Criminoloogist Robin Odell has compiled this gruesome gallery of cases from all over the world, revealing the growth in serial slayings, contract killings and middle-class murders and investigating what motivates people to commit the ultimate crime. As well as gangsters and ordinary felons, the book includes doctors, millionaries, housewives, children, lawyers, accountants, officers and gentlemen who have succumbed to the killing instinct. Behind the sensational names concocted by the tabloid press - 'Boston Strangler', 'Dracula Killer', 'Night Stalker', 'Granny Killer' - lurk real murderers committing acts of violence in circumstances often more bizarre than fiction. Arranged in an easy-to-use A-Z format, the book contains over 500 cases from serial killers such as Dennis Nilsen and Ted Bundy, to those such as Jeremy Bamber and Steven Benson who dispatched their parents for money; from murderous New Zealand teenagers whose story made a successful film, to the many doctors and nurses who took life instead of saving it; from unsolved murders such as the murder of Little Gregory in France to the paid assignments of John Waynes Hearn, a Vietnam veteran who killed to order. The result is a classic of true crime, a definitive work on murder as a worldwide phenomenon.

An updated and enlarged edition of an annotated collection originally published more than 20 years ago, Bloody Versicles serves as two books in one: an anthology of ribald, moralistic, sad, yet amusing and entertaining verse relating to specific crimes; and a small encyclopedia of select criminals and their wrongdoings.Some of the "crhymes," such as "Lizzie Borden took an axe...," are famous, but most are familiar only to students of particular cases. They have been selected from sources in the United States, England and Scotland, Australia, and France and are representative of all major categories of offenses, with murder inspiring the largest section.

This study reveals the presence of black people in all walks of life all over the British Isles at the height of the imperialist era - challenging conventional views on imperialism, racism and British social history. Historians of British society have largely ignored this most visible of minorities, and commentators on racism have been silent on the period.

The international Catholic weekly.

Green’s study is more than a biography of an Anglo-African composer.The first comprehensive study of Coleridge-Taylor’s life for almost a century, it reveals how class-ridden Britain could embrace even the most unlikely of cultural icons.

The 13th edition of the International Who's Who in Poetry is a unique and comprehensive guide to the leading lights and freshest talent in poetry today. Containing biographies of more than 4,000 contemporary poets world-wide, this essential reference work provides truly international coverage. In addition to the well known poets, talented up-and-coming writers are also profiled. Contents: * Each entry provides full career history and publication details * An international appendices section lists prizes and past prize-winners, organizations, magazines and publishers * A summary of poetic forms and rhyme schemes * The career profile section is supplemented by lists of Poets Laureate, Oxford University professors of poetry, poet winners of the Nobel Prize for Literature, winners of the Pulitzer Prize for American Poetry and of the King's/Queen's Gold medal and other poetry prizes.

In 1972, in an attempt to elevate the stature of the "crime novel," influential crime writer and critic Julian Symons cast numerous Golden Age detective fiction writers into literary perdition as "Humdrums," condemning their focus on puzzle plots over stylish writing and explorations of character, setting and theme. This volume explores the works of three prominent British "Humdrums"--Cecil John Charles Street, Freeman Wills Crofts, and Alfred Walter Stewart--revealing their work to be more complex, as puzzles and as social documents, than Symons allowed. By championing the intrinsic merit of these mystery writers, the study demonstrates that reintegrating the "Humdrums" into mystery genre studies provides a fuller understanding of the Golden Age of detective fiction and its aftermath.