In the palanquin sits the graceful bride and four able men bear her with pride. In the glorious ways of Indian tradition, sing to the beat of this springy ride.

It is at my persuasion that these poems are now published. The earliest of them were read to me in London in 1896, when the writer was seventeen; the later ones were sent to me from India in 1904, when she was twenty-five; and they belong, I think, almost wholly to those two periods. As they seemed to me to have an individual beauty of their own, I thought they ought to be published. The writer hesitated. "Your letter made me very proud and very sad," she wrote. "Is it possible that I have written verses that are 'filled with beauty,' and is it possible that you really think them worthy of being given to the world? You know how high my ideal of Art is; and to me my poor casual little poems seem to be less than beautiful—I mean with that final enduring beauty that I desire." And, in another letter, she writes: "I am not a poet really. I have the vision and the desire, but not the voice. If I could write just one poem full of beauty and the spirit of greatness, I should be exultantly silent for ever; but I sing just as the birds do, and my songs are as ephemeral." It is for this bird-like quality of song, it seems to me, that they are to be valued. They hint, in a sort of delicately evasive way, at a rare temperament, the temperament of a woman of the East, finding expression through a Western language and under partly Western influences. They do not express the whole of that temperament; but they express, I think, its essence; and there is an Eastern magic in them. Sarojini Chattopadhyay was born at Hyderabad on February 13, 1879. Her father, Dr. Aghorenath Chattopadhyay, is descended from the ancient family of Chattorajes of Bhramangram, who were noted throughout Eastern Bengal as patrons of Sanskrit learning, and for their practice of Yoga. He took his degree of Doctor of Science at the University of Edinburgh in 1877, and afterwards studied brilliantly at Bonn. On his return to India he founded the Nizam College at Hyderabad, and has since laboured incessantly, and at great personal sacrifice, in the cause of education.

A wonderful collection of poetry, written by Indian poet and activist Sarojini Naidu, connected through the single theme of India. Highly recommended for poetry loves with an interest in the subcontinent. Contents include: “Palanquin Bearers”, “Indian Weavers”, “Coromandel Fishers”, “The Snake-Charmer”, “Village-Song”, “In Praise Of Henna”, “Harvest Hymn”, “Indian Love-Song”, “Cradle-Song”, “Alabaster”, etc. Sarojini Naidu (1879–1949) was an Indian political activist and poet. She was a staunch proponent of women's emancipation, civil rights, and anti-imperialistic ideas, playing an important role in India's struggle for independence from colonial rule. Her work as a poet includes both children's poems and others with more mature themes including patriotism, romance, and tragedy, earning her the sobriquet “Nightingale of India”. Her most famous work is "In the Bazaars of Hyderabad" (1912), which remains widely read to this day. Other notable works by this author include: “The Bird of Time: Songs of Life, Death & the Spring” (1912), “The Broken Wing - Songs of Love, Death & Destiny" (1917), and “Muhammad Jinnah: An Ambassador of Unity” (1919). Read & Co. is publishing this brand new poetry collection complete with an introduction by Edmund Gosse.

The Society of Abidance in Truth (SAT) has published the first complete translation into English of the Tamil book The Song of Ribhu. This classic work of Advaita Vedanta (nonduality) has ancient origins, probably dating from the period of the Upanisads. Sri Ramana Marharshi regularly recommended it to spiritual seekers. The Song of Ribhu is instruction by the sage Ribhu to his disciple Nidagha to assist him in realizing the ultimate Truth. For any spiritual seeker interested in Self-knowledge, it provides a detailed and lyrical description of Self-Realization, Enlightenment, or the Realization of the Absolute. This translation, in eight-line verse that simulates the Tamil original verses, is the result of several years work by Dr. H. Ramamoorthy, the Indian religious scholar and Nome, a teacher of the Society of Abidance in Truth. They have collaborated in translating several ancient works of Advaita, including previously unavailable works of Sankara and the English translation of the Sanskrit Ribhu Gita, published by SAT in 1995. The Song of Ribhu and the Ribhu Gita are two distinct works. Although this Tamil Song of Ribhu and the Sanskrit Ribhu Gita are based in the same ancient teachings they are quite different in form. The verses, for example, cannot be directly aligned. The Sanskrit resembles a more spontaneous outpouring of expression of nondual Realization, while the Tamil text not only contains much different content but a more systematic arrangement of the expression of nondual Realization. The serious seeker is therefore well advised to seek benefit from both. The Tamil work is also warmly recommended by H.H. Sri Chandrasekharendra Sarasvati Swamigal Sankaracharya (Kanchipuram), and Srila Sri Tavatirthu Nachiappa Gnanadesiki Swami (Kovilur Math). This new publication is the translation of this unique text that is so highly recommended by sages and holy persons of India.

The Book, Through Critical Analysis And Assessment, Tries To Establish Seth As A Powerful And Serious Writer, Who Deserves To Be Taken Seriously, Both By The General Reader And The Discerning Scholar And Researcher. The Analyses Concentrate On His Individual Books And Attempt To Trace The Continuity Of Seth S Thought-Process, Motivation And Attitudes, As Well As The Dimensions Of His Structural Control Over The Medium. It Is A Comprehensive Account Of Seth S Poetry And Fiction Contained Within A Singular Volume. An Attempt Has Also Been Made To Briefly Place Seth As An Indian Writer Of English, In The Context Of The Development Of Indian English Literature, Particularly In The Post-Independence Period.On The Whole, Seth In His Poetry And Fiction, Puts Continuous Emphasis On Love And Relationship, And Explores Their Many Dimensions In A Shifting, Changing And Corroding Background. At The Same Time He Incorporates Together The Complementary Segments Of Life As Available In The Modern World Into A Meaningful Form. His Creative Insight And Creative Achievement Could Be Considered As One Of The Finest In The Post-1980 Indian English Literature. This Book Reflects All These And Much More. It Is Hoped That Students And Teachers Of Indian English Literature Will Find This Book An Extremely Useful Reference Source While The General Readers Who Are Interested In Literature In English Will Find It Intellectually Stimulating.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This Volume Consisting Of Some Twenty Papers Deals Exclusively With Indian Poetry In English Right From The Date Of Its Origin In The 1830S To The Present Day. It Focuses Our Attention On Such Illustrious Poets Of India As Aru Dutt (Who Has Written Very Little But Lasting Verses), Toru Dutt, Rabindranath Tagore, Sir Aurobindo, Sarojini Naidu All Representing The Older Generation , Nissim Ezekiel, A.K. Ramanujan, R. Parthasarathy, Kamala Das, Monika Varma, Margaret Chatterjee, Syed Amanuddin, K.N. Daruwalla, Shiv K. Kumar, Arun Kolatkar And Suniti Namjoshi (A Lesser Known Figure) All Symbolising The Hopes And Aspirations Of Modern India. There Is Also A Chapter On Irony As Technique In Some New Indo-English Poets. An Index Has Been Given At The End Of The Volume To Guide Readers Through It. Most Of These Papers Have Already Appeared In Different Magazines, Periodicals And Books, But Putting Them Together Here In Book Form Enhances Their Accessibility And Demonstrates A Sense Of Commitment On The Part Of The Author To The Cause Of Fast-Expanding Indian Writing In English.