The Arte dei rigattieri (merchants of second-hand goods in Florence) has never been ​​the subject of a systematic study, even in scholarship devoted to the history of trades. Underpinned by a large collection of archival material, this book analyzes the social life and economic activity of rigattieri in fifteenth-century Florence. It offers invaluable information on issues such as the relationship between socio-political affiliations and economic interest as well as the structures of consumption and the spending power of different social groups. Furthermore, through the lens of the Arte dei Rigattieri, this work examines the connection between the development of the political bureaucracy, the establishment of Medicean power, and contemporaneous processes of identity construction and social mobility.

Essays illustrate the ways Renaissance Florentines expressed or shaped their identities as they interacted with their society.

As portraits, private diaries, and estate inventories make clear, elite families of the Italian Renaissance were obsessed with fashion, investing as much as forty percent of their fortunes on clothing. In fact, the most elaborate outfits of the period could cost more than a good-sized farm out in the Mugello. Yet despite its prominence in both daily life and the economy, clothing has been largely overlooked in the rich historiography of Renaissance Italy. In Dressing Renaissance Florence, however, Carole Collier Frick provides the first in-depth study of the Renaissance fashion industry, focusing on Florence, a city founded on cloth, a city of wool manufacturers, finishers, and merchants, of silk dyers, brocade weavers, pearl dealers, and goldsmiths. From the artisans who designed and assembled the outfits to the families who amassed fabulous wardrobes, Frick's wide-ranging and innovative interdisciplinary history explores the social and political implications of clothing in Renaissance Italy's most style-conscious city. Frick begins with a detailed account of the industry itself -- its organization within the guild structure of the city, the specialized work done by male and female workers of differing social status, the materials used and their sources, and the garments and accessories produced. She then shows how the driving force behind the growth of the industry was the elite families of Florence, who, in order to maintain their social standing and family honor, made continuous purchases of clothing -- whether for everyday use or special occasions -- for their families and households. And she concludes with an analysis of the clothes themselves: what pieces made up an outfit; how outfits differed for men, women, and children; and what colors, fabrics, and design elements were popular. Further, and perhaps more basically, she asks how we know what we know about Renaissance fashion and looks to both Florence's sumptuary laws, which defined what could be worn on the streets, and the depiction of contemporary clothing in Florentine art for the answer. For Florence's elite, appearance and display were intimately bound up with self-identity. Dressing Renaissance Florence enables us to better understand the social and cultural milieu of Renaissance Italy.

A related theme concerns the age differences between spouses, which are shown to have important structural implications for the organization of the casata, kinship relations, and marriage ties. These implications are investigated using a variety of innovative methods, including cohort analysis and computer simulation."--Jacket.

Economic circularity is the ability of a society to reduce waste by recycling, reusing, and repairing raw materials and finished products. This concept has gained momentum in academia, in part due to contemporary environmental concerns. Although the blurry conceptual boundaries of this term are open to a wide array of interpretations, the scholarly community generally perceives circular economy as a convenient umbrella definition that encompasses a vast array of regenerative and preservative processes. Despite the recent surge of interest, economic circularity has not been fully addressed as a macrophenomenon by historical and archaeological studies. The limitations of data and the relatively new formulation of targeted research questions mean that several processes and agents involved in ancient circular economies are still invisible to the eye of modern scholarship. Examples include forms of curation, maintenance, and repair, which must have had an influence on the economic systems of premodern societies but are rarely accounted for. Moreover, the people behind these processes, such as collectors and scavengers, are rarely investigated and poorly understood. Even better-studied mechanisms, like reuse and recycling, are not explored to their full potential within the broader picture of ancient urban economies. This volume stems from a conference held at Moesgaard Museum supported by the Carlsberg Foundation and the Centre for Urban Networks Evolutions (UrbNet) at Aarhus University. To enhance our understanding of circular economic processes, the contributions in this volume aim to expand the framework of the discussion by exploring circular economy over the longue durée and by integrating an interdisciplinary perspective. Furthermore, the volume wants to give prominence to classes of material, processes, agents, and methodologies generally overlooked or ignored in modern scholarship.

This volume sets out to explore the world of domestic devotions and is premised on the assumption that the home was a central space of religious practice and experience throughout the early modern world. The contributions to this book, which deal with themes dating from the fifteenth to the eighteenth century, tell of the intimate relationship between humans and the sacred within the walls of the home. The volume demonstrates that the home cannot be studied in isolation: the sixteen essays, that encompass religious history, the histories of art and architecture, material culture, literary history, and social and cultural history, instead point individually and collectively to the porosity of the home and its connectedness with other institutions and broader communities. Contributors: Dotan Arad, Kathleen Ashley, Martin Christ, Hildegard Diemberger, Marco Faini, Suzanna Ivanič, Debra Kaplan, Marion H. Katz, Soyeon Kim, Hester Lees-Jeffries, Borja Franco Llopis, Alessia Meneghin, Francisco J. Moreno Díaz del Campo, Cristina Osswald, Kathleen M. Ryor, Igor Sosa Mayor, Hanneke van Asperen, Torsten Wollina, and Jungyoon Yang.

Patrons - The Guilds - Strozzi family - Succhielli family.

Explores how the long history of fashion from antiquity to c. 1800 created global networks and animated world communities.

This edited volume explores how fashion brands deal with legacy by looking at the preservation of heritage and knowledge and how this builds a bridge to the future. Bringing together different reflections from the world of fashion, from gloves to virtual jewels, from luxury brand’s digital narratives to historical contexts, each chapter offers a narrative that is contemporary, yet linked to historical contexts. With these narratives, the book reveals how innovation builds on heritage, and how locally rooted traditional techniques connect to contemporary global production. It illustrates how ancestral processes renew, encouraging us to produce and consume more responsibly. Split into three parts, the book firstly covers narrative and knowledge in different contexts before delving in to narrative, brand building and creativity with case studies. The final section centres on digital narratives with new consumers. Ultimately, this book demonstrates that multidisciplinary knowledge of the past is essential to the understanding of the contemporary.

Sheds new light on how masculinity was understood, lived, performed and viewed during a period of huge change. Premodern masculinity was multivalent and dynamic, a series of intersecting, conflicting, and mutating identities that nevertheless were distinct and recognizable to people and their societies. The articles collected here examine a variety of means by which masculinity was constructed, deconstructed, and transformed across time, geographies, and cultures. Articles range across the twelfth to seventeenth century, from western Europe to the Volga-Ural region, from the Christian west to the Muslim east, from Ottomans to Mongols and Persians, from Baudri of Bourgueil to Blaise de Monluc; while topics include the chivalric hero, the effeminate man, beards, and spurs, represented variously in literature, historical documents, and art. Finally, in that period of great transformation that is the sixteenth century, they show how masculinity moved away from the traditional and recognizable to become something different and distinct from its premodern expressions.