Fifteen unsettling, disturbing, and dark tales set in places we know, places we've never been, and places we pray we'll never be. The strange beings that secretly police our universe...a zombie planet of the dead...a tragic tale of unrequited love...fear and paranoia at our most weak and frail...the assassin and his redemption which comes too late...the mysterious cure that will save a priest...the dark secrets of deepest Africa...the evil magician trapped in a tower...the modern bloodsuckers that lurk on a Greek isle...what happens to time travellers when their mission goes wrong...the little boy who is scared of his brother...what will happen when the sacred holy gene is discovered...the patient at a mental institution whose demons are very real...and a young man with special and unusual gifts...welcome to The Splendour of Shadows.

Arochukwu kingdom has a great history, made more profound and authentic by its deep-rooted culture and traditions. Also, it's richly endowed with abundance of human and material resources, enough to transform it into an enviable society. This was demonstrated by the socio-economic and political exploits of our forebears in the 18th and 19th centuries when the kingdom was a Mecca of sorts. This book is incisive, thought provoking and a compendium of thoroughly researched data on Arochukwu history and civilization. It is authored by Aro citizens themselves and draws attention to some of the salient issues and grey areas which are yet to be successfully resolved by researchers.

Reproduction of the original. The publishing house Megali specialises in reproducing historical works in large print to make reading easier for people with impaired vision.

A comprehensive overview of Japanese art between 1865 and 1915. The Splendour of Modernity presents a comprehensive overview of Japanese art from 1865 to 1915, including painting, calligraphy, sculpture, prints, ceramics, lacquerware, textiles, basketry, metalwork, and cloisonné. It challenges misconceptions that foreign influence diluted the supposed authenticity of Japanese art during this era. Instead, Rosina Buckland highlights the development of distinctively Japanese artistic practices in response to new stimuli from overseas. The book also dispels assumptions of artistic decline in the early Meiji era by examining the period from 1865 to 1885. Meticulously researched and beautifully illustrated, this captivating book showcases the resilience, innovation, and enduring beauty of Japanese art during a transformative period marked by Japan’s global engagement and artistic evolution.

The new "Catechism of the Catholic Church," the first since the Council of Trent four centuries ago, will play a major part in shaping the consciousness of Roman Catholic Christians of the foreseeable future. Not only will it remain the foundational text for teaching Catholic doctrine for years to come, but it successfully consolidates the achievements of the Second Vatican Council, and presents the definitive modern synthesis of the Church's ever-living Tradition. Aidan Nichol's study introduces the reader to the doctrinal teaching of this massive text of almost three thousand clauses. Commenting on the vital first part of the Catechism section by section, he succeeds in highlighting its principal themes while drawing attention to the significance of the way they have been handled. More sympathetic to the intentions of the Catechism's authors than some other recent commentators, Nichols is sensitive to the nuances of this magisterial text, and its immense theological import.

Book three in the stunning Neyler family saga. It is 1931, and once again Europe is heading towards disaster. Life must go on however, and a new generation of the Neyler family are making their way in this turbulent world. Louis Rose, the self-confessed black sheep of the family, returns to England for his father's funeral and is greeted with more bad news: he has lost his mistress to his young nephew. Louis' son Simon, meanwhile, has matured and is embarking on his first love affair. The family hope he’ll have more luck in love that his father. Valentine Neyler, Simon's cousin, visits Berlin for the Olympics, but finds herself experiencing first-hand the prejudice which is gripping Germany. Before she knows it she is caught up in the tragedy of a Jewish family struggling to escape the Nazi horror. Dramas, joys and sorrows intertwine and unfold in this inspiring and moving saga, set against the poignant background of a world hurtling towards war, from the Sunday Times bestselling author Katie Flynn.

The Life of Margaret Alice Murray: A Woman’s Work in Archaeology is the first book-length biography of Margaret Alice Murray (1863–1963), one of the first women to practice archeology. Despite Murray’s numerous professional successes, her career has received little attention because she has been overshadowed by her mentor, Sir Flinders Petrie. This oversight has obscured the significance of her career including her fieldwork, the students she trained, her administration of the pioneering Egyptology Department at University College London (UCL), and her published works. Rather than focusing on Murray’s involvement in Petrie’s archaeological program, Kathleen L. Sheppard treats Murray as a practicing scientist with theories, ideas, and accomplishments of her own. This book analyzes the life and career of Margaret Alice Murray as a teacher, excavator, scholar, and popularizer of Egyptology, archaeology, anthropology, linguistics, and more. Sheppard also analyzes areas outside of Murray’s archaeology career, including her involvement in the suffrage movement, her work in folklore and witchcraft studies, and her life after her official retirement from UCL.

Iconoclasm – the alteration, destruction, or displacement of icons – is usually considered taboo or profane. But, on occasion, the act of destroying the sacred unintentionally bestows iconic status on the desecrated object. Iconoclasm examines the reciprocity between the building and the breaking of images, paying special attention to the constructive power of destructive acts. Although iconoclasm carries with it inherently religious connotations, this volume examines the shattering of images beyond the spiritual and the sacred. Presenting responses to renowned cultural anthropologist and theorist Michael Taussig, these essays centre on conceptual iconoclasm and explore the sacrality of objects and belief systems from historical, cultural, and disciplinary perspectives. From Milton and Nietzsche to Paul Newman and Banksy, through such diverse media and genres as photography, the popular romance novel, pornography, graffiti, cinema, advertising, and the dictionary, this book questions how icons and iconoclasms are represented, the language used to describe them, and the manner in which objects signify once they are shattered. An interdisciplinary, disconnected, and non-linear consideration of the historical and contemporary relationship between the sacred and the profane, Iconoclasm disrupts entrenched views about the revered or reviled idols present in most aspects of daily life. Contributors include T. Nikki Cesare Schotzko (Toronto), Christopher van Ginhoven Rey (Pomona College), Helen Hester (West London), Emily Hoffman (Arkansas Tech), Natalie B. Pendergast (Yukon College), Beth Saunders (Maryland), Adam Swann (Glasgow), Michael Taussig (Columbia), Angela Toscano (Iowa), Brendon Wocke (Perpignan).