This book gathers French writer Michel Butor's essays on his travels in the Mediterranean. Included are pieces on Cordova, Istanbul, Salonica, Delphi, Mallia in Crete, and Ferrara and Mantua in northern Italy. There is an extended essay on Egypt, where, when Butor was twenty-four, he spent a year teaching French in a secondary school in a provincial city. Far from the bland comments on the landscapes by an enchanted walker, inspired by memories, Butor digresses on the history and the literature of the places that he visits. He raises what he calls "geographical criticism" to the rank of art, never forgetting that cities are not miracles of nature but the masterpieces of men. Emperors built palaces where conquerors had previously destroyed them. Sculptors erected statues and writers wrote books. Michel Butor registers these as a part of the memory of place. Butor went on to become one of the leading exponents of the avant-garde writing that emerged in France in the 1950s.

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In recent decades the concept of Mediterranean has been cited with increasing frequency in relation to the study of medieval literatures. And yet, in what sense would Dante’s Comedy be ‘Mediterranean’? Is it because of its Greek-Arabic and Islamic sources? Dante and the Mediterranean Comedy analyzes the ideological function of references to the sea in the study of the Comedy undertaken by Enrico Cerulli, a scholar of Somali-Ethiopian languages, and a colonial governor of ‘Italian East Africa.’ Then it presents novel lines of inquiry on the reception and appropriation of the poem, such as the presence of Islamic sources in early commentaries of the Comedy, and cross-cultural allusions to Dante’s Hell in some graffiti on the walls of the Spanish Inquisition prison in Palermo. The image of the Mediterranean that seeps through the poem and through the history of its circulation is vivid yet hardly idyllic.

A frightening collection of true ghost stories, which will turn skeptics and nonbelievers into people who sleep with one eye open! Ancient philosophers suggested that the appearance of spirits is evidence that we are part of a larger community of intelligences, a universe of interrelated species, both physical and nonphysical. Master ghost hunter and best-selling author Brad Steiger invites you to join him as he explores the many dark and nightmarish pathways leading to this shadowy world of spirits and hauntings. Real Ghosts, Restless Spirits, and Haunted Places is the defining work on spirit phenomena. It is a comprehensive classification of the spirit world touching on every possibility from time travel to parallel universes, presenting the full range of ghostly manifestations and haunted locations. A major work sure to be heralded by paranormal enthusiasts (whatever their corporeal state). Do you know the difference between poltergeists and spirits of the dead? The differences between spirits residue, spirit parasites and spirit masqueraders? With its 30 topical chapters, Real Ghosts, covers those differences and many more: Spirits Seen at Death Beds and Funerals Haunted Churches, Cemeteries, and Burial Grounds Phantoms on Roads and Highways Battlefields Where Phantom Armies Eternally Wage War Speaking to Spirits: The Mystery of Mediumship Animal Ghosts—Domesticated and Wild Spirit Parasites That Possessed Apparitions of Religious Figures Haunted Hotels, Motels, and Inns Did you know that ghosts still haunt Ohio’s State Reformatory, otherwise known as Shawshank? Or that the Hollywood Roosevelt Hotel is home to some of the most famous ghosts in the world? With Real Ghosts, you’ll discover that Abe Lincoln regularly consulted “spooks” and mediums, Rudolph Valentino haunts his old mansion, and the ghosts of Anne Boleyn, Henry VIII, Katharine Howard, Jane Seymour, Elizabeth I, and King George III all still haunt some of England’s most famous castles. You’ll also learn how to perform a cleansing ritual to rid your home of unwanted spectral visitors. More than a collection of true ghost stories, this book plunks you square into the middle of the eerie action with captivating stories that would be at home at any midnight campfire. The only difference is these stories aren't urban legends employing hooks, needles, or long, metal fingernails for their scare. These stories exist outside of the mind and live right next door to every one of us. Real Ghosts shouldn't be read when you are home alone and the lights begin to flicker!

Reconsidering the Mediterranean, appreciating and demarginalizing the peoples and cultures of this vast region, while considering the affinities and differences, is a valuable part of the process of unframing and reframing the concept of the Mediterranean. The authors of this volume follow Franco Cassano’s refusal of a sort of prêt-à-porter reality of cohabitation of cultures, introducing instead un’alternativa mediterranea, a world of multiple cultures that entails an ongoing learning and experiencing. The volume’s contributors use an interdisciplinary approach that mirrors the hybridity of the area and of the discipline, that is much more introspective and humanistic, more contemporary and inclusive.

The first in-depth analysis of Lydia Daviss translations and writingThe Many Voices of Lydia Davis shows how translation, rewriting and intertextuality are central to the work of Lydia Davis, a major American writer, translator and essayist. Winner of the Man Booker International Prize 2013, Davis writes innovative short stories that question the boundaries of the genre. She is also an important translator of French writers such as Maurice Blanchot, Michel Leiris, Marcel Proust and Gustave Flaubert. Translation and writing go hand-in-hand in Daviss work. Through a series of readings, this study investigates how Daviss translations and stories relate to each other, finding that they are inextricably interlinked. It explores how Davis uses translation - either as a compositional tool or a plot device - and other instances of rewriting in her stories, demonstrating that translation is central for understanding her prose. Understanding how Daviss work complicates divisions between translating and other forms of writing highlights the role of translation in literary production.Key FeaturesThe first monograph on this key contemporary writer that analyses texts from throughout her careerA series of analyses of Daviss major translations and how her work interacts with themA rethinking of the role of translation in literary production and the boundaries between translating and writing

Sustainable Tourism Practices in the Mediterranean showcases and examines the current and future trends in sustainable tourism in this popular region where tourism is one of the leading determinants of economic development. This volume examines the effects of specific recent events including terrorism, financial crises and various political changes in the Mediterranean region. Looking at a range of destinations, island and mainland, urban and rural, summer and winter and emergent and declining zones, it provides a comprehensive overview of this area. It also draws on a number of wide-ranging themes such as gastronomy, (corporate) social responsibility, entrepreneurship, ethical issues, service quality, health and the slow city, offering an insightful study of the challenges the Mediterranean region faces and the sustainable practices that can be implemented in order to overcome them. Written by leading academics in the field, this book will be of great interest to upper-level students, researchers and academics in Tourism, Development Studies and Geography.

With the exponential rise in leisure mobility, tourism has increasingly become of great economic significance. Cultural heritage, such as museums, churches, historical landscapes, urban parks, and exhibitions attract many visitors and countries, regions and cities which house such historic-cultural amenities have seen increasingly large waves of tourists. While an avalanche of tourists has a positive impact on the local economy, such modern mass tourism also brings about negative externalities such as congestion, decline in quality of life, low access to cultural amenities and loss of local identity; to the extent that the sustainability conditions of a locality might be endangered. This tourism dilemma is particularly pronounced in cities with a rich cultural past, such as Venice, Naples and Amsterdam. Bringing together an interdisciplinary team of leading scholars from North America and Europe, this book examines the interface of local cultural resources and modern mass tourism from a sustainability perspective. It puts forward innovative methodologies and best case practice for future cultural conservation policies.

A Dictionary of the Avant-Gardes recognizes that change is a driving force in all the arts. It covers major trends in music, dance, theater, film, visual art, sculpture, and performance art--as well as architecture, science, and culture.