Frank Benson's masterpiece paintings of turn-of-the-century American society, New England's ports and country, and wildlife and sporting subjects, are among the most popular American works of art. His sparkling plein air painting of young women in white dresses are widely reproduced and his etchings and sporting paintings are generally considered to be some of America's best. This first full-scale monograph on Benson's entire career, summarizes his progress from his early promise as a young art student at the Academie Julian in Paris to his leading role as a teacher, portraitist, and painter in Boston and New England. Benson is particularly acclaimed for his splendid outdoor, sun-dappled portraits of members of his family, often in settings on the Maine coastline, as well as for his later, archetypal works of wildfowl, fishing, and hunting.

A rare collection of all fifty-five of Frank Benson's etchings in the hunting and fishing genre.

Frank Benson, a pivotal artist of the American Impressionist movement had three great loves in his long and productive life: his family, his art, and the sporting life. As a boy, Benson dreamed of being an ornithological illustrator. In mid-life, after an extremely successful career as a portraitist, he returned to the wildfowl and sporting subjects that were his lifelong passion. Over the next forty years, in etching, lithography, watercolor, and oil and wash, he portrayed birds beloved since childhood, scenes of his hunting and fishing expeditions, and still lives of incomparable delicacy. Whether painting a hunter setting out decoys, a wash of geese by moonlight, a watercolor of a companion poised to gaff a salmon, or an etching of a group of ducks silently gliding in for a landing, Benson conveyed the joy and beauty of a sportsman's life.

Published to accompany the exhibition of the same name held at the Farnsworth Art Museum (Rockland, Me.), June 16th-Oct. 21st 2012.

Published to coincide with an exhibition of the nineteenth-century artist's fly-fishing paintings, an examination of the author's inspirations and works notes his use of watercolors and his insight into the sport that enabled him to convey its realities through his creations.

With Zero to Infinity: Arte Povera 1962-1972, the Walker Art Center and the Tate Modern have undertaken an ambitious project - to represent an important yet seldom seen period in Italian modern art. As the U. S. tour sponsor of Zero to Infinity: Arte Povera 1962-1972, the Italian Trade Commission is proud to share the Walker Art Center's enthusiasm in illustrating the evolution of artistic expression in Italy as reflected in all aspects of Italian life.

In this impressive book, Barbara Keys offers the first major study of the political and cultural ramifications of international sports competitions in the decades before World War II. Focusing on the United States, Nazi Germany, and the Soviet Union, she examines the transformation of events like the Olympic Games and the World Cup from relatively small-scale events to the expensive, political, globally popular extravaganzas familiar to us today.

What Argenteuil in the 1870s was to French Impressionists, Cos Cob between 1890 and 1920 was to American Impressionists Childe Hassam, Theodore Robinson, John Twachtman, J. Alden Weir, and their followers. These artists and writers came together to work in the modest Cos Cob section of Greenwich, Connecticut, testing new styles and new themes in the stimulating company of colleagues. This beautiful book is the first to examine the art colony at Cos Cob and the role it played in the development of American Impressionist art. During the art-colony period, says Susan Larkin, Greenwich was changing from a farming and fishing community to a prosperous suburb of New York. The artists who gathered in Cos Cob produced work that reflects the resulting tensions between tradition and modernity, nature and technology, and country and city. The artists' preferred subjects -- colonial architecture, quiet landscapes, contemplative women -- held a complex significance for them, which Larkin explores. Drawing on maritime history, garden design, women's studies, and more, she places the art colony in its cultural and historical context and reveals unexpected depth in paintings of enormous popular appeal.

Porchlight’s Best Leadership & Strategy Book of The Year An inspiring memoir from the CEO of DICK’s Sporting Goods that is “not only entertaining but will be of great value to any entrepreneur” (Phil Knight, New York Times bestselling author of Shoe Dog), this book shows how a trailblazing business was created by giving back to the community and by taking principled, and sometimes controversial, stands—including against the type of weapons that are too often used in mass shootings and other tragedies. It’s How We Play the Game tells the story of a complicated founder and an ambitious son—one who transformed a business by making it about more than business, conceiving it as a force for good in the communities it serves. In 1948, Ed Stack’s father started Dick’s Bait and Tackle in Binghamton, New York. Ed Stack bought the business from his father in 1984, and grew it into the largest sporting goods retailer in the country, with 800 locations and close to $9 billion in sales. The transformation Ed wrought wasn’t easy: economic headwinds nearly toppled the chain twice. But DICK’s support for embattled youth sports programs earned the stores surprising loyalty, and the company won even more attention when, in the wake of yet another school shooting—at Marjory Stoneman Douglas High School in Parkland, Florida—it chose to become the first major retailer to pull all semi-automatic weapons from its shelves, raise the age of gun purchase to twenty-one, and, most strikingly, destroy the assault-style-type rifles then in its inventory. With vital lessons for anyone running a business and eye-opening reflections about what a company owes the people it serves, It’s How We Play the Game is “a compelling narrative…In a genre that can frequently be staid, Mr. Stack’s corporate biography is deeply personal…[Features] surprising openness [and] interesting and humorous anecdotes” (Pittsburgh Post-Gazette).

This authoritative catalogue of the Corcoran Gallery of Art's renowned collection of pre-1945 American paintings will greatly enhance scholarly and public understanding of one of the finest and most important collections of historic American art in the world. Composed of more than 600 objects dating from 1740 to 1945.