Jamieson and Cappella examine how the media cover political campaigns and significant legislation. They conclude that by focusing on the game rather than the substance the media are engendering cynicism amongst the general public.

All communities are teeming with energy, spirit, and knowledge, and Spiral to the Stars taps into and activates this dynamism to discuss Indigenous community planning from a Mvskoke perspective. This book poses questions about what community is, how to reclaim community, and how to embark on the process of envisioning what and where the community can be. Geographer Laura Harjo demonstrates that Mvskoke communities have what they need to dream, imagine, speculate, and activate the wishes of ancestors, contemporary kin, and future relatives—all in a present temporality—which is Indigenous futurity. Organized around four methodologies—radical sovereignty, community knowledge, collective power, and emergence geographies—Spiral to the Stars provides a path that departs from traditional community-making strategies, which are often extensions of the settler state. Readers are provided a set of methodologies to build genuine community relationships, knowledge, power, and spaces for themselves. Communities don’t have to wait on experts because this book helps them activate their own possibilities and expertise. A detailed final chapter provides participatory tools that can be used in workshop settings or one on one. This book offers a critical and concrete map for community making that leverages Indigenous way-finding tools. Mvskoke narratives thread throughout the text, vividly demonstrating that theories come from lived and felt experiences. This is a must-have book for community organizers, radical pedagogists, and anyone wishing to empower and advocate for their community.

In this elegantly written and beautifully illustrated book, Nico Israel reveals how spirals are at the heart of the most significant literature and visual art of the twentieth century. Juxtaposing the work of writers and artists—including W. B. Yeats and Vladimir Tatlin, James Joyce and Marcel Duchamp, and Samuel Beckett and Robert Smithson—he argues that spirals provide a crucial frame for understanding the mutual involvement of modernity, history, and geopolitics, complicating the spatio-temporal logic of literary and artistic genres and of scholarly disciplines. The book takes the spiral not only as its topic but as its method. Drawing on the writings of Walter Benjamin and Alain Badiou, Israel theorizes a way of reading spirals, responding to their dual-directionality as well as their affective power. The sensations associated with spirals––flying, falling, drowning, being smothered—reflect the anxieties of limits tested or breached, and Israel charts these limits as they widen from the local to the global and recoil back. Chapters mix literary and art history to explore 'pataphysics, Futurism, Vorticism, Dada and Surrealism, "Concentrisme," minimalism, and entropic earth art; a coda considers the work of novelist W. G. Sebald and contemporary artist William Kentridge. In Spirals, Israel offers a refreshingly original approach to the history of modernism and its aftermaths, one that gives modernist studies, comparative literature, and art criticism an important new spin.

From free and open-source software, Creative Commons licenses, Wikipedia, remix music video mashups and open science, digital media has spawned a new sharing economy in competition with media giants. Media journalist Bollier provides a comprehensive history of the attempts of this new free culture' community to create a digital republic committed to freedom and innovation. Interweaving disparate and eclectic strands of activity with major technological developments, pivotal legal struggles and case studies, Bollier exposes the magical processes of this era.'

"How lovely to discover a book on the craft of writing that is also fun to read . . . Alison asserts that the best stories follow patterns in nature, and by defining these new styles she offers writers the freedom to explore but with enough guidance to thrive." ―Maris Kreizman, Vulture A Publishers Weekly Best Book of 2019 | A Poets & Writers Best Books for Writers As Jane Alison writes in the introduction to her insightful and appealing book about the craft of writing: “For centuries there’s been one path through fiction we’re most likely to travel― one we’re actually told to follow―and that’s the dramatic arc: a situation arises, grows tense, reaches a peak, subsides . . . But something that swells and tautens until climax, then collapses? Bit masculosexual, no? So many other patterns run through nature, tracing other deep motions in life. Why not draw on them, too?" W. G. Sebald’s Emigrants was the first novel to show Alison how forward momentum can be created by way of pattern, rather than the traditional arc--or, in nature, wave. Other writers of nonlinear prose considered in her “museum of specimens” include Nicholson Baker, Anne Carson, Marguerite Duras, Gabriel García Márquez, Jamaica Kincaid, Clarice Lispector, Susan Minot, David Mitchell, Caryl Phillips, and Mary Robison. Meander, Spiral, Explode is a singular and brilliant elucidation of literary strategies that also brings high spirits and wit to its original conclusions. It is a liberating manifesto that says, Let’s leave the outdated modes behind and, in thinking of new modes, bring feeling back to experimentation. It will appeal to serious readers and writers alike.

Poetry. "Death Spiral, which signifies the cartwheeling display of the American bald eagle as it plummets to the ground, is not only a poem in this excellent collection, but a metaphor for the current state of the country. These beautifully rendered poems ask when will we roll out of our 'death dance, / and fall upwards, in thrall of sky?' While there are other books that address topics found here such as climate change, racism, and our wrought political times, what sets this book apart is its lyrical precision, imaginative leaps, and arresting imagery. Sarah Giragosian is a truly gifted poet."--Charlotte Pence "THE DEATH SPIRAL grounds us in the Anthropocene (a time of mass extinction and climate change), yet refuses to adhere to that 'fact.' Instead, the poet finds a way not only to merge her consciousness, her being, her 'I,' with that of the absolute other(s)--the animal kingdom, and love--but also to chart a field guide of dazzling formal execution out of our times of terror and loss. Clear-eyed, resilient, and brave, Giragosian both acknowledges 'hope's atrophied muscles' while suggesting another path--one wherein 'irrepressible nature' (neither cruel nor moral) leads the way. Resplendent with the 'ecstasy of disaster,' origin stories, and the 'blood relation between mammal and stone,' the poet states her desire plainly: 'To rend.' And in this rending (reminiscent of a Dickinson gone wild), and praise, we are given a 'test of [our] freedom,' an unleashed mind, an otherwise-tragic narrative of death undercut by glorious song."--Virginia Konchan "Giragosian's fierce, gorgeous poems embody our role as one in body and mind with other peoples, plants and animals--living and extinct--arguing a familial connection integral to the survival of species including our own: 'he is a thrashing turtle / on a bone hook, speaking from otherwhere / of his apartness. I point to hearth, to kin...'. These poems hope we won't find ourselves with, 'Nothing left on Earth to love or fear,' as they invoke the beauty around us, and in us."--April Ossmann

Noelle-Newmann's classic on public opinion as a form of social control was originally published in German in 1980 and first published in English in 1984. This revised edition adds three new chapters to summarize ongoing research, new findings, and new developments. Annotation copyright by Book News, Inc., Portland, OR

Tiersky lays out a simple but detailed five step methodology that any company can follow to align their teams around a vision for the customer experience that will maximize their competitiveness in the market, identify the quick wins that will help them out of the gate, and ultimately drive the transformation needed to bring their company into alignment with today's digital world.

How does it happen that billions of stars can cooperate to produce the beautiful spirals that characterize so many galaxies, including ours? This book presents a theory of spiral structure that has been developed over the past three decades under the continuous stimulus of new observational studies. The theory unfolds in a way that can be grasped by any reader with an undergraduate science background who is interested in astronomy, as well as by graduate students and scientists actively involved in astronomy or related subjects who want to see the "backbone" and the physical content of the theory. The foundations of this theoretical framework were laid in the early 1960s, following the pioneering work of B. Lindblad. C. C. Lin had already contributed significantly to the field of fluid mechanics when he turned his attention to spiral structures, and he has focused on the problem ever since. Giuseppe Bertin joined this research effort when he first visited at MIT in 1975, bringing to the project knowledge from his work on elliptical galaxies and plasma astrophysics. Together, Bertin and Lin have contributed to the exciting developments on spiral structure of the last few decades, working closely with many observers and other theorists. In this book they describe the density-wave theory with the goal of making the key concepts and astrophysical implications explicit and accessible. The essence of the solution Bertin and Lin present is that the spirals are wave rather than material phenomena and generally trace intrinsic characteristics of the individual galaxies. The book is in three parts--Physical Concepts, Observational Studies, and Dynamical Mechanisms--with most of the technical details confined to the last part.