A young vampire, unable to sleep, tries to figure out whether it is the howling of a werewolf, the clacking of skeletons, or something else that is keeping him awake. Full color.

Vampire narratives are generally thought of as adult or young adult fare, yet there is a long history of their appearance in books, film and other media meant for children. They emerge as expressions of anxiety about change and growing up but sometimes turn out to be new best friends who highlight the beauty of difference and individuality. This collection of new essays examines the history of vampires in 20th and 21st century Western popular media marketed to preteens and explores their significance and symbolism.

Whether used for thematic story times, program and curriculum planning, readers' advisory, or collection development, this updated edition of the well-known companion makes finding the right picture books for your library a breeze. Generations of savvy librarians and educators have relied on this detailed subject guide to children's picture books for all aspects of children's services, and this new edition does not disappoint. Covering more than 18,000 books published through 2017, it empowers users to identify current and classic titles on topics ranging from apples to zebras. Organized simply, with a subject guide that categorizes subjects by theme and topic and subject headings arranged alphabetically, this reference applies more than 1,200 intuitive (as opposed to formal catalog) subject terms to children's picture books, making it both a comprehensive and user-friendly resource that is accessible to parents and teachers as well as librarians. It can be used to identify titles to fill in gaps in library collections, to find books on particular topics for young readers, to help teachers locate titles to support lessons, or to design thematic programs and story times. Title and illustrator indexes, in addition to a bibliographic guide arranged alphabetically by author name, further extend access to titles.

Contributions by Rebecca A. Brown, Justine Gieni, Holly Harper, Emily L. Hiltz, A. Robin Hoffman, Kirsten Kowalewski, Peter C. Kunze, Jorie Lagerwey, Nick Levey, Jessica R. McCort, and Janani Subramanian Dark novels, shows, and films targeted toward children and young adults are proliferating wildly. It is even more crucial now to understand the methods by which such texts have traditionally operated and how those methods have been challenged, abandoned, and appropriated. Reading in the Dark fills a gap in criticism devoted to children's popular culture by concentrating on horror, an often-neglected genre. These scholars explore the intersection between horror, popular culture, and children's cultural productions, including picture books, fairy tales, young adult literature, television, and monster movies. Reading in the Dark looks at horror texts for children with deserved respect, weighing the multitude of benefits they can provide for young readers and viewers. Refusing to write off the horror genre as campy, trite, or deforming, these essays instead recognize many of the texts and films categorized as "scary" as among those most widely consumed by children and young adults. In addition, scholars consider how adult horror has been domesticated by children's literature and culture, with authors and screenwriters turning that which was once horrifying into safe, funny, and delightful books and films. Scholars likewise examine the impetus behind such re-envisioning of the adult horror novel or film as something appropriate for the young. The collection investigates both the constructive and the troublesome aspects of scary books, movies, and television shows targeted toward children and young adults. It considers the complex mechanisms by which these texts communicate overt messages and hidden agendas, and it treats as well the readers' experiences of such mechanisms.

Emma Montgomery has been having trouble sleeping. Whenever she closes her eyes, all she can see are the horrible nightmares . . . nightmares of gruesome murder. And she’s not alone. All of the students in Dr. Beecher’s secret society have been having terrible dreams and sleepwalking. Now, as their classmates start turning up dead, Emma and her friends race against the clock to keep themselves awake and find out what is causing them to kill in their sleep—before the next victim dies.

THE INSTANT NEW YORK TIMES, USA TODAY, AND WALL STREET JOURNAL BESTSELLER From New York Times bestselling author Jay Kristoff comes Empire of the Vampire, the first illustrated volume of an astonishing new dark fantasy saga. From holy cup comes holy light; The faithful hand sets world aright. And in the Seven Martyrs’ sight, Mere man shall end this endless night. It has been twenty-seven long years since the last sunrise. For nearly three decades, vampires have waged war against humanity; building their eternal empire even as they tear down our own. Now, only a few tiny sparks of light endure in a sea of darkness. Gabriel de León is a silversaint: a member of a holy brotherhood dedicated to defending realm and church from the creatures of the night. But even the Silver Order could not stem the tide once daylight failed us, and now, only Gabriel remains. Imprisoned by the very monsters he vowed to destroy, the last silversaint is forced to tell his story. A story of legendary battles and forbidden love, of faith lost and friendships won, of the Wars of the Blood and the Forever King and the quest for humanity’s last remaining hope: The Holy Grail.

Explores how the DVD market's collapse has triggered a refocus on special effects and 3D over expensive actors and writers, drawing on insights from industry experts to consider if an increasingly eccentric movie business is salvageable.

We live in a fast-paced, hectic society which seems far removed from the less complicated days of the recent past when life was simpler but wasn't really all that easy in many ways. For all those kids who survived the 1930's, 40's, 50's, 60's, and 70's, these stories from the good old days may strike a familiar chord. Why, When I Was a Kid is a collection of heartwarming short stories from the true life experiences of a normal American country boy. These autobiographical ramblings offer a glimpse into a rural lifestyle that may inspire your own trip down memory lane. As you venture through the pages of this book you will be brought to laughter as the author guides you through story titles such as, 'Dirt Clods and Aspen Trees', 'Cowpies and Lady Fingers', 'Buttermilk and Bologna Sandwiches', and 'Skunk in the Backseat', all of which will paint a descriptive picture of a young boy's escapades. Then tender stories like 'Hero Worship', 'My New Cowboy Hat', or 'Pautzke Eggs' may touch your heart and bring you to tears as similar memories of our own come to the surface. These 'not so everyday' experiences range from a kid's perspective of life to a dad's realization that his daughter has grown up. Jim's gift for capturing these experiences in a fun and entertaining format will keep you reading till the end!

A witch apprentice from Salem discovers that she is the great-granddaughter of Dracula from Transylvania - Maria Dracula - and, with his help, she battles a cruel regime and frees his fantastic country. *www.mariadracula.com *A previous version of MARIA DRACULA was a finalist in FOREWORD MAGAZINE's 2005 Book of the Year Annual Awards. *Angela Ursillo, whose work can be seen in such movies as LORD OF THE RINGS and KING KONG, signs the illustrations.