Reprint of the original from 1909.

John is the teenage terror of his northern industrial town. With his friends, James and Simon, he is a disciple of depression and ennui. His world is a haze of smoke and heavy metal, anchored by poverty. Every day he steps closer to the edge. When an altercation at school leads to a bad encounter with the police and involuntary commitment to a psychiatric ward, John finds himself alone in the hospital Quiet Room with time to think, to reflect on who he is, how he got here, and how to move forward--whether he wants to or not. John is a successful musician. Music is his passion, his solace, and the place he belongs. Looking for the lyric in the noise, he sifts through his life, through layers of experience overlapping like chords. He searches for himself in his psychiatric records, in the voices of his friends, his teachers, the cops, his doctors, and in his own memories. Rearranging the layers into some sort of music, he tries to find a true account of himself. In Singing, He Composed a Song is a masterful experimental novel that blends poetry and fiction, past and future, word and image, to radically question how language and authority intertwine to shape the ways we view ourselves. It finds the music--however dissonant--that can't be held behind steel doors or hidden in the pages of your file.

When a popular high-school student goes missing from her small Midwestern community, her loving parents, introverted sister, friends, and boyfriend devote themselves to finding her, an effort that gives way to pleading television appearances, private investigations, and intimate struggles to cling to hope. 60,000 first printing.

A no-holds-barred look into the remarkable life and career of the prolific musician, songwriter, and producer behind Eurythmics and dozens of pop hits. Dave Stewart’s life has been a wild ride—one filled with music, constant reinvention, and the never-ending drive to create. Growing up in industrial northern England, he left home for the gritty London streets of the seventies, where he began collaborating and performing with various musicians, including a young waitress named Annie Lennox. The chemistry between Stewart and Lennox was undeniable, and an intense romance developed. While their passion proved too much offstage, they thrived musically and developed their own sound. They called themselves Eurythmics and launched into global stardom with the massively popular album Sweet Dreams (Are Made of This). For the first time, Stewart shares the incredible, high-octane stories of his life in music—the drug-fueled adventures, the A-list collaborations and relationships, and the creative process that brought us blockbusters from Eurythmics like “ Here Comes the Rain Again” and “Would I Lie to You” as well as Tom Petty’s “Don’t Come Around Here No More,” No Doubt’s “Underneath It All,” Golden Globe winner “Old Habits Die Hard” with Mick Jagger, and many more. From great friendships and creative partnerships including the group SuperHeavy along with Jagger, Joss Stone, Damian Marley, and A. R. Rahman, to inspired performances and intimate moments in the studio—Stewart highlights the musicians he admires and calls friends, from Bob Dylan, Stevie Nicks, Elton John, George Harrison, and Ringo Starr to Bono, Bon Jovi, and Katy Perry. With a behind-the-scenes look at Stewart’s innovative endeavors that keep him on the cutting-edge of the music business, Sweet Dreams Are Made of This is a one-of-a-kind portrait of the creative heart of one of its most gifted and enterprising contributors. With a Foreword by Mick Jagger!

"Stew brings us the story of a young bohemian who charts a course for 'the real' through sex, drugs and rock 'n' roll."--Page 4 of cover.

Miscellaneous Percussion Music - Mixed Levels

From "Over the Rainbow" to "Moon River" and from Al Jolson to Barbra Streisand, The Songs of Hollywood traces the fascinating history of song in film, both in musicals and in dramatic movies such as High Noon. Extremely well-illustrated with 200 film stills, this delightful book sheds much light on some of Hollywood's best known and loved repertoire, explaining how the film industry made certain songs memorable, and highlighting important moments of film history along the way. The book focuses on how the songs were presented in the movies, from early talkies where actors portrayed singers "performing" the songs, to the Golden Age in which characters burst into expressive, integral song--not as a "performance" but as a spontaneous outpouring of feeling. The book looks at song presentation in 1930s classics with Fred Astaire and Ginger Rogers and in 1940s gems with Judy Garland and Gene Kelly. The authors also look at the decline of the genre since 1960, when most original musicals were replaced by film versions of Broadway hits such as My Fair Lady.

In this delightful collection of poems, the star of dozens of film classics now shares with his many fans the same old-fashioned decency, good common sense, and unabashed sentimentalism that he displayed on film. Two-color illustrations. (Poetry/Plays)