This study examines the representation of gesture in modernist writing, performance and cinema.

Curiosity has been seen through the ages as the impulse that drives our knowledge forward and the temptation that leads us toward dangerous and forbidden waters. The question “Why?” has appeared under a multiplicity of guises and in vastly different contexts throughout the chapters of human history. Why does evil exist? What is beauty? How does language inform us? What defines our identity? What is our responsibility to the world? In Alberto Manguel’s most personal book to date, the author tracks his own life of curiosity through the reading that has mapped his way. Manguel chooses as his guides a selection of writers who sparked his imagination. He dedicates each chapter to a single thinker, scientist, artist, or other figure who demonstrated in a fresh way how to ask “Why?” Leading us through a full gallery of inquisitives, among them Thomas Aquinas, David Hume, Lewis Carroll, Rachel Carson, Socrates, and, most importantly, Dante, Manguel affirms how deeply connected our curiosity is to the readings that most astonish us, and how essential to the soaring of our own imaginations.

A comprehensive bibliography of secondary works on Henry James.

A world list of books in the English language.

This is the third and final volume in the trilogy by Colin Richmond on the Paston family in the 15th century, completing the sequence which began with The First Phase and continued with Fastolf's Will. This volume deals with the later years of the century and those topics and themes which arise at that point in the family's history. The principal characters are John Paston II, his younger brother John Paston III, and their mother, Margaret Paston. Richmond deals with a variety of issues, some of which have arisen in previous volumes and attempts some judgements on the role of the English gentry in the later middle ages.

In this 1982 study, Dr Mengham sets out to uncover the systematic basis of the quality of secretiveness in Green's writing.

This materialist study of the short story’s development in three diverse magazines reveals how, at the dawn of modernism, commercial pressures prompted modernist formal innovation in popular magazines, whilst anti-commercial opacity paradoxically formed the basis of an effective marketing strategy that appealed to elitism. Integrating methods of cultural studies with formal analyses, this study builds upon recent work challenging Andreas Huyssen’s provocative formation, the "great divide" of modernism.