The Splendor and Opulence of the Past traces the career of Jaume Caresmar (1717–1791), a church historian and a key figure of the Catalan Enlightenment who transcribed tens of thousands of parchments to preserve and glorify Catalonia's medieval past in the face of its diminishing autonomy. As Paul Freedman shows, Caresmar's books, essays, and transcriptions—some only recently discovered—provide fresh insights into the Middle Ages as remembered in modern Catalonia and illustrate how a nation's past glories and humiliations can inform contemporary politics and culture. From the ninth to the sixteenth centuries, Catalonia was a thriving, independent set of principalities within what would become modern Spain. In the wake of the dismantling of its autonomy by the eighteenth-century Spanish state, Catalan scholars looked to the region's medieval independence and wealth as a means of maintaining a distinct Catalan identity and resisting Castilian hegemony. Through their writings and archival investigations, Caresmar and the canons at Santa Maria de Bellpuig de les Avellanes, where Caresmar was abbot, laid the foundations for not only the scholarly exploration of the Middle Ages but also the development of Catalan national sentiment. Although the eighteenth century is often regarded as a low point for the Catalan language and culture, The Splendor and Opulence of the Past emphasizes the importance of this period's antiquarians to Catalan projects of modernization and economic progress and links their historiography of the Middle Ages to struggles over Catalonia's relationship to the Spanish state over two centuries.

Colette Ghysels herself provides detailed captions for all the illustrations, identifying materials and craft methods, giving tribal names and uses for the objects, and offering a more sophisticated appreciation not only of the value, rarity, and significance, but of the beauty of each work.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant. -- Provided by publisher.

SLVIA . . . decades ago, an AI program escaped the NSA Lawrence Livermore Laboratory, and has never been re-captured . . . true story. Following a brutal massacre, the Ethiopian Ark of the Covenant – a revered religious artifact – sells on the international black market. Soon afterward, the death of an aging Saudi King spurs a flawed Saudi-Israeli peace deal, promoted by a polarizing former US president under criminal indictment and seeking political asylum. ​ Elsewhere, an assassin from the fanatical Solar Temple murder cult hunts down NSA fugitive Derek Taylor while he searches for an escaped US Defense artificial intelligence called the SLVIA. Breadcrumbs direct Taylor from Portugal to the Vatican, and then Israel to discover a mysterious copper scroll with an incredible ancient secret. ​ As a Temple Mount ceremony transforms into a blasphemous political theater - sparking fears of a modern-day Anti-Christ - Taylor learns the woman he loves, who once betrayed him, has fallen into the hands of the Russian oligarch who may have killed her father. ​ Now, Taylor faces an impossible choice; one that could change the world order, and likely cost him his life.