Index. Bibliography: p.251-261.

In this groundbreaking study, Susan Handelman examines the theological roots of the modern science of interpretation. She defines current structures of thought and patterns of organizing reality, clearly distinguishes them from previously reigning Hellenic modes of abstract thought, and connects them with important elements of the Rabbinic interpretive tradition. Hers is the first comprehensive treatment of the undeniable, and undeniably significant, influence of Jewish religious thought on contemporary literary criticism. Dr. Handelman shows how they provide a crucial link among several of the most influential modern theories of textual interpretation, from Freud to the Deconstructionist School of Lacan and Derrida, as well as current literary theorists who revive Rabbinic hermeneutics, such as Harold Bloom and Geoffrey Hartman.

Rabbi Nahman of Bratslav was one of the most celebrated masters of late Jewish mysticism and Hasidism, and his writings have become classics. This volume brings together translations of three seminal studies on Rabbi Nahman in German, Hebrew, and Yiddish with six new studies from scholars in various fields of Jewish studies. The presentation of new scholarly work widens the conversation about Hasidism in general and Rabbi Nahman in particular by viewing his ideology from the perspective of contemporary hermeneutic, philosophical, and literary perspectives incorporating the insights of postmodernism, gender theory, and literary criticism. New ground is covered in essays on Rabbi Nahman's attitude toward death, his approach to gender, his interpretation of circumcision, the impact of his tales on Yiddish literature, and his hermeneutic theory. The combination of classic and new studies in God's Voice from the Void offers a window into the trajectory of scholarship on Hasidism, including ways in which contemporary scholars of Hasidism and Hasidic literature both continue and develop the work of their predecessors.

The leading exponent of the "death of God" theology of the 1960s, Thomas J. J. Altizer created a media sensation at the time and defined a major new direction in philosophical theology. Altizer has continued to refine his thought throughout his career, and his systematic theological work has achieved its prime as shown in this collaborative critical response to his thought. This book is also the first collection of its kind to appear in nearly thirty years and, thus, the first to deal with the most sophisticated period of his work. A response from Altizer is included, along with a comprehensive bibliography of his work.

A resourceful and thorough study of an important issue in New Testament and systematic theology, this book is one that takes human action and reception into full account. Where does God's revelation reside--in the event or in the interpretation? If history is about the creation of meaning, what does it mean to say that God reveals God's self in history? Dan Via addresses these and related issues in this original volume.

Uses recent thought in continental philosophy and postmodern theology to interpret hidden and contradictory 'god-ideas' in texts of modernism such as Henry James's The Golden Bowl , Marcel Proust's In Search of Lost Time , James Joyce's Portrait of the Artist As a Young Man , and Arnold Schoenberg's opera Moses und Aron .

Wonder, a topic of perennial Christian interest, draws us into fundamental questions about God and the things of God. In God and Wonder: Theology, Imagination, and the Arts, internationally recognized theologians, artists, and ministers weigh in on the place of wonder in Christian thought, attending to the ways that wonder informs our thinking about the arts, imagination, the church, creation, and the task of theology. What is the place of wonder in the Christian life? How can a theology of imagination contribute to our understanding of God and the world? What does wonder have to do with the life of the church in preaching, teaching, and worship? How might reflection on wonder enhance our understanding of place, vocation, and family? In God and Wonder readers enter a rich and insightful conversation about how cultivating wonder and the gift of imagination can revitalize our understanding of the world.

Speaking/Writing of God explores the manner in which religious language develops in answer to the challenges and promise of three features of the life with others: the encounter between persons, the quest by Jewish women to be accepted—including their distinctiveness/otherness as women—as full participants in Jewish communal life, and the dialogue between Jews and non-Jews. Although a major stream of modern Jewish philosophy has focused on the transcendent dimension of the relationship between persons, this book studies the contribution of feminist Judaism to modern Jewish philosophy and the impact of religious pluralism on Jewish religious life and thought.

In the pages of the Hebrew Bible, ancient Israel gave witness to its encounter with a profound and uncontrollable reality experienced through relationship. This book, drawn from the heart of foremost Old Testament theologian Walter Brueggemann's Theology of the Old Testament, distills a career's worth of insights into the core message of the Hebrew Bible. God is described there, Brueggemann observes, as engaging four "partners" in the divine purpose. This volume presents Brueggeman at his most engaging, offering profound insights tailored especially for the beginning student of the Hebrew Bible.

The novels of Australia’s Nobel Laureate Patrick White (1912–1990) are a persistent commentary on Nietzsche’s proclamation of God’s death. As White knew the proclamation was not about God’s existence, but about classical views of God, it presented him with the impossible task of using language to describe what language cannot describe. This has always been one of the more misunderstood aspects of his literary vision. Because the announcement is often interpreted in antithetical ways, atheistic, theistic, secular, religious, humanistic and fatalistic, critics should gain a better understanding of what White was trying to achieve by comparing him with his post-war contemporaries from England, Scotland, and Canada: Iris Murdoch, William Golding, Muriel Spark and Robertson Davies. After, and because of, the war, these authors all commented on the consequences of God’s death. Along with White, they worked with a shared pattern of tropes to explore the light and dark aspects of western consciousness and the civilization it has produced. Where did the pattern come from? Was it metaphysical or metapsychological? These questions are complex as the pattern came from many sources, simultaneously and synergistically, but this book tackles these questions by describing that pattern.