"The Soul of London" is a 1905 book by Ford Maddox created with an ambition to preserve and transfer the excitement and impression of the greatest city of all times. The book covers different sides of city life – from the glamor of the high-class life to the hardships of the working people.

This eBook features the unabridged text of ‘The Soul of London by Ford Madox Ford - Delphi Classics (Illustrated)’ from the bestselling edition of ‘The Complete Works of Ford Madox Ford’. Having established their name as the leading publisher of classic literature and art, Delphi Classics produce publications that are individually crafted with superior formatting, while introducing many rare texts for the first time in digital print. The Delphi Classics edition of Ford includes original annotations and illustrations relating to the life and works of the author, as well as individual tables of contents, allowing you to navigate eBooks quickly and easily. eBook features: * The complete unabridged text of ‘The Soul of London by Ford Madox Ford - Delphi Classics (Illustrated)’ * Beautifully illustrated with images related to Ford’s works * Individual contents table, allowing easy navigation around the eBook * Excellent formatting of the textPlease visit www.delphiclassics.com to learn more about our wide range of titles

This early work by Ford Madox Ford was originally published in 1905 and we are now republishing it with a brand new introduction. Ford Madox Ford was born Ford Madox Hueffer in Merton, Surrey, England on 17th December 1873. The creative arts ran in his family - Hueffer's grandfather, Ford Madox Brown, was a well-known painter, and his German émigré father was music critic of The Times - and after a brief dalliance with music composition, the young Hueffer began to write. Although Hueffer never attended university, during his early twenties he moved through many intellectual circles, and would later talk of the influence that the "Middle Victorian, tumultuously bearded Great" - men such as John Ruskin and Thomas Carlyle - exerted on him. In 1908, Hueffer founded the English Review, and over the next 15 months published Thomas Hardy, H. G. Wells, Joseph Conrad, Henry James, John Galsworthy and W. B. Yeats, and gave débuts to many authors, including D. H. Lawrence and Norman Douglas. Hueffer's editorship consolidated the classic canon of early modernist literature, and saw him earn a reputation as of one of the century's greatest literary editors. Ford's most famous work was his Parade's End tetralogy, which he completed in the 1920's and have now been adapted into a BBC television drama. Ford continued to write through the thirties, producing fiction, non-fiction, and two volumes of autobiography: Return to Yesterday (1931) and It was the Nightingale (1933). In his last years, he taught literature at the Olivet College in Michigan. Ford died on 26th June 1939 in Deauville, France, at the age of 65.

A new edition of a classic Batsford title from the 1930s. London is brought to life through its people, buildings and history in this classic book, first published in 1935. The Spirit of London presents a wonderful snapshot of our capital before World War II and a charming insight into urban life in the 1930s. Paul Cohen-Portheim was an Austrian traveller and writer who was interned in the UK during World War I. His enforced stay made him fall in love with England and in particular, London. This is his take on the irrepressible city. Chapters include: Towns Within, Town Streets and their Life, Green London, London Amusements and Night Life, Traditional London, London and the British and London and the Foreigner. The book features Brian Cook's iconic illustration of Ludgate Circus and St Paul's on the cover. Add in the charm of the authentic voice of a 1930s Londoner, this book should be enjoyed by all Londoners and London enthusiasts.

Ford's evocation of the growth of London, of the bewildering variety of the city scene by day and night, of the glamour and frivolity of its 'high' life and the hardship of its working people is a work of imaginative literature, not a guide book. Other writers had explored the 'facts' of London, but for Ford impressions take the place of information and argument. Part history, part personal reminiscence, and part prose poem which renders 'the moods of many individuals' in relation to the urban landscape, The Soul of London reads at times like fiction where the scene is set for characters who never appear. But it is also a journey of discovery into the nature of modern city life and our ways of coming to terms with it.

The next installment of the Black London series finds crow-mage Jack Winter and former detective Pete Caldecott continuing their quest to save the magical realm of Black London from certain destruction. Original.

The controversial British writer Ford Madox Ford (1873-1939) is increasingly recognized as a major presence in early twentieth-century literature. International Ford Madox Ford Studies has been founded to reflect the recent resurgence of interest in him. Each volume is based upon a particular theme or issue; each will relate aspects of Ford's work, life, and contacts, to broader concerns of his time. Ford is best-known for his fiction, especially The Good Soldier, long considered a modernist masterpiece; and Parade's End, which Anthony Burgess described as 'the finest novel about the First World War'; and Samuel Hynes has called 'the greatest war novel ever written by an Englishman'. These works, together with his trilogy The Fifth Queen, about Henry VIII and Katharine Howard, are centrally concerned with the idea of Englishness. All these, and other works across Ford's prolific oeuvre, are studied here. Critics of Edwardian and Modernist literature have been increasingly turning to Ford's brilliant 1905 experiment in Impressionism, The Soul of London, as an exemplary text. His trilogy England and the English (of which this forms the first part) provides a central reference-point for this volume, which presents Ford as a key contributor to Edwardian debates about the 'Condition of England'. His complex, ironic attitude to Englishness makes his approach stand out from contemporary anxieties about race and degeneration, and anticipate the recent reconsideration of Englishness in response to post-colonialism, multiculturalism, globalization, devolution, and the expansion and development of the European Community. Ford's apprehension of the major social transformations of his age lets us read him as a precursor to cultural studies. He considered mass culture and its relation to literary traditions decades before writers like George Orwell, the Leavises, or Raymond Williams. The present book initiates a substantial reassessment, to be continued in future volumes in the series, of Ford's responses to these cultural transformations, his contacts with other writers, and his phases of activity as an editor working to transform modern literature. From another point of view, the essays here also develop the project established in earlier volumes, of reappraising Ford's engagement with the city, history, and modernity.

"Nights in London" by Thomas Burke is a collection of short stories that provides a vivid and atmospheric portrayal of life in London during the early 20th century. Thomas Burke, a skilled storyteller, takes readers on a journey through the city's streets, introducing a diverse cast of characters and capturing the essence of urban life. Set in the working-class neighborhoods of London, Burke's stories offer glimpses into the lives, struggles, and dreams of ordinary people. The narratives are infused with a sense of realism, and Burke's keen observations highlight the nuances of human interactions in the bustling metropolis. Each story in "Nights in London" serves as a literary snapshot, depicting the social and cultural landscape of the time. Burke's writing style is both evocative and compassionate, creating a compelling mosaic of London's diverse communities. This collection is recommended for readers interested in urban literature, historical fiction, and the exploration of human experiences within the context of a rapidly changing city. "Nights in London" stands as a testament to Thomas Burke's ability to capture the heartbeat of the city and its inhabitants in the early 20th century.

Following on from Julian Wolfrey's successful Writing London (1998), this second volume extends Wolfrey's original argument that a new urban sensibility in the nineteenth century had been developed which established new ways of writing about and responding to the city. Writing London - Volume 2 explores through a range of readings of twentieth-century films and texts the complex relationship between the experience of the city, the pleasures of the urban text and the solitary nature of these pleasures. The book has a broad focus, in part dictated not only by the transformation of literary production in the twentieth-century, but also by the need to respond to the changes in both urban representation and London itself. Writers discussed include Virginia Woolf, Elizabeth Bowen, Maureen Duffy, Peter Ackroyd, Iain Sinclair and Michael Moorcock. The volume covers texts from the late nineteenth-century to the end of the twentieth, in a critical reading that incorporates the theoretical insights of Walter Benjamin, Guy Debord and Jacques Derrida.