Excellence in Nonfiction for Young Adults Finalist! The gripping true story of the only women to fly in combat in World War II—from Elizabeth Wein, award-winning author of Code Name Verity In the early years of World War II, Josef Stalin issued an order that made the Soviet Union the first country in the world to allow female pilots to fly in combat. Led by Marina Raskova, these three regiments, including the 588th Night Bomber Regiment—nicknamed the “night witches”—faced intense pressure and obstacles both in the sky and on the ground. Some of these young women perished in flames. Many of them were in their teens when they went to war. This is the story of Raskova’s three regiments, women who enlisted and were deployed on the front lines of battle as navigators, pilots, and mechanics. It is the story of a thousand young women who wanted to take flight to defend their country, and the woman who brought them together in the sky. Packed with black-and-white photographs, fascinating sidebars, and thoroughly researched details, A Thousand Sisters is the inspiring true story of a group of women who set out to change the world, and the sisterhood they formed even amid the destruction of war.

From bestselling author of The German Heiress, a gripping new historical novel filled with secrets, lies, and betrayals, following two spy sisters during the Cold War. "Anika Scott pens a fascinating tale of secrets, surveillance, and sisterhood.... The Soviet Sisters will suck you in to the very last page!" —Kate Quinn, New York Times bestselling author of The Diamond Eye “Electrifying, meticulously researched, and expertly plotted, The Soviet Sisters is at once a Cold War thriller, a gripping spy story, a page-turning mystery, and a familial drama.” —Lara Prescott, New York Times bestselling author Sisters Vera and Marya were brought up as good Soviets: obedient despite hardships of poverty and tragedy, committed to communist ideals, and loyal to Stalin. Several years after fighting on the Eastern front, both women find themselves deep in the mire of conflicts shaping a new world order in 1947 Berlin. When Marya, an interpreter, gets entangled in Vera’s cryptic web of deceit and betrayal, she must make desperate choices to survive—and protect those she loves. Nine years later, Marya is a prisoner in a Siberian work camp when Vera, a doyenne of the KGB, has cause to reopen her case file and investigate the facts behind her sister's conviction all those years ago in Berlin. As Vera retraces the steps that brought them both to that pivotal moment in 1947, she unravels unexpected truths and discoveries that call into question the very history the Soviets were working hard to cover up. Epic and intimate, layered and complex, The Soviet Sisters is a gripping story of spies, blackmail, and double, triple bluff. With her dexterous plotting and talent for teasing out moral ambiguity, Anika Scott expertly portrays a story about love, conflicting world views, and loyalty and betrayal between sisters.

*The USA Today bestseller!* Can their bond survive under the shadow of occupation? For fans of The Tattooist of Auschwitz and The German Midwife comes this unforgettable tale of love, loss, family, and the power of hope.

“Meticulously researched and plotted like a noir thriller, The German Heiress tells a different story of WWII— of characters grappling with their own guilt and driven by the question of what they could have done to change the past.” —Jessica Shattuck, New York Times bestselling author of The Women in the Castle For readers of The Alice Network and The Lost Girls of Paris, an immersive, heart-pounding debut about a German heiress on the run in post-World War II Germany. Clara Falkenberg, once Germany’s most eligible and lauded heiress, earned the nickname “the Iron Fräulein” during World War II for her role operating her family’s ironworks empire. It’s been nearly two years since the war ended and she’s left with nothing but a false identification card and a series of burning questions about her family’s past. With nowhere else to run to, she decides to return home and take refuge with her dear friend, Elisa. Narrowly escaping a near-disastrous interrogation by a British officer who’s hell-bent on arresting her for war crimes, she arrives home to discover the city in ruins, and Elisa missing. As Clara begins tracking down Elisa, she encounters Jakob, a charismatic young man working on the black market, who, for his own reasons, is also searching for Elisa. Clara and Jakob soon discover how they might help each other—if only they can stay ahead of the officer determined to make Clara answer for her actions during the war. Propulsive, meticulously researched, and action-fueled, The German Heiress is a mesmerizing page-turner that questions the meaning of justice and morality, deftly shining the spotlight on the often-overlooked perspective of Germans who were caught in the crossfire of the Nazi regime and had nowhere to turn.

The first English translation of a remarkable masterpiece of early modernist fiction from 1910 by an influential member of the Russian Symbolist movement. Thirty-year-old Piotr Alekseevich Marakulin lives a contented, if humdrum life as a financial clerk in a Petersburg trading company. He is jolted out of his daily routine when, quite unexpectedly, he is accused of embezzlement and loses his job. This change of status brings him into contact with a number of women—the titular “sisters of the cross”—whose sufferings will lead him to question the ultimate meaning of the universe. In the tradition of Gogol’s Petersburg Tales and Dostoevsky’s Crime and Punishment, Sisters of the Cross deploys densely packed psychological prose and fluctuating narrative perspective to tell the story of a “poor clerk” who rebels against the suffering and humiliation afflicting both his own life and the lives of the remarkable women whom he encounters in the tenement building where he lives in Petersburg. The novel reaches its haunting climax at the beginning of the Whitsuntide festival, when Marakulin thinks he glimpses the coming of salvation both for himself and for the “fallen” actress Verochka, the unacknowledged love of his life, in one of the most powerfully drawn scenes in Symbolist literature. Remizov is best known as a writer of short stories and fairy tales, but this early novel, masterfully translated by Roger Keys and Brian Murphy, is perhaps his most significant work of sustained artistic prose. “Dark and beguiling; Remizov is a writer worth knowing about, and this slender volume makes a good start.” —Kirkus Reviews

"A captivating Cold War page-turner." — Real Simple The New York Times bestselling author of The Summer Wives returns with a gripping and profoundly human story of Cold War espionage and family devotion. In the autumn of 1948, Iris Digby vanishes from her London home with her American diplomat husband and their two children. The world is shocked by the family’s sensational disappearance. Were they eliminated by the Soviet intelligence service? Or have the Digbys defected to Moscow with a trove of the West’s most vital secrets? Four years later, Ruth Macallister receives a postcard from the twin sister she hasn’t seen since their catastrophic parting in Rome in the summer of 1940, as war engulfed the continent and Iris fell desperately in love with an enigmatic United States Embassy official named Sasha Digby. Within days, Ruth is on her way to Moscow, posing as the wife of counterintelligence agent Sumner Fox in a precarious plot to extract the Digbys from behind the Iron Curtain. But the complex truth behind Iris’s marriage defies Ruth’s understanding, and as the sisters race toward safety, a dogged Soviet KGB officer forces them to make a heartbreaking choice between two irreconcilable loyalties.

A family of Russian refugees juggle their haunting past with their challenging present in this novel by the author of My Very Best Friend. Sometimes Toni Kozlovsky and her sisters know what each other is thinking, just when they need it most. Since Toni, Valerie, and Ellie were little girls growing up in Communist Russia, their parents have insisted it’s simply further proof that the Kozlovskys are special and different. Now a reporter, Toni lives on a yellow tugboat on Oregon’s Willamette River. As far as her parents are concerned, the pain of their old life and their dangerous escape should remain buried in the Moscow they left behind, as should the mysterious past of their adopted brother, Dmitry. But lately, Toni’s talent for putting on a smile isn’t enough to keep memories at bay. Valerie, a prosecuting attorney, wages constant war against the wrongs she could do nothing about as a child. Youngest sister Ellie is engaged to marry an Italian, breaking her mother’s heart in the process. Toni fears she’s about to lose her home, while the hard-edged DEA agent down the dock keeps trying to break through her reserve. Meanwhile, beneath the culture clashes and endearing quirks within her huge, noisy, loving family are deeper secrets that Toni has sworn to keep—even from the one person she longs to help most . . . “Lamb . . . draws readers into the embrace of Toni's eccentric and loud extended family, who inject regular bouts of humor into the story while their love for one another is palpable . . . . The joy of this intricate story is following these characters and their warm and compelling development . . . ” —Library Journal

In Soviet Nightingales, Susan Grant tracks nursing care in the Soviet Union from its nineteenth-century origins in Russia through the end of the Soviet state. With the advent of the USSR, nurses were instrumental in helping to build the New Soviet Person and in constructing a socialist society. Disease and illness were rampant in the early 1920s after years of war, revolution, and famine. The demand for nurses was great, but how might these workers best serve the country's needs? By examining living and working conditions, nurse-patient relations, education, and attempts at international nursing cooperation, Grant recounts the history of the Bolshevik effort to define the "Soviet" nurse and organize a new system of socialist care for the masses. Although the Bolsheviks aimed to transform healthcare along socialist lines, they ultimately failed as the struggle to train skilled medical workers became entangled in politics. Soviet Nightingales draws on rich archival research from Russia, the United States, and Britain to describe how ideology reinvented the role of the nurse and shaped the profession.