The Encyclopedia of Medieval Literature in Britain vereint erstmals wissenschaftliche Erkenntnisse zu Multilingualität und Interkulturalität im mittelalterlichen Britannien und bietet mehr als 600 fundierte Einträge zu Schlüsselpersonen, Zusammenhängen und Einflüssen in der Literatur vom fünften bis sechzehnten Jahrhundert. - Einzigartiger multilingualer, interkultureller Ansatz und die neuesten wissenschaftlichen Erkenntnisse. Das gesamte Mittelalter und die Bandbreite literarischer Sprachen werden abgedeckt. - Über 600 fundierte, verständliche Einträge zu Schlüsselpersonen, Texten, kritischen Debatten, Methoden, kulturellen Zusammenhängen sowie verwandte Terminologie. - Repräsentiert die gesamte Literatur der Britischen Inseln, einschließlich Alt- und Mittelenglisch, das frühe Schottland, die Anglonormannen, Nordisch, Latein und Französisch in Britannien, die keltische Literatur in Wales, Irland, Schottland und Cornwall. - Beeindruckende chronologische Darstellung, von der Invasion der Sachsen bis zum 5. Jahrhundert und weiter bis zum Übergang zur frühen Moderne im 16. Jahrhundert. - Beleuchtet die Überbleibsel mittelalterlicher britischer Literatur, darunter auch Manuskripte und frühe Drucke, literarische Stätten und Zusammenhänge in puncto Herstellung, Leistung und Rezeption sowie erzählerische Transformation und intertextuelle Verbindungen in dieser Zeit.

Examination of the striking new style of writing history in the twelfth century, by men such as Gaimar, Wace and Ambroise.

A wide-ranging collection on one of the most interesting features of medieval romance.

This is a reprint of the 1989 second edition of this book in our "Armies and Enemies" series. It includes details of armies from Andalusia, Bulgaria, England, Estonia, France, the Holy Roman Empire, Hungary, Ireland, Italy, Morocco, the Ordensstaat of the Teutonic Knights, the Earldom of Orkney, the Papal State, Poland, Prussia, Lithuania, the Low Countries, Kievan Russia, Scandinavia, Scotland, Serbia, Sicily, Spain, Venice, Wales and Wendland.

A major study of the cultural origins of the Tudor plantations in Ireland and of early English imperialism in general.

Michael Cronin looks at how translation has played a crucial role in shaping debates about identity, language and cultural survival in the past and in the present. He explores how everything from the impact of migration on the curricula for national literature courses, to the way in which nations wage war in the modern era is bound up with urgent questions of translation and identity. Examining translation practices and experiences across continents to show how translation is an integral part of how cultures are evolving, the volume presents new perspectives on how translation can be a powerful tool in enhancing difference and promoting intercultural dialogue. Drawing on a wide range of materials from official government reports to Shakespearean drama and Hollywood films, Cronin demonstrates how translation is central to any proper understanding of how cultural identity has emerged in human history, and suggests an innovative and positive vision of how translation can be used to deal with one of the most salient issues in an increasingly borderless world.

Groundbreaking reassessment of the role played by armour, weapons and heraldry in medieval warfare, showing their cultural as well as military significance. `A penetrating investigation of medieval martial display... The reader is struck by its originality, and by its sophisticated and critical interpretative engagement with historical and literary sources. Particularly notable is the author's subtle exploration of the function of armour: not only its practical role, but as a form of display... A refreshingly different approach to the world of the medieval combatant and his place within that "host of many colours" that was a medieval army, it adds a new dimension to our understanding of medieval warfare.' Dr ANDREW AYTON, Senior Lecturer in History, University of Hull The medieval battlefield was a place of spectacle and splendour. The fully-armed knight, bedecked in his vivid heraldic colours, mounted on his great charger, riding out beneath his brightly-painted banner, is a stock image of war and the warrior in the middle ages. Yet too often the significance of such display has been ignored or dismissed as the empty preening of a militaristic social elite. Drawing on a broad range of source material and using innovative historical approaches, this book completely re-evaluates the way that such men and their weapons were viewed, showing that martial display was a vital part of the way in which war was waged in the middle ages. It maintains that heraldry and livery served not only to advertise a warrior's family and social ties, but also announced his presence on the battlefield and right to wage war. It also considers the physiological and psychological effect of wearing armour, both on the wearer and those facing him in combat, arguing that the need for display in battle was deeper than any medieval cultural construct and was based in the fundamental biological drives of threat and warning. ROBERT W. JONES gained his PhD from Cardiff University.