Miscellaneous Percussion Music - Mixed Levels

A remarkable memoir from the legendary drummer with The Police.

Miscellaneous Percussion Music - Mixed Levels

Presents the essential elements of bop drumming demonstrated through concise exercises and containing ideas to help understand what to play and how to play it and why, as well as an explanation of how the drummer functions in a group.

What do expert drummers do? Why do they do it? Is there anything creative about it? If so, how might that creativity inform their practice and that of others in related artistic spheres? Applying ideas from cultural psychology to findings from research into the creative behaviors of a specific subset of popular music instrumentalists, Bill Bruford demonstrates the ways in which expert drummers experience creativity in performance and offers fresh insights into in-the-moment interactional processes in music. An expert practitioner himself, Dr. Bruford draws on a cohort of internationally renowned, peak-career professionals and his own experience to guide the reader through the many dimensions of creativity in drummer performance.

(Book). This is the second installment in the Modern Drummer Legends series. It includes Alex's 1983, 1993, and 2008 Modern Drummer cover stories along with transcriptions of classic Van Halen tracks, beats, and fills. It also includes a survey of the evolution of his famous live drumkits as well as a deep dive into his unique snare sound and an exclusive brand-new 2020 interview.

Steve details his descent from bright star to burnout in this newly repackaged edition of the definitive, highly acclaimed novel from the creator of Veronica Mars and Party Down. Houston, sophomore year: Steve is on top of the world. He and his friends are the talk of the school. He’s in love with a terrific girl. He can even deal with “the astronaut”—a world-famous hero who happens to be his father. San Diego, senior year: Steve is bummed out, drugged out, flunking out. A no-nonsense counselor says he can graduate if he writes a 100-page paper. So Steve starts writing, and as the paper becomes more and more personal, he reveals how a National Merit Scholar has become an under-achieving stoner. And in telling how he got to where he is, Steve discovers how to get to where he wants to be.

Ambition brought the Police together. It also tore them apart – but not before they became the biggest band in the world and the first supergroup of the Eighties. In Walking on the Moon Chris Campion tells the full, uncensored story of their spectacular rise. Written with a fan’s eye for detail this no-holds-barred account follows the band from their early struggle to make a mark in the volatile late 70’s punk scene, through their emergence – masterminded with the help of legendary manager Miles Copeland III – as an international rock phenomenon. Walking on the Moon features for the first time the arduous touring and recording schedule that saw the band crack America, the unorthodox business strategies that catapulted them to the top, and the bouts of infighting that caused their early demise. Campion details the shock 2007 reunion that saw them re-emerge as a global touring spectacle after a 20-year hiatus from the music industry and explores how the band members’ conflicting personalities and the chaotic personal life of frontman Sting informed some of their biggest hits. Much more than simply an entertaining romp, the book offers insightful critical analysis of the broader factors that enabled the Police’s success, and reveals a band struggling to balance commercial ambition with a desire for artistic credibility. Walking on the Moon is an epic tale of Eighties rock and the role played within it by one of the biggest names in music: The Police.A former contributing editor to Dazed & Confused and Vice magazines, and a writer for the Observer, the Daily Telegraph and Bizarre, Chris Campion has reported on the world of popular culture for almost two decades.

The very strange but nevertheless true story of the dark underbelly of a 1960s hippie utopia. Laurel Canyon in the 1960s and early 1970s was a magical place where a dizzying array of musical artists congregated to create much of the music that provided the soundtrack to those turbulent times. Members of bands like the Byrds, the Doors, Buffalo Springfield, the Monkees, the Beach Boys, the Turtles, the Eagles, the Flying Burrito Brothers, Frank Zappa and the Mothers of Invention, Steppenwolf, CSN, Three Dog Night and Love, along with such singer/songwriters as Joni Mitchell, Judy Collins, James Taylor and Carole King, lived together and jammed together in the bucolic community nestled in the Hollywood Hills. But there was a dark side to that scene as well. Many didn’t make it out alive, and many of those deaths remain shrouded in mystery to this day. Far more integrated into the scene than most would like to admit was a guy by the name of Charles Manson, along with his murderous entourage. Also floating about the periphery were various political operatives, up-and-coming politicians and intelligence personnel – the same sort of people who gave birth to many of the rock stars populating the canyon. And all the canyon’s colorful characters – rock stars, hippies, murderers and politicos – happily coexisted alongside a covert military installation.

“Sting’s gift for prose and reverence for language, nearly the equal of his musical gifts, shine on every page. Even when Broken Music addresses the quixotic life of an aspiring rock & roller, it reads like literature from a more rarified time when adults didn’t condescend to the vulgarities of pop culture.” —Rolling Stone Having been a songwriter most of my life, condensing my ideas and emotions into short rhyming couplets and setting them to music, I had never really considered writing a book. But upon arriving at the reflective age of fifty, I found myself drawn, for the first time, to write long passages that were as stimulating and intriguing to me as any songwriting I had ever done. And so Broken Music began to take shape. It is a book about the early part of my life, from childhood through adolescence, right up to the eve of my success with the Police. It is a story very few people know. I had no interest in writing a traditional autobiographical recitation of everything that’s ever happened to me. Instead I found myself drawn to exploring specific moments, certain people and relationships, and particular events which still resonate powerfully for me as I try to understand the child I was, and the man I became.