This is the first English translation of Le Roman social en Angleterre by Louis Cazamian, which is widely recognized as the classic survey of Victorian social fiction. Starting from the eighteenth century, Cazamian traces the ways in which rationalism and romanticism intertwined and competed, particularly in relation to radical political philosophy. He shows how industrialization polarized England, setting the industrial bourgeoisie in the van of progress in the first decades of the nineteenth century, until their political and economic triumph stirred up a passionate reaction against them. This reaction propelled novelists such as Charles Dickens who lies at the centre of his discussion. For this translation Martin Fido has provided a substantial foreword, and has revised and completed the bibliographical references and corrected the footnotes to assist the present-day reader.

A translation of Louis Cazamian's classic survey of Victorian social fiction. For this translation Martin Fido has provided a substantial foreword, and has revised and completed the bibliographical references and corrected the footnotes.

This is the first English translation of Le Roman social en Angleterre by Louis Cazamian, which is widely recognized as the classic survey of Victorian social fiction. Starting from the eighteenth century, Cazamian traces the ways in which rationalism and romanticism intertwined and competed, particularly in relation to radical political philosophy. He shows how industrialization polarized England, setting the industrial bourgeoisie in the van of progress in the first decades of the nineteenth century, until their political and economic triumph stirred up a passionate reaction against them. This reaction propelled novelists such as Charles Dickens who lies at the centre of his discussion. For this translation Martin Fido has provided a substantial foreword, and has revised and completed the bibliographical references and corrected the footnotes to assist the present-day reader.

Although enjoyed my many as a masterpiece of Dickens’ comic writing, Martin Chuzzlewit has long been underrated by professional critics. This volume redresses the balance by devoting its attention to a full critical discussion of the novel and by including a full survey of the critical positions held in the past. As well as discussing the themes of selfishness and hypocrisy, the history of the text is also explored, as is the complex relationship between Dickens and the United States which played a great part in the development of the novel and exerted considerable influence on it early reception.

“An excellent collection of critical and social commentary that will help to make Dickens’ image of Victorian England meaningful to all students.” —John Howard Wilson, Dakota Wesleyan University This Norton Critical Edition includes: - Sylvere Monod’s superbly edited text, based on the 1854 edition and accompanied by Fred Kaplan’s expanded annotations. - Fourteen illustrations from 1854 to circa 1890. - Contextual pieces by social critics and theorists of Dickens’ time that give readers outstanding examples of views on industrialism, education, and utilitarianism in the nineteenth century. - Eight new critical essays by Paulette Kidder, David M. Levy, Christopher Barnes, Theodore Dalrymple, Christina Lupton, Efraim Sicher, Nils Clausson, and Kent Greenfield and John E. Nilsson. - A Chronology and a Selected Bibliography.

“An excellent collection of critical and social commentary that will help to make Dickens’ image of Victorian England meaningful to all students.” —John Howard Wilson, Dakota Wesleyan University This Norton Critical Edition includes: - Sylvere Monod’s superbly edited text, based on the 1854 edition and accompanied by Fred Kaplan’s expanded annotations. - Fourteen illustrations from 1854 to circa 1890. - Contextual pieces by social critics and theorists of Dickens’ time that give readers outstanding examples of views on industrialism, education, and utilitarianism in the nineteenth century. - Eight new critical essays by Paulette Kidder, David M. Levy, Christopher Barnes, Theodore Dalrymple, Christina Lupton, Efraim Sicher, Nils Clausson, and Kent Greenfield and John E. Nilsson. - A Chronology and a Selected Bibliography.

First published in 1987. Many Victorian novels that considered social problems made extensive use of contemporary source material for their descriptions. This book aims to provide a greater acquaintance with this non-literary material — illustrating and exemplifying issues that the authors treated imaginatively. The material is divided into parts dealing with: the industrial north of England, London and the agricultural poor. Extracts from writings that bear directly on the fiction of writers like Dickens and Gaskell are featured, as are Government Blue Books and newspaper reports and articles. This volume also contains articles by Dickens and others, from his magazine, Household Words.

This guide steers students through significant critical responses to the Victorian novel from the end of the nineteenth century to the present day.

The Cambridge Companion to Crime Fiction covers British and American crime fiction from the eighteenth century to the end of the twentieth. As well as discussing the detective fiction of writers like Arthur Conan Doyle, Agatha Christie and Raymond Chandler, it considers other kinds of fiction where crime plays a substantial part, such as the thriller and spy fiction. It also includes chapters on the treatment of crime in eighteenth-century literature, French and Victorian fiction, women and black detectives, crime on film and TV, police fiction and postmodernist uses of the detective form. The collection, by an international team of established specialists, offers students invaluable reference material including a chronology and guides to further reading. The volume aims to ensure that its readers will be grounded in the history of crime fiction and its critical reception.

The Oxford Handbook of the Victorian Novel contributes substantially to a thriving scholarly field by offering new approaches to familiar topics as well as essays on topics often overlooked.