Prostitution.

Civilizing the World explores the vibrancy and impact of forgotten social reformers who defied categorization within the Social Gospel or secular progressive movements. These social reformers, or "Practical Christians," functioned as a network of activists whose dedication to spiritual conversions and cultural transformation arose from a shared commitment to nonsectarian Christian cooperation and practicing Christian citizenship. Bringing together a diverse coalition of liberal Protestants, revivalists, evangelicals, and "secular" reformers, Practical Christians rejected theological divisions in favor of broad alliances committed to improving society at home and abroad. A complete understanding of the intimate relationship between local and global activism provides new insight into Practical Christians' social networks, political goals, religious identities, and international outlook. This broad reform alliance considered their domestic and global reforms as seamless tasks in modernizing the world. Just as Chicago Practical Christians labored to "civilize" their immigrant neighbors and encourage their adoption of their own Christian and American habits, like-minded Americans worked to "Christianize" and "modernize" Armenians and the Middle East. The Practical Christian coalition faltered post-World War I as evangelicals and revivalists continued to prioritize spiritual conversions while liberal Protestant and secularizing activists placed more emphasis on the process of Americanizing immigrants and the world.

For many years, the interrelated histories of prostitution and cities have perked the ears of urban scholars, but until now the history of urban sex work has dealt only in passing with questions of race. In I’ve Got to Make My Livin’, Cynthia Blair explores African American women’s sex work in Chicago during the decades of some of the city’s most explosive growth, expanding not just our view of prostitution, but also of black women’s labor, the Great Migration, black and white reform movements, and the emergence of modern sexuality. Focusing on the notorious sex districts of the city’s south side, Blair paints a complex portrait of black prostitutes as conscious actors and historical agents; prostitution, she argues here, was both an arena of exploitation and abuse, as well as a means of resisting middle-class sexual and economic norms. Blair ultimately illustrates just how powerful these norms were, offering stories about the struggles that emerged among black and white urbanites in response to black women’s increasing visibility in the city’s sex economy. Through these powerful narratives, I’ve Got to Make My Livin’ reveals the intersecting racial struggles and sexual anxieties that underpinned the celebration of Chicago as the quintessentially modern twentieth-century city.