The Sound State of Uzbekistan: Popular Music and Politics in the Karimov Era is a pioneering study of the intersection between popular music and state politics in Central Asia. Based on 20 months of fieldwork and archival research in Tashkent, this book explores a remarkable era in Uzbekistan’s politics (2001–2016), when the Uzbek government promoted a rather unlikely candidate to the prominent position of state sound: estrada, a genre of popular music and a musical relic of socialism. The political importance it attached to estrada was matched by the establishment of an elaborate bureaucratic apparatus for state oversight. The Sound State of Uzbekistan shows the continuing legacy of Soviet concepts to frame the nexus between music, artists and the state, and explains the extraordinary potency ascribed to estrada. At the same time, it challenges classical readings of transition and also questions common binary models for researching culture in totalitarian or authoritarian states. Proposing to approach lives in music under authoritarianism as a form of normality instead, the author promotes a post-Cold War paradigm in music studies.

The Sound State of Uzbekistan: Popular Music and Politics in the Karimov Era is a pioneering study of the intersection between popular music and state politics in Central Asia. Based on 20 months of fieldwork and archival research in Tashkent, this book explores a remarkable era in Uzbekistan's politics (2001-2016), when the Uzbek government promoted a rather unlikely candidate to the prominent position of state sound: estrada, a genre of popular music and a musical relic of socialism. The political importance it attached to estrada was matched by the establishment of an elaborate bureaucratic apparatus for state oversight. The Sound State of Uzbekistan shows the continuing legacy of Soviet concepts to frame the nexus between music, artists and the state, and explains the extraordinary potency ascribed to estrada. At the same time, it challenges classical readings of transition and also questions common binary models for researching culture in totalitarian or authoritarian states. Proposing to approach lives in music under authoritarianism as a form of normality instead, the author promotes a post-Cold War paradigm in music studies.

Global Popular Music: A Research and Information Guide offers an essential annotated bibliography of scholarship on popular music around the world in a two-volume set. Featuring a broad range of subjects, people, cultures, and geographic areas, and spanning musical genres such as traditional, folk, jazz, rock, reggae, samba, rai, punk, hip-hop, and many more, this guide highlights different approaches and discussions within global popular music research. This research guide is comprehensive in scope, providing a vital resource for scholars and students approaching the vast amount of publications on popular music studies and popular music traditions around the world. Thorough cross-referencing and robust indexes of genres, places, names, and subjects make the guide easy to use. Volume 2, Transnational Discourses of Global Popular Music Studies, covers the geographical areas of North America: United States and Canada; Central America, Caribbean, and South America/Latin America; Europe; Africa and Middle East; Asia; and areas of Oceania: Aotearoa/New Zealand, Australia, and Pacific Islands. It provides over twenty-four hundred annotated bibliographic entries covering discourses of extensive research that extend beyond the borders of the United States and includes annotated entries to books, book series, book chapters, edited volumes, special documentaries and programming, scholarly journal essays, and other resources that focus on the creative and artistic flows of global popular music.

"Citizenship is a fantasy of political community without others. How is it faring in today's world of authoritarianism, failed states, and climate crisis? In a world where democratic experiment is, by now, a networked and global proposition? What might we learn from music - and from ethnomusicology? The relationship between the idea of citizenship and music is long-standing, but it has not yet been looked at from a perspective informed by postcolonialism and today's decolonizing debates. The case studies in this volume are, consequently, drawn from across Latin America, Africa, Asia and Europe. Its first chapter locates the current ethnomusicological interest in citizenship in broad critical landscape, focusing on approaches to audience, media, voice and performance. The second surveys a growing body of recent ethnomusicological literature on citizenship, theorized in terms of identity, technocracy, and intimacy. The third comprises case studies developing an approach to citizenship and political subjectivity beyond conventional liberal categories, defined by mobility ('the citizen on his bike'), collectivity ('the citizen in the crowd') and activism ('the citizen in the square'). The conclusion offers an argument about the implications for citizenship studies of today's thinking in ethnomusicology, musicology and sound studies, reflecting on the hardening rhetoric of political belonging in Europe"--

This landmark book provides a comprehensive anthropological introduction to contemporary Central Asia. Established and emerging scholars of the region critically interrogate the idea of a ‘Central Asian World’ at the intersection of post-Soviet, Persianate, East and South Asian worlds. Encompassing chapters on life between Afghanistan and Kazakhstan, Turkmenistan and Xinjiang, this volume situates the social, political, economic, ecological and ritual diversity of Central Asia in historical context. The book ethnographically explores key areas such as the growth of Islamic finance, the remaking of urban and sacred spaces, as well as decolonizing and queering approaches to Central Asia. The volume’s discussion of More-than-Human Worlds, Everyday Economies, Material Culture, Migration and Statehood engages core analytical concerns such as globalization, inequality and postcolonialism. Far more than a survey of a ‘world region’, the volume illuminates how people in Central Asia make a life at the intersection of diverse cross-cutting currents and flows of knowledge. In so doing, it stakes out the contribution of an anthropology of and from Central Asia to broader debates within contemporary anthropology. This is an essential reference for anthropologists as well as for scholars from other disciplines with a focus on Central Asia

Uzbekistan, the most strategically situated Central Asian country, has exhibited the most appalling record on human rights and democratic reforms. Yet, post-September 11, a transformation in US policy has suddenly taken place: US troops are now stationed there; Washington has put the Islamic Movement of Uzbekistan on its list of terrorist organizations; and the Bush administration has promised to triple aid to President Karimov‘s highly authoritarian regime. This unique study explores the central question from a longer-term Uzbek point of view: to what extent are closer ties between Washington and Tashkent contributing to political reforms inside Uzbekistan? Dr Akbarzadeh describes political events since independence, including the emergence of a radical Islamic opposition. He analyses how September 11 has catalysed a transformation in Washington‘s attitude as it perceived a common Islamic enemy, and he examines the possible beginnings of a retreat from Soviet-style politics.

The popularization of radio, television, and the Internet radically transformed musical practice in the Asia Pacific. These technologies bequeathed media broadcasters with a profound authority over the ways we engage with musical culture. Broadcasters use this power to promote distinct cultural traditions, popularize new music, and engage diverse audiences. They also deploy mediated musics as a vehicle for disseminating ideologies, educating the masses, shaping national borders, and promoting political alliances. With original contributions by leading scholars in anthropology, ethnomusicology, sound studies, and media and cultural studies, the 12 essays this book investigate the processes of broadcasting musical culture in the Asia Pacific. We shift our gaze to the mechanisms of cultural industries in eastern Asia and the Pacific islands to understand how oft-invisible producers, musicians, and technologies facilitate, frame, reproduce, and magnify the reach of local culture.

2011 Updated Reprint. Updated Annually. Uzbekistan Export-Import Trade and Business Directory

Paradoxes of Migration in Tajikistan is the first ethnographic monograph on migration in Tajikistan, one of the most remittance-dependent countries in the world. Moving beyond economistic push-pull narratives about post-Soviet migration, it foregrounds the experiences of those who ‘stay put’ in the sending society and struggle to reproduce their moral communities. Elena Borisova examines the role of mobility in historical and cultural ideas about the good life and how it becomes entwined with people’s efforts to become good, moral and modern subjects. Addressing the complex relationship between the economic, imaginative and moral aspects of (im)mobility, she shows that mass migration from Tajikistan is as much a project of navigating ethical personhood as it is a quest for economic resources. This book reveals how transnational regimes and structures of mobility, citizenship and histories map out in the intimate spheres of the body, the person and the family. It is a contribution to contemporary migration research, which is mostly centred on Europe and North America, and to the field of Central Asian studies. It will be of interest to researchers of migration, (im)mobility and citizenship, and to scholars of all disciplines working on Central Asia. Praise for Paradoxes of Migration in Tajikistan ‘In this vivid and poignant ethnography, grounded in an intimate portrait of life in northern Tajikistan, Borisova shows how migration is much more than a response to economic necessity...Taking us from homes and wedding halls to passport offices and border posts, Borisova illuminates migration as an ethical project inseparable from the search for a good life – an argument of profound relevance for scholars of migration, as well as for students of anthropology.’ Madeleine Reeves, University of Oxford ‘This deeply researched account of the lived experience of migration between Tajikistan and Russia is a must-read for all those interested in Central Asia and the migratory experience more generally. This remarkable book is a testament to anthropology’s relevance for understanding some of the most pressing issues and sensitive world regions of the present era.’ Magnus Marsden, University of Sussex ‘Paradoxes of Migration in Tajikistan is a masterful account of migrants’ mobility between Tajikistan and Russia. Carefully examining how people live their lives on the move under difficult conditions, Borisova’s lucidly written book is set to become a landmark study in the anthropology of migration.’ Till Mostowlansky, Geneva Graduate Institute 'An amazing book. Borisova offers a rich fieldwork-based account of life in the North of Tajikistan, which is also a delightful read. This work requires a substantial rethinking about how we conceptualise and think of mobility and migration. Paying attention to the politics of care and ethical struggles the book helps a reader to understand what migration is and how it is weaved into everyday fabric of life in Tajikistan.' Malika Bahovadinova, University of Amsterdam

The first book-length account of North Korean music and dance in any language other than Korean, Songs for "Great Leaders" pulls back the curtain for the first time on this famously reclusive and secretive regime.