Immigrants are vital to America's economy and national security. They make our food. They care for the ill, injured, and elderly in our healthcare system. They contribute to our country's technological might. And yet, our immigration system is fundamentally broken. Millions of immigrants live lives of uncertainty and fear. Meanwhile, businesses are baffled by convoluted hiring practices. Worst of all, scores of DACA kids contribute faithfully to their adopted country without any clear path to citizenship. In The Sons of Wetbacks, Texas attorney and third-generation Mexican-American Jacob Montilijo Monty offers a compelling conservative case for immigration reform. While many on the right oppose immigration reform because of a belief that all Latinos are liberals, this couldn't be further from the truth. Rather, Latinos put great value on faith, family, and private enterprise, making them a natural fit for the GOP. The author lays out a clearly articulated approach to reform immigration in a manner that is pragmatic, fair and in line with the principles of conservatism. Monty says, "We're not talking about amnesty. The bad hombres should be sent back. But, Latino immigrants are here to work. Let's vet them and get them working with legitimate papers. It would go a long way to making America great again."

Our hero, let’s call him Freddy for the sake of confusion, treks to the land of his forebears ~ that unique land of many names, but to the confused and disillusioned, we know it as Mexico. Why is he there? That is the question! He suffers many diversions, many distractions. Many deceptions and many disillusions befuddle his perceptions of this land of mystery: it is lush and lovely, hellish and horror-filled, full of music and full of muckrakers... It also turns out that he is there as an illegal alien while searching for the answer to a mystery. But Freddy doesn’t know he is there illegally. He only knows that Life has played a trick on him, and instead of persecuting so-called Wetbacks within the borders of America, he is now a so-called Wetback trapped in the land of his forebears, persecuted by the government, and trying to reverse a very trifling conundrum of misunderstandings borne of the great mystery that caused him to end up in a land where he’d thought never to go in the first place! With laughter in the heart, he runs from the so-called Federales while indulging in all the adventures that Mexico has to offer. Hence, his troubles increase, and tribulations bedevil him as he tries to find a way out of one trying mess after another. Meanwhile, he meets a man he never knew existed but would prove to be the link to the Past he sought, and make sense of all the confusion. But, all the while these troubles chase him back to the American border. The wise men say, in so many words, that nobody knows like Mexicans know the troubles that Mexico knows. Therefore, to luck we entrust the resolution of this muddle-some plot, and to the good graces of our readers. So, read the book and the plot might finally make sense to you. And, when it does, then tell us all about it! About the Author Frederick Martin-Del-Campo, also known as Frederick Martin-In-The-Fields, is a writer/author with a growing reputation among itinerant, avant-garde artists and other writers in California. His writings are now available through international literary venues, and he edits his own blogs, CHILDREN OF ANGER, and the increasingly popular LAST OF THE RED HOT PERVS. Frederick is a native of California. He worked as a teacher of History and ELT studies while pursuing his calling as writer. His most recently published book is the powerful THE MEDITATIONS OF MISERY, which reveals the workings of a mind in permanent suspension from reality. His grandiose opus, CHRONICLES OF WAR AND A WANDERER, has received rave reviews both by individual readers as by professional reviewers since it was released in 2007. His poignant biographies of his ancestors can be procured in a two volume series: BOUND FOR THE PROMISED LAND. He reveals his mastery of the thriller genre with his 2004 release of THE ISLAND OF ESTASIA. Upon undertaking these difficult projects, he felt they would enrich the literature of American and International lore. He has also published a highly-regarded poetic anthology of his own entitled, ON THE HILL OF CONTEMPLATION. His latest contribution to literature, A WETBACK IN REVERSE, could be described as a labor of love and hate as it recounts his experiences and tribulations in Mexico as he sought to find a way home after being left for lost during a crucial time in his life.

In the title story, Mrs. Rentería shouts, “David is mine!” as she and her neighbors gather about the dead but handsome young man found in the dry riverbed next to their homes in a Los Angeles barrio. “Since when is his name David?” someone asks, and soon everyone is arguing about the mysterious corpse’s name, throwing out suggestions: Luis, Roberto, Antonio, Henry, Enrique, Miguel, Roy, Rafael. Many of the pieces in this collection take place in a Los Angeles neighborhood that used to be called Frog Town, now known as Elysian Valley. Ron Arias reveals the lives of his Mexican-American community: there’s Eddie Vera, who goes from school yard enforcer to jail bird and finally commando fighting in Central America; a boy named Tom, who chews his nails so incessantly that it leads to painful jalapeño chili treatments, banishment from the neighborhood school and ultimately incarceration in a school for emotionally disturbed kids; and Luisa, a young girl who can’t resist an illicit visit to Don Noriega, an old man the kids call El Mago who is known as a curandero in their neighborhood. Most of the 14 stories included in this volume were originally published in journals that no longer exist, including El Grito: A Journal of Contemporary Mexican-American Thought, Caracol and Revista Chicano-Riqueña. The author of an important novel—The Road to Tamazunchale—published during the Chicano literary movement of the 1970s, Arias was one of the first to use magic realism and connect U.S. Hispanic literature to its more popular, Latin-American cousin. The Wetback and Other Stories finally gathers together and makes available the short fiction of a pioneer in Mexican-American literature. “I felt reading these wonderful stories that I was admitted to an adjacent neighborhood, a rich culture that is another world—call it Amexica—both mysterious and magical, that is persuasive through its tenderness. My hope is that Ron Arias continues to write short stories that tell us who we are.”—Paul Theroux "The Road to Tamazunchale is one of the first achieved works of Chicano consciousness and spirit."— Library Journal

Bestselling author of ¡Ask a Mexican! Gustavo Arellano returns with Orange County, a seamlessly woven history of California's Orange County with Gustavo's personal narrative of growing up within its neighborhoods. The story began in 1918, when Gustavo Arellano's great-grandfather and grandfather arrived in the United States, only to be met with flying potatoes. They ran, and hid, and then went to work in Orange County's citrus groves, where, eventually, thousands of fellow Mexican villagers joined them. Gustavo was born sixty years later, the son of a tomato canner who dropped out of school in the ninth grade and an illegal immigrant who snuck into this country in the trunk of a Chevy. Meanwhile, Orange County changed radically, from a bucolic paradise of orange groves to the land where good Republicans go to die, American Christianity blossoms, and way too many bad television shows are green-lit. Part personal narrative, part cultural history, Orange County is the outrageous and true story of the man behind the wildly popular and controversial column ¡Ask a Mexican! and the locale that spawned him. It is a tale of growing up in an immigrant enclave in a crime-ridden neighborhood, but also in a promised land, a place that has nourished America's soul and Gustavo's family, both in this country and back in Mexico, for a century. Nationally bestselling author, syndicated columnist, and the spiciest voice of the Mexican-American community, Gustavo Arellano delivers the hilarious and poignant follow-up to ¡Ask a Mexican!, his critically acclaimed debut. Orange County not only weaves Gustavo's family story with the history of Orange County and the modern Mexican-immigrant experience but also offers sharp, caliente insights into a wide range of political, cultural, and social issues.

Enraged by his loss in a bitter custody fight, Michael Johnson kidnaps his son Adam. As they drive through the Arizona desert, Michael suffers heart failure. Adam strikes out in search of help and encounters two Mexican teenagers who have crossed into the U.S. illegally. Adam’s mother has reported her son missing and Sheriff Patterson is close on their trail.

THE NEW YORK TIMES BESTSELLER NOW A MAJOR TV SERIES starring Pierce Brosnan and co-written by Philipp Meyer The critically acclaimed, New York Times-bestselling epic, a saga of land, blood and power, follows the rise of one unforgettable Texas family from the Comanche raids of the 1800s to the oil booms of the 20th century. Eli McCullough is just twelve years old when a marauding band of Comanche storm his Texas homestead, brutally murder his mother and sister and take him captive. Despite their torture and cruelty, Eli - against all odds - adapts to life with the Comanche, learning their ways and language, taking on a new name, finding a place as the adopted son of the band's chief and fighting their wars against not only other Indians but white men too, which complicates his sense of loyalty, his promised vengeance and his very understanding of self. But when disease, starvation and westward expansion finally decimate the Comanche, Eli is left alone in a world in which he belongs nowhere, neither white nor Indian, civilized nor fully wild. Deftly interweaving Eli’s story with those of his son Peter and his great-granddaughter JA, The Son maps the legacy of Eli’s ruthlessness, his drive to power and his lifelong status as an outsider, even as the McCullough family rises to become one of the richest in Texas, a ranching and oil dynasty that is as resilient and dangerous as the land they claim. Yet, like all empires, the McCulloughs must eventually face the consequences of their choices. Panoramic, deeply evocative and utterly transporting, The Son is a masterpiece American novel - part epic of Texas, part classic coming-of-age story - that combines the narrative prowess of Larry McMurtry with the knife-edge sharpness of Cormac McCarthy. 'Stunning ... a book that for once really does deserve to be called a masterpiece' Kate Atkinson 'Magnificent ... McCarthy's Border Trilogy is a point of reference, as is There Will Be Blood, but it is not fanciful to be reminded of certain passages from Moby-Dick - it's that good'The Times 'Brilliant ... a wonderful novel' Lionel Shriver

Lena, a ten-year old girl, has to leave a drought stricken West Texas ranch for the orange groves of South Texas. There she sees and learns about "wet backs" and their continuing role in the U.S. When she moves back to the ranch, she meets the "dot.com" millionaire who has bought it. Lena finds them to have much in common--composing the patchwork of her life, and of America.

The protagonists: A group of Indians from southern Mexico, their uprising against the government having failed, leave their homes in search of a better life in the United States. Led by Comandante Barcus, their charismatic bearded leader, Sgt. Reyna, the Indian-priest-revolutionary, Lt. Maravilla, the poetic Lacandon Nation's Minister of Education, Capt. Trancaso the blunt Chief of Staff, and Pascale Noel, the French socialite-turned-guerrilla fighter, they meet their share of trouble at the hands of Maj. Fitz, cult leader of the Church of the Fuehrer, plus Dr. Boebbles, and other neo-Nazis, the antagonists. But this is only one hurdle: The adventurous trip from their little towns in the rain forest to the Promised Land north of the border is full of snags and close calls leading to an unlikely end.

Known as “The Salad Bowl of the World,” California’s Salinas Valley became an agricultural empire due to the toil of diverse farmworkers, including Latinos. A sweeping critical history of how Mexican Americans and Mexican immigrants organized for their rights in the decades leading up to the seminal strikes led by Cesar Chavez, this important work also looks closely at how different groups of Mexicans—U.S. born, bracero, and undocumented—confronted and interacted with one another during this period. An incisive study of labor, migration, race, gender, citizenship, and class, Lori Flores’s first book offers crucial insights for today’s ever-growing U.S. Latino demographic, the farmworker rights movement, and future immigration policy.