• Reveals how mask rituals are akin to shamanic journeying and allow the mask wearer to personify an ancestral presence, spirit, deity, or power • Examines animal guising and shows how mask customs are tied to creation myths and the ancestral founders of a people, tribe, city, or nation • Looks at morris dancers and mummers in the UK, Krampuslauf and Perchtenlauf in Germanic areas, the Gorgon myths of Greece, Norse Berserker rituals, and the annual Black Forest rite to awaken ensouled masks every spring There is a spiritual power in masks that transports one into realms unseen and gives voice to things unspoken. Within the context of ritual, putting on a mask places the wearer at the intersection between the present and the past, the living and the dead, this world and the Otherworld. Masks make it possible to activate ancient archetypes, with the mask wearer reanimating or personifying an ancestral presence or spirit, a deity or power, an animal or a being of the eldritch world. In this illustrated study, Nigel Pennick explores the magical and spiritual aspects of mask wearing from ancient times to the present. He examines the many mask traditions around Europe and shows how mask rituals are similar to shamanic journeying and near-death experiences and can induce ecstatic states that allow the power signified by the mask to take possession of the individual wearing it. He also looks at the practice of dressing up as sacred animals and mask wearing as it relates to ostenta, events that occur suddenly and without warning that are considered a token or sign from the Otherworld. Unveiling the sacred power of masks, the author shows how masks allow us to transport into realms unseen, embody ancestors and otherworldly entities, and connect with traditions that stretch back to time immemorial.

The archaeologists/authors continue to entertain an avid international audience with their rousing historical epic of adventure, triumph, and heartbreak of the pre-Columbian peoples who struggled to make this great continent their home.

Drawing on secondary works in archaeology, art history, folklore, ethnohistory, ethnography, and literature, the authors maintain that the mask is the central metaphor for the Mesoamerican concept of spiritual reality. Covers the long history of the use of the ritual mask by the peoples who created and developed the mythological tradition of Mesoamerica. Chapters: (1) the metaphor of the mask in Pre-Columbian Mesoamerica: the mask as the God, in ritual, and as metaphor; (II) metaphoric reflections of the cosmic order; and (III) the metaphor of the mask after the conquest: syncretism; the Pre-Columbian survivals; the syncretic compromise; and today's masks. Over 100 color and black-&-white photos.

Helps readers construct and decorate their own shamanic "mask of power"--symbol of their truest selves--to use in finding their real identity, relating their social and spiritual lives more closely, and participating in rituals to save Mother Earth. Original.

A showcase of Phyllis Galembo's extraordinary photographs of the costume, ritual and traditions of masquerade Mexico Phyllis Galembo has travelled all over the globe to sites of ritual masquerade. In Africa, the Caribbean, and now Mexico, she captures cultural performances with a subterranean political edge. Using a direct, unaffected portrait style, Galembo captures her subjects informally posed but often strikingly attired in traditional or ritualistic dress. Attuned to a moment's collision of past, present and future, Galembo finds the timeless elegance and dignity of her subjects. Masking is a complex, mysterious, and profound tradition in which the participants transcend the physical world and enter the spiritual realm. In her vibrant images, Galembo exposes an ornate code of political, artistic, theatrical, social and religious symbolism and commentary. Galembo highlights the creativity of the individuals morphing into a fantastical representation of themselves, having cobbled together materials gathered from the immediate environment to idealize their vision of mythical figures. While still pronounced in their personal identity, the subject's intentions are rooted in the larger dynamics of religious, political and cultural affiliation. Establishing these connections is a hallmark of Galembo's work.

As a social role the concept of the persona is useful in allowing an individual to move in and out of relationships without being too vulnerable. A persona can be the oil to ease potential social friction. A persona provides for some predictability of relationship, but wearing a mask may become a sub-personality preventing us from embracing our true spiritual identity.

2020 IBPA Awards Winner! Mask presents a striking collection of rare masks steeped in ancient tradition, captured through the lens of one of the world’s most celebrated documentary photographers. Celebrated photographer Chris Rainier has documented indigenous and endangered cultures worldwide. What began as a focus on the masks of New Guinea—where modernity threatened to erase ancient rituals and cultures—became an expansive journey to find and photograph traditional masks that has taken Rainier across six continents over the past thirty years. The result is this mesmerizing photographic collection of masks—some of them ancient, some newer, many hidden at the edges of the known world and rarely revealed to outsiders. Traditional masks are so often seen behind the glass of museum cabinets, divorced from their spiritual significance. But the masks in this collection are still being danced today, in countless cultures all over the world. Rainier conveys them pulsing with the rhythms of life, full of power and spiritual relevance. Through his stunning photography—at once mysterious and unguarded—Rainier takes us on a pilgrimage to experience masks and mask rituals: from those found at initiation rituals in Burkina Faso to Bön Buddhist masks long hidden in a Nepalese monastery in the high Himalayas, the raven and bear regalia of North American First Nation potlatches, and the terrifying, child-chasing Krampus masks of the Austrian Alps. Accompanying these striking images are a foreword by renowned essayist Pico Iyer, ethnographic notes from anthropologist Robert L. Welsch, and fascinating stories recounting Rainier’s journeys to distant lands to preserve and celebrate these objects of beauty and power and the cultures that produce them.

One of “the most comprehensive, erudite, and timely” explorations of power dynamics and authoritarianism in religions, institutions, relationships and even personal struggles (San Francisco Chronicle Book Review) Authoritarian control, which once held societies together, is now at the core of personal, social, and planetary problems, and thus a key factor in social disintegration. Authoritarianism is embedded in the way people think—hiding in culture, values, daily life, and in the very morality people try to live by. In The Guru Papers, authors Joel Kramer and Diana Alstad unmask authoritarianism in areas such as relationships, cults, 12-step groups, religion, and contemporary morality. Chapters on addiction and love show the insidious nature of authoritarian values and ideologies in the most intimate corners of life, offering new frameworks for understanding why people get addicted and why intimacy is laden with conflict. By exposing the inner authoritarian that people use to control themselves and others, the authors show why people give up their power, and how others get and maintain it.

This layman's guide is a thorough yet easy-to-understand study carefully examining various personality disorders, paving the way for the proposed remedy for dealing with these disorders in the church. Each chapter focuses on a single disorder and includes a real-life case study, a profile based on professional psychological descriptions, and a list of the feelings the disorder generates in others.

W. Anthony Sheppard considers a wide-ranging constellation of important musical works in this fascinating exploration of ritualized performance in twentieth-century music. Revealing Masks uncovers the range of political, didactic, and aesthetic intents that inspired the creators of modernist music theater. Sheppard is especially interested in the use of the "exotic" in techniques of masking and stylization, identifying Japanese Noh, medieval Christian drama, and ancient Greek theater as the most prominent exotic models for the creation of "total theater." Drawing on an extraordinarily diverse—and in some instances, little-known—range of music theater pieces, Sheppard cites the work of Igor Stravinsky, Benjamin Britten, Arthur Honegger, Peter Maxwell Davies, Harry Partch, and Leonard Bernstein, as well as Andrew Lloyd Webber and Madonna. Artists in literature, theater, and dance—such as William Butler Yeats, Paul Claudel, Bertolt Brecht, Isadora Duncan, Ida Rubenstein, and Edward Gordon Craig--also play a significant role in this study. Sheppard poses challenging questions that will interest readers beyond those in the field of music scholarship. For example, what is the effect on the audience and the performers of depersonalizing ritual elements? Does borrowing from foreign cultures inevitably amount to a kind of predatory appropriation? Revealing Masks shows that compositional concerns and cultural themes manifested in music theater are central to the history of twentieth-century Euro-American music, drama, and dance.