By “our premier writer about jazz and the blues...and a fictional tale spinner in the grand Southern tradition” (Washington Post Book World), The Spyglass Tree is a deeply affecting novel of elegant, lyrical reminiscence and profound sophistication about a young black man’s advent into the world of academia—an imaginary Alabama college—in the 1930s. Admist the excitement of the world of ideas and adventures with new friends, Scooter sallies into “the territory of the blues,” where recollection becomes legend. Here he learns to deal with the vicissitudes of life—the complexities of family ties and camaraderie, his sexuality, pride of excellence in school, the darker realities of history and human passion—through confrontation and improvisation, and with style and courage. “[The Spyglass Tree] strikes a perfect balance between the black folk tradition and Faulknerian rumination....One reads this very fine novel for the glissando effect of its language, the vibrancy of its characters and the unabashed pleasure Mr. Murray takes in nostalgia for its own sake...with level-headed clarity and honesty.”—The New York Times Book Review

By “our premier writer about jazz and the blues . . . and a fictional tale spinner in the grand Southern tradition” (Washington Post Book World), The Spyglass Tree is a deeply affecting novel of elegant, lyrical reminiscence and profound sophistication about a young black man’s advent into the world of academia—an imaginary Alabama college—in the 1930s. Admist the excitement of the world of ideas and adventures with new friends, Scooter sallies into “the territory of the blues,” where recollection becomes legend. Here he learns to deal with the vicissitudes of life—the complexities of family ties and camaraderie, his sexuality, pride of excellence in school, the darker realities of history and human passion—through confrontation and improvisation, and with style and courage. “[The Spyglass Tree] strikes a perfect balance between the black folk tradition and Faulknerian rumination. . . . One reads this very fine novel for the glissando effect of its language, the vibrancy of its characters and the unabashed pleasure Mr. Murray takes in nostalgia for its own sake . . . with level-headed clarity and honesty.”—The New York Times Book Review

This is the first book-length study of the writings, work, and life of Renaissance man and Alabama native Albert Murray. The collection consists of essays and interviews written by prominent scholars of African American literature, jazz, and Albert Murray that illustrate Murray's place as a central figure in African American arts and letters and as an American cultural pioneer. Book jacket.

This reader’s guide provides uniquely organized and up-to-date information on the most important and enjoyable contemporary English-language novels. Offering critically substantiated reading recommendations, careful cross-referencing, and extensive indexing, this book is appropriate for both the weekend reader looking for the best new mystery and the full-time graduate student hoping to survey the latest in magical realism. More than 1,000 titles are included, each entry citing major reviews and giving a brief description for each book.

Definitions of modernism have been debated throughout the twentieth century. But both during the height of the modernist era and since, little to no consideration has been given to the work of minority writers as part of this movement. Considering works by writers ranging from B.A. Botkin, T.S. Eliot, Waldo Frank, and Jean Toomer to Pedro Pietri and Allen Ginsberg, these essays examine the disputed relationships between modernity, modernism, and American cultural diversity. In so doing, the collection as a whole adds an important new dimension to our understanding of twentieth-century literature.

In these conversations Murray discusses those who influenced him - Thomas Mann, Ernest Hemingway, Louis Armstrong, and Duke Ellington - and tells how they helped him develop a philosophy of art based on the blues as well as a new archetype of the American hero, the blues hero.

This book engages cosmopolitanism—a critical mode which moves beyond cultural pluralism by simultaneously privileging difference and commonality—in order to examine its particular deployment in the work of several African American writers. Deeply influenced and inspired by W. E. B. Du Bois, the writers closely examined in this study—Jean Toomer, Jessie Fauset, Langston Hughes and Albert Murray—have advanced cosmopolitanism to meet its own theoretical principals in the contested arena of racial discourse while remaining integral figures in a larger tradition of cosmopolitan thought. Rather than become mired in fixed categorical distinctions, their cosmopolitan perspective values the pluralist belief in the distinctiveness of different cultural groups while allowing for the possibility of inter-ethnic subjectivities, intercultural affiliations and change in any given mode of identification. This study advances cosmopolitanism as a useful model for like-minded critics and intellectuals today who struggle with contemporary debates regarding multiculturalism and universalism in a rapidly, yet unevenly, globalizing world.

Never stay out after the Switching Hour... never let the outside in... Amaya lives in a land where the doors must be locked after the Switching Hour, to keep out Badoko, a creature that snatches people away to eat their dreams. When her small brother Kaleb is taken by Badoko, Amaya must journey into the terrifying forest to rescue him.

Costa Book of the Year: This novel of science, magic, murder, and a determined Victorian-era teenager is a “heady concoction . . . absolutely unforgettable” (Kirkus Reviews, starred review). Faith Sunderly leads a double life. To most people, she is modest and well mannered—a proper young lady who knows her place. But inside, Faith is burning with questions and curiosity. She keeps sharp watch of her surroundings and, therefore, knows secrets no one suspects her of knowing—like the real reason her family fled to the close-knit island of Vane. And that her father’s death was no accident. In pursuit of revenge and justice for the father she idolizes, Faith hunts through his possessions, where she discovers a strange tree. A tree that bears fruit only when she whispers a lie to it. The fruit, in turn, delivers a hidden truth. The tree might hold the key to her father’s murder. Or, it might lure the murderer directly to Faith herself, for lies—like fires, wild and crackling—quickly take on a life of their own. “Frances Hardinge has joined the ranks of those writers of young-adult fiction, like Philip Pullman, whose approach to fantasy proves so compelling that they quickly develop an adult following, and The Lie Tree is a good demonstration of why this is so . . . [a] page-turner.” —Locus “The time is nineteenth-century England just after Darwin’s theory of evolution has thrown the scientific world into turmoil; the setting is the fictional island of Vane, between land and sea; the main character is a fourteen-year-old girl caught between society’s expectations and her fierce desire to be a scientist. . . . A stunner.” —The Horn Book (starred review) “A murder mystery that dazzles at every level, shimmering all the more brightly the deeper down into it you go.” —Chicago Tribune “Haunting, and darkly funny . . . features complex, many-sided characters and a clear-eyed examination of the deep sexism of the period, which trapped even the most intelligent women in roles as restrictive as their corsets.” —Publishers Weekly (starred review) “Hardinge, who can turn a phrase like no other, melds a haunting historical mystery with a sharp observation on the dangers of suppressing the thirst for knowledge.” —School Library Journal (starred review)