The Sons of Charlie Russell commemorates the fiftieth anniversary of the formation of the Cowboy Artists of America. The history of these artists comes alive in this book's essays and photographs and in beautiful images of their works. --cover flap.

CHARLIE RUSSELL: The Cowboy Years is not an art book, research paper, or novel, and definitely not fiction. This engaging narrative chronicles the eleven years Charles M. Russell spent on the open range of Montana working as a cowboy, from 1882 until 1893. With Charlie cast as the centerpiece - which he often was during this period - and a supporting cast of friends and horses, this colorful history is filled with adventure. These years as a working cowboy were a formative time for this talented and complex artist, a man of integrity who had a great sense of humor, both childlike and raucous. Saddle up then, and reide along with Charlie and his friends. Tighten your cinch, adjust your stampede string, keep a leg on each side, and expect to have a good time!

"Nancy worked on this biography until her death in 1940 without ever quite finishing it. Tom Petrie and Brian Dippie have collaborated on brining what she did finish into print, with side-bars, photographs, and artwork to amplify her text. [This book] will delight all those who love Charles M. Russell and his enduring vision of "the West that has passed.""--inside cover.

This first comprehensive biography of Charles M. Russell examines the colorful life and times of Montana’s famed Cowboy Artist. Born to an affluent St. Louis family in 1864, young Russell read thrilling tales of the West and filled sketchbooks with imagined frontier scenes. At sixteen he left home and headed west to become a cowboy. In Montana Territory he consorted with cowpunchers, Indians, preachers, saloon keepers, and prostitutes, while celebrating the waning American frontier’s glory days in some 4,000 paintings, watercolors, drawings, and sculptures. Before his death in 1926, Russell saw the world change dramatically, and the West he loved passed into legend. By then he was revered as one of the country’s ranking Western artist with works displayed in the finest galleries, his romantic vision of the Old West forever shaping our own. Taliaferro reveals the man behind the myth in his multifaceted complexity: extraordinarily gifted, self-effacing, charming, mischievous, and playful, a friend to rough frontier denizens and Hollywood stars alike. The author also explores Russell’s controversial partnership with his fiery young wife, Nancy, whose ambition and business savvy helped establish Russell as one of America’s most popular artists.

Charles M. Russell has long been recognized for his action-packed paintings, drawings, and sculpture of cowboys, fur trappers, Native American buffalo hunters and warriors, and other heroes of the Old West. Russell's best-known works capture the excitement and deadly risk of men battling nature and one another in a majestic landscape of mountains and plains. Less well known are Russell's hundreds of depictions of western women. As renowned author and art historian Ginger K. Renner observed thirty-five years ago, no other artist of the West devoted more of his time and talent to the portrayal of women. But few have followed Renner's lead--until now. Lavishly illustrated with full-color illustrations, Charles M. Russell: The Women in His Life and Art presents groundbreaking essays essential to understanding the role of western women in Russell's art. This volume is both a tribute to the women who nurtured Russell's artistic development and a landmark in the study of the role of women in a genre all too often identified almost exclusively with a masculine world. The catalogue essays examine the exhibition's theme from four unique perspectives. Joan Carpenter Troccoli provides an over­view of the works in the exhibition and the social, cultural, and personal values that influenced them. Emily Crawford Wilson explores Russell's interest in the feminine ideal, tying it to wider artistic trends of the late nineteenth and early twentieth centuries. Jennifer Bottomly-O'looney describes Russell's friendship with Ben and Lela Roberts, who introduced the artist to Nancy Cooper, the woman who would become his wife and indispensable business partner. Thomas A. Petrie employs extended excerpts from Nancy's unpublished biographical memoir to illuminate the Russells' marriage, a relationship sustained by affection and mutual respect, as well as shrewd creative and marketing decisions.

E. C. Abbott was a cowboy in the great days of the 1870's and 1880's. He came up the trail to Montana from Texas with the long-horned herds which were to stock the northern ranges; he punched cows in Montana when there wasn't a fence in the territory; and he married a daughter of Granville Stuart, the famous early-day stockman and Montana pioneer. For more than fifty years he was known to cowmen from Texas to Alberta as "Teddy Blue." This is his story, as told to Helena Huntington Smith, who says that the book is "all Teddy Blue. My part was to keep out of the way and not mess it up by being literary.... Because the cowboy flourished in the middle of the Victorian age, which is certainly a funny paradox, no realistic picture of him was ever drawn in his own day. Here is a self-portrait by a cowboy which is full and honest." And Teddy Blue himself says, "Other old-timers have told all about stampedes and swimming rivers and what a terrible time we had, but they never put in any of the fun, and fun was at least half of it." So here it is—the cowboy classic, with the "terrible" times and the "fun" which have entertained readers everywhere. First published in 1939, We Pointed Them North has been brought back into print by the University of Oklahoma Press in completely new format, with drawings by Nick Eggenhofer, and with the full, original text.

Two Nez Perce historians offer a detailed examination of the relationship between Corps of Discovery explorers and a single tribe, investigating what Lewis and Clark knew or misunderstood regarding the Nez Perce (Nimiipuu), searching for clues about the hosts¿ reactions to the bearded strangers, and presenting rich Nez Perce oral tradition. Their careful re-evaluation reverses the historical lens to shed extraordinary new light on expedition events. Originally published by The Dakota Institute in 2015.

It seemed that Charlie Russell could draw or paint anything. Wherever he went, his pencils and paints went with him-sometimes stuffed inside his socks. His cowboy friends recognized their faces in his pictures, which he dashed off on scraps of paper, bits of wood, and the linings of hats. This habit of sketching life on the Montana range earned Charlie the nickname "The Cowboy Artist," and he became famous throughout the world. But as good a friend as he was an artist, fame wasn't important to Charlie. In fact, notoriety was nowhere near as precious as the life he lived and the people loved. In this book, you'll read about the one-and-only Charlie Russell and how he lived his dream and honored the Old West through his renowned art.