"A girl-centered Catcher in the Rye for the 21st century. "—Kirkus Reviews, starred review Two outcast best friends are desperate to survive senior year and break away from their dying factory town in Stacia Tolman's The Spaces Between Us, an unforgettable YA debut. Serena Velasco and her best (and only) friend, Melody Grimshaw, are dying to get out of Colchis. Until now they’ve both been coasting, keeping a safe distance from the bleakness of home and the banality of high school. To make things more interesting Serena fixates on communism, eager to get a rise out of their conservative small town. Her Western Civ teacher catches on and challenges her with an independent study of class and upward mobility—what creates the spaces between us. Meanwhile, Grimshaw takes on a mission of her own: to make it onto the cheerleading squad, find a job, and escape the weight of her family’s hopeless reputation. But sometimes the biggest obstacles are the ones you don’t see coming; Grimshaw’s quest for success becomes a fight for survival, and Serena’s independent study gets a little too real. With the future of their friendship and their lives on the line, the stakes have never been so high. Christy Ottaviano Books

Explores the intimate relationship of non-Native and Native sexual politics in the United States

Three photographic essays offer a study of the neglected "nooks and crannies" between structures, from gates and fences to sidewalks, alleys, and parking lots. In his exploration of how spaces become places, geographer Ford invites readers to see anew the spaces they encounter every day and often take for granted. 52 halftones.

Hidden beneath consciousness, the brain mechanisms controlling personal space affect every aspect of our lives-- social, emotional, cultural, and practical. A neuroscientist, award-winning novelist, and science columnist for The Atlantic, Graziano tells this compelling story with humor, drama, and a deeply personal connection.

Silent reading is now universally accepted as normal; indeed reading aloud to oneself may be interpreted as showing a lack of ability or understanding. Yet reading aloud was usual, indeed unavoidable, throughout antiquity and most of the middle ages. Saenger investigates the origins of the gradual separation of words within a continuous written text and the consequent development of silent reading. He then explores the spread of these practices throughout western Europe, and the eventual domination of silent reading in the late medieval period. A detailed work with substantial notes and appendices for reference.

Prepare yourself for an eye-opening odyssey through magical, metaphysical realities The spaces between... ...Are filled with wonder, spectacle and the unexpected. So says Joseph, the ancient, discarnate spirit communicator in this, the eighth book of his internationally-acclaimed series, as he draws back the heavy curtain of 'reality' to reveal aspects of the world and of our physical and spiritual lives that have remained unnoticed, unseen and unappreciated for countless aeons. Within these pages you will meet the many wondrous expressions of spiritual life, both positive and negative, that co-habit and interact with us on Earth -- hugely influential beings that at worst have been dismissed entirely and at best confined to the realms of folklore and myth as a result of our current fascination with all things material and the glamour of our express-train society. You will also come face to face with and discover the nature of some of the deepest facets of yourself, allowing you to gain greater control over your life and to express and project the noblest aspects of 'you' into the world for your personal benefit, the benefit of all humanity and the good of the planet itself. Prepare yourself for an enlightening, enthralling and sometimes shocking journey through the parallel realms that exist around and within you at this very moment, waiting to once again be recognised and understood. ...By the last page you will be in no doubt that the 'spaces between' -- on Earth, in the heavens and deep within yourself -- are, in fact, anything but.

Often controversial and sometimes even shocking to audiences, the work of California-based artist Suzanne Lacy has challenged viewers and participants with personal accounts of traumatic events, settings that require people to assume uncomfortable positions, multisensory productions that evoke emotional as well as intellectual responses, and even flayed lambs and beef kidneys. Lacy has experimented with ways to claim the power of mass media, to use women’s consciousness-raising groups as a performance structure, and to connect her projects to lived experiences. The body and large groups of bodies are the locations for her lifelike art, revealing the aesthetics of relationships among people. In this critical examination of Suzanne Lacy, Sharon Irish surveys Lacy’s art from 1972 to the present, demonstrating the pivotal roles that Lacy has had in public art, feminist theory, and community organizing. Lacy initially used her own body—or animal organs—to visually depict psychological states or social conditions in photographs, collages, and installations. In the late 1970s she turned to organizing large groups of people into art events—including her most famous work,The Crystal Quilt, a 1987 performance broadcast live on PBS and featuring hundreds of women in Minneapolis—and pioneered a new genre of public art. Irish investigates the spaces between art and life, self and other, and the body and physical structures in Lacy’s multifaceted artistic projects, showing how throughout her influential career Lacy has created art that resists racism, promotes feminism, and explores challenging human relationships.

Eight stories of fantasy, horror, and science fiction that will give you goosebumps, chills, and make you think about what might lie in the spaces between the spaces.

The contributions gathered in this volume exhibit a great variety of interdisciplinary perspectives on and theoretical approaches to the notion of ‘spaces between’. They draw our attention to the nexus between the medium of comics and the categories of difference as well as identity such as gender, dis/ability, age, and ethnicity, in order to open and intensify an interdisciplinary conversation between comics studies and intersectional identity studies.