The Song of Roland is a book of poems by an anonymous author. It depicts a gory French tale of war, where General Charlemagne was ambushed in a remote Pyrenean pass, showcasing a symbolic struggle between Christianity and Islam.

Giants! Elephants! Roller Coasters? That's just some of the mayhem twin brothers Beowulf and Grendel discover in the second adventure in the series by Alexis E. Fajardo! Banished from their homeland, the brothers seek refuge with their Uncle Holger in far-off France, but by the time they arrive, the kingdom is in shambles: King Charlemagne is ailing; his knights have been exiled; and France's hero, Roland, needs a kick in the pants. It's up to Beowulf and Grendel to unite the country before it's taken over by an invading Saracen horde!

Charles the king, our emperor great, Has been a full seven years in Spain. As far as the sea he conquered this haughty land. Not a single castle remains standing in his path Charlemagne (768-814) was crowned Holy Roman Emperor in 800 and presided over a huge empire. He frequently appears in literature as a great warlord and pious crusading figure. In 778, the rearguard of Charlemagne's retreating army was ambushed and defeated at the battle of Roncevaux. This became the inspiration for songs and poems celebrating deeds of valour in the face of overwhelming odds, through the character of Charlemagne's nephew (the imaginary) Roland. The Song of Roland is the most stirring and moving epic poem of the European Middle Ages, offering a particularly heady mixture of history, legend, and poetry. Presented here in a lively and idiomatic new translation, the Song of Roland offers fascinating insights into medieval ideas about heroism, manhood, religion, race, and nationhood which were foundational for modern European culture. The Song of Roland is accompanied here by two other medieval French epics about Charlemagne, both of which show him to be a far more equivocal figure than that portrayed by the Roland: the Occitan Daurel and Beton, in which he is a corrupt and avaricious monarch; and the Journey of Charlemagne to Jerusalem and Constantinople, which gives the heroes of the Roland a comic makeover.

The Song of Roland focuses on the life and death of the father-in-law of Rabagliati's alter-ego Paul, who has been called "The Tintin of Quebec" By Le Devoir. The French edition, Paul Qu bec, was critically hailed, winning the FNAC Audience Award at France's Angouleme festival, a Shuster Award for Outstanding Cartoonist, and was nominated for the City of Montreal's Grand Prize, and the Audience Award at Montreal's Salon du Livre. The book is currently in production by Caramel Films. In his classic European cartooning style Rabagliati effortlessly tackles big subjects. As the family stands vigil over Roland in his hospital bed, Rabagliati weaves a story of one man's journey through life and the legacy he leaves behind. The Song of Roland is a mid-career masterpiece from one of Quebec's finest draftsmen.

"Daniel Randolph Deal is a Southern aristocrat, having the required bloodline, but little of the nobility. A man resistant to the folly of ethics, he prefers a selective, self-indulgent morality. He is a confessed hedonist, albeit responsibly so."--Back cover

Each book contains a CD featuring performances of the Song of Roland. The Song of Roland is a well-known hallmark of medieval French literature, yet students often read only excerpts and receive general introductions to the poem and its context. The challenges of teaching Roland include its age and subject matter, its form and composition in Old French, and its representation of Christians and Muslims. This volume in the MLA series Approaches to Teaching World Literature aims to help nonspecialist instructors teach Roland more comprehensively and to offer seasoned medievalists ways to invigorate their pedagogical tactics. Part 1, "Materials," surveys available editions, a wide range of secondary studies devoted to the poem, and electronic aids to teaching. Essays in part 2, "Approaches," elaborate on the poem's contexts, avatars, language techniques, and characters and episodes; describe the diverse classroom strategies that experienced instructors have implemented; and review the voluminous critical canon about the poem. The musical quality of the Song of Roland is vital for students to grasp. A compact disc accompanying the volume showcases reconstructions of sung performances of the Song of Roland in Old French. The examples offered here illuminate the rich quality of Roland's archaic language and demonstrate a few efforts to recover its lost music. Paired with performances of Roland are melodies used as models for singing the poem.

"This book provides the reader with a new, challenging, and sophisticated critical analysis of the Song of Roland." --Choice " Haidu's] close reading of the Song of Roland is interesting, informative, and significant... " --American Historical Review "Probably the most sophisticated book ever written on the Song of Roland.... It is at once a work of linguistic analysis, of literary theory, of literary history, and, finally, of history." --R. Howard Bloch Haidu argues that the 12th-century Song of Roland played an essential role in the creation of the nation-state, in that the narrative transforms the independent and violent warriors of the feudal period into the subordinate instruments of the nation-state by enforcing on them the subjection to the rule of monarchy.

First and greatest French epic, this 11th-century tale of romance and heroism recounts the adventures of the warrior Roland, nephew to Charlemagne and prince of the Holy Roman Empire. Crystalline translation by Leonard Bacon of a patriotic and poetic story of valor, betrayal, and revenge.