This book contains 23 note-for-note piano transcriptions of recorded solos by James P. Johnson, Bud Powell, Teddy Wilson, Willie "The Lion" Smith, Thomas "Fats" Waller, Art Hodes, Herman Chittison, George Gershwin, Art Tatum, Nat "King" Cole, Johnny Guarnieri, Dick Wellstood, and Claude Hopkins. It includes a terrific essay on the history of early jazz piano styles from 1893 to 1945 with fascinating insights about the music and the artists.

Covering a span of time and styles ranging from jazz beginnings to some of the most recent developments, this book collects and analyzes many of the most frequently used jazz, blues, and Latin jazz left-hand piano techniques. Generally, each proposed technique is first introduced by a "model" figure derived from original sources, followed by an explanation of its pattern, and finally by some sample applications using well-known songs, harmonic progressions, or original pieces. For the sake of completeness, most of these left-hand applications are integrated with sample right-hand parts that validate the efficacy and concrete application of the left hand figures. Numerous styles of jazz piano are taught, including: stride piano, Latin stylings, blues, boogie, swing, walking bass, jazz waltz, rootless voicings and many other concepts. Characteristics of jazz legends including Erroll Garner, Jelly Roll Morton, Earl Hines, George Gershwin, Fats Waller, Eubie Blake and many others are explored. As with all books in this series, it includes a unique lay-flat binding to help keep the music open on the music stand.

23 solos by the greatest Stride Piano masters, transcribed note-for-note by Riccardo Scivales, with historical and performance notes. Includes famous masterpieces by masters such as James P. Johnson, Fats Waller, Wilie "The Lion" Smith, Donald Lambert, Cliff Jackson, Dick Wellstood, ecc. Among these pieces, "Carolina Shout", "The Mule Walk", "Smashing Thirds", "Squeeze Me", "As Time Goes By", "Royal Garden Blues", etc.

Presents articles on the period known as the Harlem Renaissance, during which African American artists, poets, writers, thinkers, and musicians flourished in Harlem, New York.

(Easy Piano Songbook). Do you feel you've learned enough piano skills to take on some jazz tunes? This book is designed to let beginners dive into jazz standards with success. The arrangements, although easy, are full enough to make you sound great. Lyrics are also included. This collection features 50 of the best jazz standards ever, including: All the Things You Are * Autumn in New York * Body and Soul * Don't Get Around Much Anymore * Fly Me to the Moon (In Other Words) * Georgia on My Mind * The Girl from Ipanema (Garota De Ipanema) * It Could Happen to You * Misty * My Funny Valentine * Night and Day * Satin Doll * Speak Low * Summertime * The Way You Look Tonight * When I Fall in Love * You Stepped Out of a Dream * and more.

Praised as "suave, soulful, ebullient" (Tom Waits) and "a meticulous researcher, a graceful writer, and a committed contrarian" (New York Times Book Review), Elijah Wald is one of the leading popular music critics of his generation. In The Blues, Wald surveys a genre at the heart of American culture. It is not an easy thing to pin down. As Howlin' Wolf once described it, "When you ain't got no money and can't pay your house rent and can't buy you no food, you've damn sure got the blues." It has been defined by lyrical structure, or as a progression of chords, or as a set of practices reflecting West African "tonal and rhythmic approaches," using a five-note "blues scale." Wald sees blues less as a style than as a broad musical tradition within a constantly evolving pop culture. He traces its roots in work and praise songs, and shows how it was transformed by such professional performers as W. C. Handy, who first popularized the blues a century ago. He follows its evolution from Ma Rainey and Bessie Smith through Bob Dylan and Jimi Hendrix; identifies the impact of rural field recordings of Blind Lemon Jefferson, Charley Patton and others; explores the role of blues in the development of both country music and jazz; and looks at the popular rhythm and blues trends of the 1940s and 1950s, from the uptown West Coast style of T-Bone Walker to the "down home" Chicago sound of Muddy Waters. Wald brings the story up to the present, touching on the effects of blues on American poetry, and its connection to modern styles such as rap. As with all of Oxford's Very Short Introductions, The Blues tells you--with insight, clarity, and wit--everything you need to know to understand this quintessentially American musical genre.

The first of three volumes on the history and musical contribution of jazz.

This book is great for keyboardists who have learned the basics of blues improvisation and composing. Beginning with a review of concepts and skills covered in Beginning Blues Keyboard, this book explores further into topics such as chord extensions, blues techniques, building bass lines, playing in the key, ii-V substitutions and slow blues. Blues forms such as the twelve-bar blues and the eight-bar blues are explored. Packed with sample licks and songs, this book is essential for any keyboardist serious about learning the blues.

THE BOOK OF LIFE, KNOWLEDGE AND CONFIDENCE provides the reader simple, commonsense, unorthodox answers and explanations on or about the WHO, WHAT, WHEN and WHY of issues of life and existence, such as the: Beginning of the Universe; Earth-like and extrasolar planets; Human Being; Religions & Religious issues such as: Bible; 'God'; Jesus; Virgin Mary; Adam & Eve; Angels, Devils, Satan, Hell, Heaven, Confession, Sins, Blasphemy, Apostasy, Celibacy, Mysticism, Superstition, Mythologies, Religious Mythologies; Psychological issues such as: Out-of-Body and Near-death Experiences; and Hallucinatory, Psychoactive and Ethnogenic Drugs. Once you have started to READ this Book, you will NEVER want to stop reading!

A complete guide to Left Hand Jazz Piano Techniques, with almost 500 musical examples. Covering a span of time and styles ranging from jazz beginnings to some of the most recent developments, this book collects and analyzes many of the most frequently used jazz, blues, and Latin jazz left-hand piano techniques. Generally, each proposed technique is first introduced by a "model" figure derived from original sources, followed by an explanation of its pattern, and finally by some sample applications using well-known songs, harmonic progressions, or original pieces. For the sake of completeness, most of these left-hand applications are integrated with sample right-hand parts that validate the efficacy and concrete application of the left hand figures.