A 672 page, award-winning biography of country music singer Jim Reeves based on hundreds of interviews and Jim's private diaries. Virtually a day by day account of the life of this internationally renowned star.

(Piano/Vocal/Guitar Artist Songbook). 28 favorite songs recorded by 'Gentleman Jim' Reeves featuring: Bimbo * Four Walls * He'll Have to Go * Mexican Joe.

(Easy Guitar). Easy arrangements with tab for 50 all-American country classics, including: Act Naturally * All My Ex's Live in Texas * Boot Scootin' Boogie * Crazy * Elvira * Faded Love * Folsom Prison Blues * For the Good Times * Friends in Low Places * Georgia on My Mind * Hey, Good Lookin' * King of the Road * Lucille * Rocky Top * Sixteen Tons * Take Me Home, Country Roads * There's a Tear in My Beer * You're the Reason God Made Oklahoma * Your Cheatin' Heart * and more.

The gloves come off in this biography of country music legend Jim Reeves, who not only paved the way for many of today's popular artists but even did a six-year stint around the bases in an early baseball career. Includes a six-song CD. Illustrations.

(Piano/Vocal/Guitar Artist Songbook). 54 of the very best from this country legend arranged for piano, voice and guitar, including: Okie From Muskogee * From Graceland to the Promised Land * A Place To Fall Apart * If We Make It Through December * Mama Tried * Let's Chase Each Other Around the Room * I Think I'll Just Stay Here and Drink * I Had a Beautiful Time * Twinkle Twinkle Lucky Star * and many more.

Insider's view of Nashville's music scene.

Immediately upon publication in 1998, the Encyclopedia of Country Music became a much-loved reference source, prized for the wealth of information it contained on that most American of musical genres. Countless fans have used it as the source for answers to questions about everything from country's first commercially successful recording, to the genre's pioneering music videos, to what conjunto music is. This thoroughly revised new edition includes more than 1,200 A-Z entries covering nine decades of history and artistry, from the Carter Family recordings of the 1920s to the reign of Taylor Swift in the first decade of the twenty-first century. Compiled by a team of experts at the Country Music Hall of Fame and Museum, the encyclopedia has been brought completely up-to-date, with new entries on the artists who have profoundly influenced country music in recent years, such as the Dixie Chicks and Keith Urban. The new edition also explores the latest and most critical trends within the industry, shedding light on such topics as the digital revolution, the shifting politics of country music, and the impact of American Idol (reflected in the stardom of Carrie Underwood). Other essays cover the literature of country music, the importance of Nashville as a music center, and the colorful outfits that have long been a staple of the genre. The volume features hundreds of images, including a photo essay of album covers; a foreword by country music superstar Vince Gill (the winner of twenty Grammy Awards); and twelve fascinating appendices, ranging from lists of awards to the best-selling country albums of all time. Winner of the Best Reference Award from the Popular Culture Association "Any serious country music fan will treasure this authoritative book." --The Seattle Times "A long-awaited, major accomplishment, which educators, historians and students, broadcasters and music writers, artists and fans alike, will welcome and enjoy." --The Nashville Musician "Should prove a valuable resource to those who work in the country music business. But it's also an entertaining read for the music's true fans." --Houston Chronicle "This big, handsome volume spans the history of country music, listing not only artists and groups but also important individuals and institutions." --San Francisco Examiner "Promises to be the definitive historical and biographical work on the past eight decades of country music. Well written and heavily illustratedan unparalleled work, worth its price and highly recommended." --Library Journal

"The funniest book Pynchon has written." — Rolling Stone "Entertainment of a high order." - Time Part noir, part psychedelic romp, all Thomas Pynchon—private eye Doc Sportello surfaces, occasionally, out of a marijuana haze to watch the end of an era. In this lively yarn, Thomas Pynchon, working in an unaccustomed genre that is at once exciting and accessible, provides a classic illustration of the principle that if you can remember the sixties, you weren't there. It's been a while since Doc Sportello has seen his ex- girlfriend. Suddenly she shows up with a story about a plot to kidnap a billionaire land developer whom she just happens to be in love with. It's the tail end of the psychedelic sixties in L.A., and Doc knows that "love" is another of those words going around at the moment, like "trip" or "groovy," except that this one usually leads to trouble. Undeniably one of the most influential writers at work today, Pynchon has penned another unforgettable book.

Country music's debt to African American music has long been recognized. Black musicians have helped to shape the styles of many of the most important performers in the country canon. The partnership between Lesley Riddle and A. P. Carter produced much of the Carter Family's repertoire; the street musician Tee Tot Payne taught a young Hank Williams Sr.; the guitar playing of Arnold Schultz influenced western Kentuckians, including Bill Monroe and Ike Everly. Yet attention to how these and other African Americans enriched the music played by whites has obscured the achievements of black country-music performers and the enjoyment of black listeners. The contributors to Hidden in the Mix examine how country music became "white," how that fictive racialization has been maintained, and how African American artists and fans have used country music to elaborate their own identities. They investigate topics as diverse as the role of race in shaping old-time record catalogues, the transracial West of the hick-hopper Cowboy Troy, and the place of U.S. country music in postcolonial debates about race and resistance. Revealing how music mediates both the ideology and the lived experience of race, Hidden in the Mix challenges the status of country music as "the white man’s blues." Contributors. Michael Awkward, Erika Brady, Barbara Ching, Adam Gussow, Patrick Huber, Charles Hughes, Jeffrey A. Keith, Kip Lornell, Diane Pecknold, David Sanjek, Tony Thomas, Jerry Wever

June Carter was born in the rugged mountains of Maces Springs, Virginia, to Ezra and Maybelle Carter, pioneers of country music. On stage from a very young age, June found her niche in the spotlight with her vivacious personality and down-home sense of humor. Her confidence and spirit were what attracted Johnny Cash to her in the late 1950s. On the road together, they quickly bonded. June was his helpmate and closest companion. They were married for forty years, through addiction and success, tragedy and triumph. Anchored in Love is an inside look into the life of June Carter Cash, through the eyes of her only child with Johnny Cash-John Carter Cash. With skillful prose, he reveals new information about the legendary woman through his tender memories and heartwarming stories.