shostakovich’s controversial 1979 memoir, Testimony—describes how this lethal uncertainty affected the composer’s life and work. Volkov, an authority on Soviet Russian culture, shows us the “holy fool” in Shostakovich: the truth speaker who dared to challenge the supreme powers. We see how Shostakovich struggled to remain faithful to himself in his music and how Stalin fueled that struggle: one minute banning his work, the next encouraging it. We see how some of Shostakovich’s contemporaries—Mandelstam, Bulgakov, and Pasternak among them—fell victim to Stalin’s manipulations and how Shostakovich barely avoided the same fate. And we see the psychological price he paid for what some perceived as self-serving aloofness and others saw as rightfully defended individuality. This is a revelatory account of the relationship between one of the twentieth century’s greatest composers and one of its most infamous tyrants.

Winner of the Luigi Napolitano Award (2006) from the International Academy of Astronautics This book presents the fascinating story of the events that paved the way to space. It introduces the reader to the history of early rocketry and the subsequent developments that led into the space age. People of various nations and from various lands contributed to the breakthrough to space, and the book takes the reader to faraway places on five continents. It also includes many quotes to give readers a flavor of how the participants viewed the developments. Most publications on the topic either target narrow aspects of rocket history or are popular books that scratch the surface, with minimal and sometimes inaccurate technical details. This book bridges the gap. It contains numerous technical details usually unavailable in popular publications. The details are not overbearing and anyone interested in rocketry and space exploration will navigate through the book without difficulty. There are 340 figures and photographs, many appearing for the first time.

A magnificent new biography that revolutionizes our understanding of Stalin and his world It has the quality of myth: a poor cobbler’s son, a seminarian from an oppressed outer province of the Russian empire, reinvents himself as a top leader in a band of revolutionary zealots. When the band seizes control of the country in the aftermath of total world war, the former seminarian ruthlessly dominates the new regime until he stands as absolute ruler of a vast and terrible state apparatus, with dominion over Eurasia. While still building his power base within the Bolshevik dictatorship, he embarks upon the greatest gamble of his political life and the largest program of social reengineering ever attempted: the collectivization of all agriculture and industry across one sixth of the earth. Millions will die, and many more millions will suffer, but the man will push through to the end against all resistance and doubts. Where did such power come from? In Stalin, Stephen Kotkin offers a biography that, at long last, is equal to this shrewd, sociopathic, charismatic dictator in all his dimensions. The character of Stalin emerges as both astute and blinkered, cynical and true believing, people oriented and vicious, canny enough to see through people but prone to nonsensical beliefs. We see a man inclined to despotism who could be utterly charming, a pragmatic ideologue, a leader who obsessed over slights yet was a precocious geostrategic thinker—unique among Bolsheviks—and yet who made egregious strategic blunders. Through it all, we see Stalin’s unflinching persistence, his sheer force of will—perhaps the ultimate key to understanding his indelible mark on history. Stalin gives an intimate view of the Bolshevik regime’s inner geography of power, bringing to the fore fresh materials from Soviet military intelligence and the secret police. Kotkin rejects the inherited wisdom about Stalin’s psychological makeup, showing us instead how Stalin’s near paranoia was fundamentally political, and closely tracks the Bolshevik revolution’s structural paranoia, the predicament of a Communist regime in an overwhelmingly capitalist world, surrounded and penetrated by enemies. At the same time, Kotkin demonstrates the impossibility of understanding Stalin’s momentous decisions outside of the context of the tragic history of imperial Russia. The product of a decade of intrepid research, Stalin is a landmark achievement, a work that recasts the way we think about the Soviet Union, revolution, dictatorship, the twentieth century, and indeed the art of history itself. Stalin: Waiting for Hitler, 1929-1941 will be published by Penguin Press in October 2017

Skin is the border of our body and, as such, it is that through which we relate to others but also what separates us from them. Through skin, we speak: when we display it, when we tan it, when we tattoo it, or when we mute it by covering it with clothes. Skin exhibits social relationships, displays power and the effects of power, explains many things about who we are, how others perceive us and how we exist in the world. And when it gets sick, it turns us into monsters. In Skin, Sergio del Molino speaks of these monsters in history and literature, whose lives have been tormented by bad skin: Stalin secretly taking a bath in his dacha, Pablo Escobar getting up late and shutting himself in the shower, Cyndi Lauper performing a commercial for a medicine promising relief from skin disease, John Updike sunburned in the Caribbean, Nabokov writing to his wife from exile, ‘Everything would be fine, if it weren’t for the damned skin.’ As a psoriasis sufferer, Sergio del Molino includes himself in this gallery of monsters through whose stories he delves into the mysteries of skin. What is for some a badge of pride and for others a source of anguish and shame, skin speaks of us and for us when we don’t speak with words.