THE STORY: The scene is an isolated house in the woods where a beautiful young woman lives alone. When a young samurai appears she offers him food and shelter, and when he decides to stay on they eventually become lovers. But while fascinated by his benefactress, the samurai cannot shake a superstitious mistrust of her; for all her delicacy and beauty she is also able to perform wonders of cookery, horticulture and even the martial arts (much to his wounded pride). In the end it develops that the woman is suspected of being a witch and the samurai has come to seek glory by killing her. This he ultimately cannot, or will not, do, but neither can be accept her superiority, and so he leaves-a fateful decision which, as it turns out, is made at terrible cost to both of them.

Morris Magellan wakes one morning to find himself stuck in a corporate job and living the suburban dream with a wife and two children, except this dream feels like a nightmare. Out of his depth and starting to drift from reality, we meet Morris at the precipice. Bit by bit he is losing his struggle with addiction – he just doesn't know it yet. His only solace and escape from suburban family life and corporate duties is music and alcohol. His life is soundtracked with symphonies and concertos, every note, and every drink, carries him from moment to moment hoping to salvage something of himself before that too slips from his grasp. Harrowing but compellingly written, with humour and compassion, The Sound of My Voice is a stylistic masterpiece that presents conflict between a man's cowardice and cruelty, and a desperate attempt to recover his humanity.

Marylin and Kate find that boys can be just as complicated as friendship in this conclusion to the bestselling Secret Language of Girls trilogy, a “quietly perceptive tour de force” (Kirkus Reviews) from the bestselling author of Dovey Coe and The Secret Language of Girls. Marylin knows that, as a middle school cheerleader, she has certain obligations. She has to smile as she walks down the hall, be friends with the right people, and keep her manicure in tip-top shape. But Marylin is surprised to learn there are also rules about whom she’s allowed to like—and Benjamin, the student body president, is deemed unacceptable. But maybe there is a way to convince the cheerleaders that her interest in Benjamin is for their own good—maybe she’ll pretend that she’s using him to get new cheerleading uniforms! Kate, of course, finds this ludicrous. She is going to like who she likes, thank you very much. And she just so happens to be spending more time than ever with Matthew Holler. But even a girl who marches to the beat of her own guitar strings can play the wrong notes—and are she and Matthew even playing the same song? She’s just not sure. So when Matthew tells Kate that the school’s Audio Lab needs funding from the student government, she decides to do what she can to help him get it. But there isn’t enough money to go around, and it soon becomes clear that only one of the two girls can get her way. Ultimately, though, is it even her way? Or are both girls pushing for something they never really wanted in the first place?

"Studies of affect and emotions have blossomed in recent decades across the humanities, neurosciences, and social sciences. In music scholarship, they have often built on the discipline's attention to what music theorists since the Renaissance have described as music's unique ability to arouse passions in listeners. In this timely volume, the editors seek to combine this 'affective turn' with the 'sound turn' in the humanities, which has profitably shifted attention from the visual to the aural, as well as a more recent 'philosophical turn' in music studies. Accordingly, the volume maps out a new territory for research at the intersection of music, philosophy, and sound studies. The essays in Sound and Affect look at objects and experiences in which correlations of sound and affect reside, in music and beyond: the voice as it speaks, stutters, cries, or sings; music, whether vocal, instrumental, or electronic; our sonic environments, whether natural or man-made, and our responses to them. As argued here, far from being stable, correlations of sound and affect are influenced by factors as diverse as race, class, gender, and social and political experience. Examining these factors is key to the project, which gathers contributions from a cross-disciplinary roster of scholars including both established as well as a wealth of new voices. The essays are grouped thematically into sections that move from politics and ethics, to reflections on pre-and post-human "musicking," to the notions of affective listening and music temporalities, to are examination of historical understandings of music and affect. This agenda-setting collection will prove indispensable to anyone interested in innovative approaches to the study of sound and its many intersection with affect and emotions"--

The Sound of His Voice is an easy to read spiritual guide for those interested in a deeper personal relationship with God. It encourages daily personal prayer which includes listening to the Lord through the power of the Holy Spirit. Have you ever wondered if God speaks to ordinary people? And, if so, how? This book outlines in simple language what everyone should know about hearing God's voice in the midst of everyday Christian living. It weaves in many vivid examples from the author's personal life and the lives of others, and includes prayer exercises to assist the reader. A must-read for those looking to deepen their living, loving and interactive relationship with God. Helpful unto itself, The Sound of His Voice is also used as an introduction to the spiritual growth program called "Our Fiat", which combines scriptural meditation and prayerful listening through daily prayer and weekly small group sharing, consistent with the call of Pope Benedict to pray with scripture.

A revised and updated edition of the detailed, down-to-earth guide to speaking your mind effectively—includes useful exercises. The best, most direct way to convey your intelligence, expertise, professionalism, and personality to other people is through talking to them. But most people have no idea what they sound like. And even if they do, they don’t think they can change it. It’s the Way You Say It is a thorough, nuts-and-bolts guide to becoming aware and taking control of how you communicate with others. Dr. Carol Fleming provides detailed advice and scores of exercises for Understanding how others hear you Dealing with specific speech problems Varying your vocal patterns to make your speech more dynamic Using grammar and vocabulary to increase your clarity and impact Reinforcing your message with nonverbal cues Conquering stage fright An entire section of the book focuses on communication issues in the workplace—interviews, presentations, voice mail, and more. In addition, Dr. Fleming puts a human face on her advice through vivid before-and-after stories of forty men and women who came to her for help. “No other skills will position you ahead of your competition as much as good speaking and presentation skills. No book approaches the depth and breadth of Dr. Carol Fleming’s It’s the Way You Say It.” —Patricia Fripp, CSP, CPAE, keynote speaker, executive speech coach, and president of Fripp & Associates

Listening and Voice is an updated and expanded edition of Don Ihde's groundbreaking 1976 classic in the study of sound. Ranging from the experience of sound through language, music, religion, and silence, clear examples and illustrations take the reader into the important and often overlooked role of the auditory in human life. Ihde's newly added preface, introduction, and chapters extend these sound studies to the technologies of sound, including musical instrumentation, hearing aids, and the new group of scientific technologies which make infra- and ultra-sound available to human experience.

Some murder cases you can't forget. No matter how hard you try. For Auckland Detective Matt Buchanan it's Samantha Coates: the innocent girl who disappeared on her way home from school twelve years ago. All the police found were her clothes discarded on a pristine stretch of New Zealand coastline, and the investigation quickly went cold. But when the body of another young woman turns up on the same beach many years later, it's all Buchanan needs to reopen both the case and his biggest obsession. As he pieces the terrible crimes together it becomes clear that Samantha Coates is the only mistake the killers made. And Buchanan must follow the sound of her voice to make them pay for it.

Written to save careers one voice at a time through scientifically proven methods and advice, this resource teaches people how to protect and improve one of their most valuable assets: their speaking voice. Simple explanations of vocal anatomy and up-to-date instruction for vocal injury prevention are accompanied by illustrations, photographs, and FAQs. An audio CD of easy-to-follow vocal-strengthening exercises--including Hum and Chew, Puppy Dog Whimper, Sirens, Lip Trills, and Tongue Twisters--is also included, along with information on breathing basics, vocal-cord vibration, and working with students who have medical complications such as asthma, acid reflux, or anxiety.

Winner, 2023 Clifford Geertz Prize in Anthropology of Religion, Society for the Anthropology of Religion The Jahriyya Sufis—a primarily Sinophone order of Naqshbandiyya Sufism in northwestern China—inhabit a unique religious soundscape. The hallmark of their spiritual practice is the “loud” (jahr) remembrance of God in liturgical rituals featuring distinctive melodic vocal chants. The first ethnography of this order in any language, The Sound of Salvation draws on nearly a decade of fieldwork to reveal the intricacies and importance of Jahriyya vocal recitation. Guangtian Ha examines how the use of voice in liturgy helps the Jahriyya to sustain their faith and the ways it has enabled them to endure political persecution over the past two and a half centuries. He situates the Jahriyya in a global multilingual network of Sufis and shows how their characteristic soundscapes result from transcultural interactions among Middle Eastern, Central Asian, and Chinese Muslim communities. Ha argues that the resilience of Jahriyya Sufism stems from the diversity and multiplicity of liturgical practice, which he shows to be rooted in notions of Sufi sainthood. He considers the movement of Jahriyya vocal recitation to new media forms and foregrounds the gendered opposition of male voices and female silence that structures the group’s rituals. Spanning diverse disciplines—including anthropology, ethnomusicology, Islamic studies, sound studies, and media studies—and using Arabic, Persian, and Chinese sources, The Sound of Salvation offers new perspectives on the importance of sound to religious practice, the role of gender in Chinese Islam, and the links connecting Chinese Muslims to the broader Islamic world.