The soul works through the mechanism of a threefold personality. The method by which the soul and the personality vehicles interact and function together is presented in this volume; and also the way the human constitution, as a whole and in its component parts, responds to the impact of an evolving consciousness.

The mechanical philosophy first emerged as a leading player on the intellectual scene in the early modern period—seeking to explain all natural phenomena through the physics of matter and motion—and the term mechanism was coined. Over time, natural phenomena came to be understood through machine analogies and explanations and the very word mechanism, a suggestive and ambiguous expression, took on a host of different meanings. Emphasizing the important role of key ancient and early modern protagonists, from Galen to Robert Boyle, this book offers a historical investigation of the term mechanism from the late Renaissance to the end of the seventeenth century, at a time when it was used rather frequently in complex debates about the nature of the notion of the soul. In this rich and detailed study, Domenico Bertoloni Melifocuses on strategies for discussing the notion of mechanism in historically sensitive ways; the relation between mechanism, visual representation, and anatomy; the usage and meaning of the term in early modern times; and Marcello Malpighi and the problems of fecundation and generation, among the most challenging topics to investigate from a mechanistic standpoint.

An exploration of the mind-body problem from the perspective of artificial intelligence.

This compilation from the books of Alice Bailey seeks to increase understanding of the immortal soul, addressing it’s many aspects under sixty two headings. The creative nature of the Soul: On its own plane, the soul knows no separation, and the factor of synthesis governs all soul relations. The soul is occupied not only with the form that the vision of its objective may take, but with the quality or the meaning which that vision veils or hides. The soul knows the Plan; its form, outline, methods and objective are known. Through the use of the creative imagination, the soul creates; it builds thought-forms on the mental plane and objectifies desire on the astral plane. It proceeds then to externalise its thought and its desire upon the physical plane through applied force, creatively actuated by the imagination of the etheric or vital vehicle. Yet because the soul intelligence, motivated by love, it can (within the realised synthesis which governs its activities) analyse, discriminate and divide. The soul likewise aspires to that which is greater than itself, and reaches out to the world of divine ideas, and thus itself occupies a midway position between the world of ideation and the world of forms, This is its difficulty and its opportunity.