Marion Goldman and Steven Pfaff define a spiritual virtuoso as someone who works toward personal purification and a sense of holiness with the same perseverance and intensity that virtuosi strive to excel in the arts or athletics. Since the Protestant Reformation, activist virtuosi have come together in large and small social movements to redefine the meanings of spiritual practice, support religious equality, and transform a wide range of social institutions. Tracing the impact of spiritual virtuosi from the sixteenth century Reformation through the nineteenth-century Anti-Slavery Movement to the twentieth-century Human Potential Movement and beyond, Marion Goldman and Steven Pfaff explore how personal virtuosity can become a social force. Martin Luther began to expand spiritual possibilities in the West when he charted paths that did not require the Church's intercession between the individual and God. He believed that everyone could and should reach toward sacred truths and transcendent moments. Over the centuries, millions of people have built on his innovations and embarked on spiritual quests that offer new possibilities for sacred relationships and social change.

What is the secret of people who die contented and fulfilled? What makes it possible for them to attain such spiritual heights as they approach their physical demise? What enables them to make death a completion of life, rather than a tragic end? And what can they teach us about life and death, love and loss, grief and spiritual growth? The way we die, like the way we live, makes a difference—in our lives and the lives of others. From time to time during his work as a pastor, John Fanestil has witnessed someone dying with remarkable and uplifting grace. Fanestil was moved yet puzzled by the spirit of happiness and holiness he observed. Contemporary literature on dying, filled with talk of anger, acceptance, and forgiveness, provided little to explain it. But the chance discovery of articles about the ritual of the “happy death” in religious magazines from the eighteenth and nineteenth centuries brought Fanestil the answers he sought. Mrs. Hunter’s Happy Death blends the captivating historical accounts Fanestil uncovered with his own pastoral experiences to reveal the secrets that enable people to transcend pain and suffering and embrace death as a completion of life, not as a tragic end. A fascinating introduction to a historic approach to death and its contemporary incarnations, Mrs. Hunter’s Happy Death also offers specific lessons on living and dying, from the “exercise of prayer” to the “labor of love” to “bearing testimony.” With the spread of in-home medical and hospice care, death is once again being embraced as a natural part of life, infused with profound emotional and spiritual dimensions. The inspiring stories in Mrs. Hunter’s Happy Death beautifully demonstrate that the way we die, like the way we live, makes a supreme difference—in our lives and in the lives of others.

Virtuosi A Defense and a (Sometimes Erotic) Celebration of Great Pianists Mark Mitchell A bravura performance! "Vigorous, opinionated, and always entertaining, here is a personal essayist of great charm and sincerity. Mitchell's erudition—his collection of odd and illuminating bits of knowledge—is always a delight and adds a sauce piquanteto the whole dish!" —Edmund White "...a literary work of real élan, vibrancy, and grace—the very qualities that in his view define the virtuoso. [Mr. Mitchell explores] the traditional linking of musical and sexual virtuosity, the ethical implications of the original instruments' movement, the near deification of Mozart in Anglo-Saxon culture, and, in a particularly witty section, the relationship of the virtuoso to his stool. Throughout, Mr. Mitchell's prose is humorous, intimate, and unapologeticaly polemical." —Cynthia Ozick The artistic merit of performers with superior technique has long been almost ipso facto denied. At last, Mark Mitchell launches a counterattack. In essays crackling with pianistic lore, Mitchell takes on topics such as encores, prodigies, competitions, virtuosi in film and literature, and the erotics of musical performance. Liszt, Horowitz, and Argerich share these pages with the eccentric Pachmann, Ervin Nyiregyh ("the skid-row pianist"), and Liberace. The illustrations include rare portraits of long-forgotten girl prodigies, historic concert programs, and stills from a lost 1927 film on Beethoven. Punctuating this celebration of personal voice are vignettes, running from the beginnings of the author's obsession with the piano to the particularities of concert-going in Italy (where he now lives). Mark Mitchell's piano studies led to a friendship with Vladimir Horowitz and other pianistic luminaries. With David Leavitt he co-authored Italian Pleasures and co-edited Pages Passed from Hand to Hand. He also edited The Penguin Book of International Gay Writing.

When the artist moves into the classroom or community to educate and inspire students and audience members, this is Teaching Artistry. It is a proven means for practicing professional musicians to create a successful career in music, providing not only necessary income but deep and lasting satisfaction through engaging people in learning experiences about the arts. Filled with practical advice on the most critical issues facing the music teaching artist today--from economic and time-management issues of being a musician and teacher to communicating effectively with students--The Music Teaching Artist's Bible uncovers the essentials that every musician needs in order to thrive in this role. Author Eric Booth offers both inspiration and how-to, step-by-step guidance in this truly comprehensive manual that music teaching artists will turn to again and again. The book also includes critical information on becoming a mentor, succeeding in school environments, partnering with other teaching artists, advocating for music and arts education, and teaching private lessons. The Music Teaching Artist's Bible helps practicing and aspiring teaching artists gain the skills they need to build new audiences, improve the presence of music in schools, expand the possibilities of traditional and educational performances, and ultimately make their lives as an artists even more satisfying and fulfilling.

By examining the ideas of great thinkers from Kafka to Socrates, this text arrives at an alternative vision of spirituality, one that is non-dogmatic and practical, that should appeal to many seekers looking to make sense of the human condition.

Yoga. Humanistic Psychology. Meditation. Holistic Healing. These practices are commonplace today. Yet before the early 1960s they were atypical options for most people outside of the upper class or small groups of educated spiritual seekers. Esalen Institute, a retreat for spiritual and personal growth in Big Sur, California, played a pioneering role in popularizing quests for self-transformation and personalized spirituality. This “soul rush” spread quickly throughout the United States as the Institute made ordinary people aware of hundreds of ways to select, combine, and revise their beliefs about the sacred and to explore diverse mystical experiences. Millions of Americans now identify themselves as spiritual, not religious, because Esalen paved the way for them to explore spirituality without affiliating with established denominations The American Soul Rush explores the concept of spiritual privilege and Esalen’s foundational influence on the growth and spread of diverse spiritual practices that affirm individuals’ self-worth and possibilities for positive personal change. The book also describes the people, narratives, and relationships at the Institute that produced persistent, almost accidental inequalities in order to illuminate the ways that gender is central to religion and spirituality in most contexts.

What are we to make of direct spiritual experience? Of accounts of going to heaven or meeting angels? Traditional science would call these hallucinations or delusions. Clinical psychologist Dr. Mark Yama argues the opposite. Through interviews with his patients, he shows that underneath the visions and experiences there is a unifying spiritual reality apart from the material world. One of the stories recounted in this book is the experience of a woman who could see the future. In a spiritual transport, she was taken to heaven where truths were revealed to her that she later discovered were already written in Gnostic scripture. Another woman lived a life marked by a spiritual sensitivity that defied materialist explanation. After she passed away of cancer, she came to inhabit the consciousness of another of Dr. Yama's patients in the form of a benign possession. These stories, and many others, argue for a deeper reality that places spirituality on an equal footing with the material world.

Disillusioned with organized religion, some people escape into New Age movements and others retreat from their spiritual moorings altogether. A more satisfying and transformative option is to embark on a quest to discover God on your own. Using time-tested tools of spiritual investigation, it becomes possible to examine your present beliefs, explore the nature of God and sense of self, and ultimately expand your identity. This book is a classic and introduces readers to an age-old approach to spiritual inquiry. Included are seventeen universal techniques for developing a personal relationship with God and broadening your view of yourself, others, and all of life.