This volume offers a detailed consideration of the style, technology, and iconographic implications of the art of the Scythians, organized by object typology and chronology, and considered against a broader historical, expressive, and technical background; that of the Scythians' Eurasian sources, of earlier and contemporary West Asian cultures, and of the Hellenic culture which emerged beside that of the Scythians in the northern littoral of the Black Sea.

This book examines the cultural heritage of Inner Eurasia (Central Asia) through the arts, from prehistoric times to the ancient and medieval golden ages. The manuscript features extensive analysis of multiple Inner Eurasian cultural groups, their artistic traditions, and the development thereof throughout the region’s history.

Designed to meet the curriculum needs of students from grades 7-12, this five-volume encyclopedia explores the history and civilizations of the ancient world from prehistory to approximately 1000 CE. Organized alphabetically within geographical volumes on Africa, Europe, the Americas, Southwest Asia, and Asia and the Pacific, entries cover the social, political, scientific and technological, economic, and cultural events and developments that shaped the ancient world in all areas of the globe. Each volume explores significant civilizations, personalities, cultural and social developments, and scientific achievements in its geographical area. Boxed features include Link in Time, Link in Place, Ancient Weapons, Turning Points, and Great Lives. Each volume also includes maps, timelines and illustrations; and a glossary, bibliography and indexes complete the set.

Fascinating discussions of fifth-century Athens and its modern interpretation

Central to this study is the image of the deer within the iconography of the Early Nomads of South Siberia. By examining the symbolic structures revealed in the art and archaeology of the Early Nomads, the author challenges existing theories regarding Early Nomadic cosmology. The reconstruction of meanings embedded in the deer image carries the investigation back to rock carvings, paintings, and monolithic stelae of South Siberia and northern Central Asia, from the Neolithic period down through the early Iron Age. The succession of images dominating that artistic tradition is considered against the background of cultures — including the Baykal Neolithic Afanasevo, Okunev, Andronovo, and Karasuk — evolving from a hunting-fishing dependency to a dependency on livestock. The archaic mythic traditions of specific Siberian groups are also found to lend critical detail to the changing symbolic systems of South Siberia.