A CATACLYSMIC ADVENTURE DECADES IN THE MAKING! In this WILDLY AFFORDABLE TRIPLE-LENGTH FIRST ISSUE, revisit how the legend of the greatest pulp hero of them all, ADVENTUREMAN, ended in a heartbreaking CLIFFHANGER with our hero facing execution at the vile hand of his ultra-nemesis BARON BIZARRE on the eve of the MACABRAPOCALYPSE...or did it?!? Eighty years after his apparent demise, single mother Claire and her Adventurefan son Tommy seem to be the only two people alive that remember the thrilling ADVENTUREMAN sagas...but from that memory burns THE SPARK OF RESURRECTION! WHERE HIS STORY ENDED...HER STORY BEGINS! This sense-obliterating, earth-shaking, imagination-quaking adventure that spans generations comes to you from MATT FRACTION (SEX CRIMINALS, Hawkeye) and TERRY and RACHEL DODSON (RED ONE, X-Men/Fantastic Four)!!!

WHERE HIS STORY ENDED...HER STORY BEGINS! Everyone knows the story of how ADVENTUREMAN, the greatest pulp hero of all time, ended in a heartbreaking CLIFFHANGER with our hero facing his very execution...now, learn the startling truth about how, 80 years after his seeming demise, single mother Claire and her Adventurefan son Tommy light the spark of RESURRECTION! Can these inheritors of the Adventureman legacy rise up to face down the evil that bested the original? Collects ADVENTUREMAN #1-4

This book explores the role of Mediterranean imaginaries in one of the preeminent tropes of Italian history: the formation or 'making of' Italians. While previous scholarship on the construction of Italian identity has often focused too narrowly on the territorial notion of the nation-state, and over-identified Italy with its capital, Rome, this book highlights the importance of the Mediterranean Sea to the development of Italian collective imaginaries. From this perspective, this book re-interprets key historical processes and actors in the history of modern Italy, and thereby challenges mainstream interpretations of Italian collective identity as weak or incomplete. Ultimately, it argues that Mediterranean imaginaries acted as counterweights to the solidification of a 'national' Italian identity, and still constitute alternative but equally viable modes of collective belonging.

New York City has had a profound influence on the Marvel Comics universe. Unlike Batman's Gotham City or Superman's Metropolis, the Marvel superheroes - Spider-Man, the Fantastic Four, the Avengers - are grounded firmly in the streets of New York, working and living beside us. This fun and informative guide will take you through those streets, pointing out locations of interest along the way. Peter Parker's apartment in the West Village? We'll show you how to get there. Looking for the Avengers headquarters? They might give you funny looks when you show up at the Frick Museum, but don't worry, you're in the right place. You'll also discover why Stan Lee decided to use New York as his backdrop in the first place, and what effect that decision has had on subsequent generations of comic book artists and writers. Whether you're a curious traveller or just a Marvel Comics fan, The Marvel Comics Guide to New York Citygives a fresh and fun new look at the greatest city in the world - and the Marvel universe.

Collects Ghost-Spider (2019) #1-5. Gwen Stacy makes her way to the Marvel Universe! With a cloud of infamy hanging over her head in her home dimension of Earth-65, Gwen now travels to the Prime MU for super hero action…and school! The newest student at ESU is about to get a crash course in multiversity as she splits her time between the world she loves and the world she’s just getting to know! School isn’t all bad, though, as Gwen’s taking classes right down the hall from Peter Parker. But Peter isn’t the only person who may recognize Gwen — and not everyone shares Spider-Man’s noble intentions. How will Gwen handle the return of the Jackal?

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Winner of the Popular Culture Association's Ray and Pat Browne Award for Best Book in Popular or American Culture In the 1940s and ’50s, comic books were some of the most popular—and most unfiltered—entertainment in the United States. Publishers sold hundreds of millions of copies a year of violent, racist, and luridly sexual comics to Americans of all ages until a 1954 Senate investigation led to a censorship code that nearly destroyed the industry. But this was far from the first time the US government actively involved itself with comics—it was simply the most dramatic manifestation of a long, strange relationship between high-level policy makers and a medium that even artists and writers often dismissed as a creative sewer. In Pulp Empire, Paul S. Hirsch uncovers the gripping untold story of how the US government both attacked and appropriated comic books to help wage World War II and the Cold War, promote official—and clandestine—foreign policy and deflect global critiques of American racism. As Hirsch details, during World War II—and the concurrent golden age of comic books—government agencies worked directly with comic book publishers to stoke hatred for the Axis powers while simultaneously attempting to dispel racial tensions at home. Later, as the Cold War defense industry ballooned—and as comic book sales reached historic heights—the government again turned to the medium, this time trying to win hearts and minds in the decolonizing world through cartoon propaganda. Hirsch’s groundbreaking research weaves together a wealth of previously classified material, including secret wartime records, official legislative documents, and caches of personal papers. His book explores the uneasy contradiction of how comics were both vital expressions of American freedom and unsettling glimpses into the national id—scourged and repressed on the one hand and deployed as official propaganda on the other. Pulp Empire is a riveting illumination of underexplored chapters in the histories of comic books, foreign policy, and race.