Eliciting comparisons to Orwell's Homage to Catalonia, Pritchett's meditative work on Spain is comprised of a string of sketches, woven around the author's musings on the Spanish character.Having lived in Spain for four years during the 1920s, Pritchett is well placed to deliver such a report, and his resulting narrative is both well informed and delightfully written.

A journalist's account of his experiences in Spain, revealing as

Admirers of The Spanish Temper, Marching Spain and his wonderfully evocative books on London, Dublin and New York will need no reminding that V.S. Pritchett is one of the very great travel writers of our time, possessed of an astonishingly accurate eye and a marvellous ability to conjure up the essence of a place, and of the people who live there. Written for the most part in the 1950s and 1960s, the essays brought together in At Home and Abroad cover South and North America, Spain, Ireland, Portugal, London, Greece, the Pyrenees, Germany, the English countryside and, above all, the Mediterranean: first published in book form in 1990, the year of Sir Victor's ninetieth birthday, they are a delight in themselves and a timely reminder of - or introduction to - this most subtle and perceptive of writers.

An open-minded and clear-eyed reexamination of the cultural artifacts of Franco's Spain True, false, or both? Spain's 1939-75 dictator, Francisco Franco, was a pioneer of water conservation and sustainable energy. Pedro Almodóvar is only the most recent in a line of great antiestablishment film directors who have worked continuously in Spain since the 1930s. As early as 1943, former Republicans and Nationalists were collaborating in Spain to promote the visual arts, irrespective of the artists' political views. Censorship can benefit literature. Memory is not the same thing as history. Inside Spain as well as outside, many believe-wrongly-that under Franco's fascist dictatorship, nothing truthful or imaginatively worthwhile could be said or written or shown. In his groundbreaking new book, Franco's Crypt: Spanish Culture and Memory Since 1936, Jeremy Treglown argues that oversimplifications like these of a complicated, ambiguous actuality have contributed to a separate falsehood: that there was and continues to be a national pact to forget the evils for which Franco's side (and, according to this version, his side alone) was responsible. The myth that truthfulness was impossible inside Franco's Spain may explain why foreign narratives (For Whom the Bell Tolls, Homage to Catalonia) have seemed more credible than Spanish ones. Yet La Guerra de España was, as its Spanish name asserts, Spain's own war, and in recent years the country has begun to make a more public attempt to "reclaim" its modern history of fascism. How it is doing so, and the role played in the process by notions of historical memory, are among the subjects of this wide-ranging and challenging book. Franco's Crypt reveals that despite state censorship, events of the time were vividly recorded. Treglown looks at what's actually there-monuments, paintings, public works, novels, movies, video games-and considers, in a captivating narrative, the totality of what it shows. The result is a much-needed reexamination of a history we only thought we knew.

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"DAZZLING." --Time "[THEROUX'S] WORK IS DISTINGUISHED BY A SPLENDID EYE FOR DETAIL AND THE TELLING GESTURE; a storyteller's sense of pacing and gift for granting closure to the most subtle progression of events; and the graceful use of language. . . . We are delighted, along with Theroux, by the politeness of the Turks, amazed by the mountainous highlands in Syria, touched by the gesture of an Albanian waitress who will not let him pay for his modest meal. . . . The Pillars of Hercules [is] engrossing and enlightening from start (a damning account of tourists annoying the apes of Gibraltar) to finish (an utterly captivating visit with Paul Bowles in Tangier, worth the price of the book all by itself)." --Chicago Tribune "ENTERTAINING READING . . . WHEN YOU READ THEROUX, YOU'RE TRULY ON A TRIP." --The Boston Sunday Globe "HIS PICARESQUE NARRATIVE IS STUDDED WITH SCENES THAT STICK IN THE MIND. He looks at strangers with a novelist's eye, and his portraits are pleasantly tinged with malice." --The Washington Post Book World "THEROUX AT HIS BEST . . . An armchair trip with Theroux is sometimes dark, but always a delight." --Playboy "AS SATISFYING AS A GLASS OF COOL WINE ON A DUSTY CALABRIAN AFTERNOON . . . With his effortless writing style, observant eye, and take-no-prisoners approach, Theroux is in top form chronicling this 18-month circuit of the Mediterranean." --Kirkus Reviews (starred review)

Spain's southern city of Seville basks in romantic myths and legends, evoking the scent of jasmine and orange blossom. But there is an ascetic core to its sybaritic spirit. For all their fame as passionate performers, the poet Unamuno called Sevillanos "finos y frios"-refined and cool. Once Europe's most cosmopolitan metropolis, bridging cultures of East and West and hub of a sea-borne empire, Seville was defined by Spain's great seventeenth-century playwright Lope de Vega as "port and gateway to the Indies". The city retains both the swagger of its seafaring heyday, and the sensual flavor of Moorish al-Andalus. Seville produced Spain's lowest ruffians, grandest grandees and a seductive gypsy culture that colors our wider perception of Spain. Elizabeth Nash explores the palaces, the mosques, the patios, fountains and wrought-iron balconies of Seville, Córdoba and Granada, cities celebrated for centuries by Europe's finest painters, poets, satirists and travel writers for their voluptuous beauty and vibrant cultural mix.