“A passionate coming-of-age story.”—Kirkus Reviews Finalist, Eric Hoffer Book Awards 2024 Distinguished Favorite, Audiobook-Fiction, Independent Press Awards 2023 Finalist, Indies Today Book Awards Finalist, Fantasy, Book Excellence Awards All magical gifts are wild. The seer’s gift is wildest of all. Dasha, Tsarinovna of all of Zem’, was expected to have great magical gifts. Why else would the gods have arranged her conception? But instead of anything useful, Dasha’s gifts first manifested themselves as visions of terror and destruction. Then, just when it seemed she might be gaining some control over them, they abandoned her entirely. That’s unfortunate, because Dasha could really use some guidance right now. She’s volunteered to be her people’s envoy to the Rutsi, their warlike neighbors to the West. Dasha wants to make peace with the Rutsi, but the only way they want to make peace with her is by conquest—or marriage. Dasha leaves behind her home and everything she knows on a dangerous journey to treat with the Rutsi. As she travels through a new land, she discovers new powers, new dangers, and the oldest magic of all—love. Dasha’s gift is wild, but she’s about to find out that the heart is wilder still. Her exploration of forbidden passion and forbidden magic might be the key that unlocks all her untapped promise as the strongest sorceress of her generation—or it could be the weapon that destroys her and everything she cares about. A high fantasy saga that combines spiritual exploration with a touch of spicy romance, The Singing Shore I: Sea and Song is the first installment in the trilogy sequel to the award-winning miniseries The Breathing Sea. If you loved the Winternight trilogy, The Wolf and the Woodsman, and the Kushiel series, or you just want to immerse yourself in some subversive, snarky epic fantasy set in a matriarchal, Slavic-inspired world, come visit the land of Zem’! Reading order for The Zemnian Series: The Zemnian Series: Slava’s Story The Midnight Land I: The Flight The Midnight Land II: The Gift The Zemnian Series: Dasha’s Story The Breathing Sea I: Burning The Breathing Sea II: Drowning The Singing Shore I: Sea and Song The Singing Shore II: Sky and Stone (forthcoming) The Singing Shore III: Spirit and Flame (forthcoming) The Zemnian Series: Valya’s Story The Dreaming Land I: The Challenge The Dreaming Land II: The Journey The Dreaming Land III: The Sacrifice

An uncanny, startlingly beautiful story collection steeped in the Cornish landscape, from the award-winning author of Diving Belles and Other Stories and Weathering.

Have you ever wondered who hummed the first tune? Was it the flowers? The waves or the moon? Dove Award-winning recording artist Ellie Holcomb answers with a lovely lyrical tale, one that reveals that God our Maker sang the first song, and He created us all with a song to sing. Go to bhkids.com to find this book's Parent Connection, an easy tool to help moms and dads (or anyone else who loves kids) discuss the book's message with their child. We're all about connecting parents and kids to each other and to God's Word.

Longlisted for the 2018 Scotiabank Giller Prize Shortlisted for the 2019 Amazon First Novel Award Shortlisted for the 2019 Kobo Emerging Writer Prize Winner of the 2019 Indigenous Voices Award for Published Prose in English Winner of the 2018 Alcuin Society Awards for Excellence in Book Design – Prose Fiction Longlisted for the 2019 Sunburst Award From the internationally acclaimed Inuit throat singer who has dazzled and enthralled the world with music it had never heard before, a fierce, tender, heartbreaking story unlike anything you've ever read. Fact can be as strange as fiction. It can also be as dark, as violent, as rapturous. In the end, there may be no difference between them. A girl grows up in Nunavut in the 1970s. She knows joy, and friendship, and parents' love. She knows boredom, and listlessness, and bullying. She knows the tedium of the everyday world, and the raw, amoral power of the ice and sky, the seductive energy of the animal world. She knows the ravages of alcohol, and violence at the hands of those she should be able to trust. She sees the spirits that surround her, and the immense power that dwarfs all of us. When she becomes pregnant, she must navigate all this. Veering back and forth between the grittiest features of a small arctic town, the electrifying proximity of the world of animals, and ravishing world of myth, Tanya Tagaq explores a world where the distinctions between good and evil, animal and human, victim and transgressor, real and imagined lose their meaning, but the guiding power of love remains. Haunting, brooding, exhilarating, and tender all at once, Tagaq moves effortlessly between fiction and memoir, myth and reality, poetry and prose, and conjures a world and a heroine readers will never forget.

Following the fantastic success of his bestselling memoir, Where I Belong, Great Big Sea front man Alan Doyle returns with a hilarious, heartwarming account of leaving Newfoundland and discovering Canada for the first time. Armed with the same personable, candid style found in his first book, Alan Doyle turns his perspective outward from Petty Harbour toward mainland Canada, reflecting on what it was like to venture away from the comforts of home and the familiarity of the island. Often in a van, sometimes in a bus, occasionally in a car with broken wipers "using Bob's belt and a rope found by Paddy's Pond" to pull them back and forth, Alan and his bandmates charted new territory, and he constantly measured what he saw of the vast country against what his forefathers once called the Daemon Canada. In a period punctuated by triumphant leaps forward for the band, deflating steps backward and everything in between—opening for Barney the Dinosaur at an outdoor music festival, being propositioned at a gas station mail-order bride service in Alberta, drinking moonshine with an elderly church-goer on a Sunday morning in PEI—Alan's few established notions about Canada were often debunked and his own identity as a Newfoundlander was constantly challenged. Touring the country, he also discovered how others view Newfoundlanders and how skewed these images can sometimes be. Asked to play in front of the Queen at a massive Canada Day festival on Parliament Hill, the concert organizers assured Alan and his bandmates that the best way to showcase Newfoundland culture was for them to be towed onto stage in a dory and introduced not as Newfoundlanders but as "Newfies." The boys were not amused. Heartfelt, funny and always insightful, these stories tap into the complexities of community and Canadianness, forming the portrait of a young man from a tiny fishing village trying to define and hold on to his sense of home while navigating a vast and diverse and wonder-filled country.

Sounds of Other Shores takes an ethnographic ear to the history of transoceanic stylistic appropriation in the Swahili taarab music of the Kenyan coast. Swahili taarab, a form of sung poetry that emerged as East Africa's first mass-mediated popular music in the 1930s, is a famously cosmopolitan form, rich in audible influences from across the Indian Ocean. But the variants of the genre that emerged in the Kenyan coastal city of Mombasa during the twentieth century feature particularly dramatic, even flamboyant, appropriations of Indian and Arab sonic gestures and styles. Combining oral history, interpretive ethnography, and musical analysis, Sounds of Other Shores explores how Swahili-speaking Muslims in twentieth-century Mombasa derived pleasure and meaning from acts of transoceanic musical appropriation, arguing that these acts served as ways of reflecting on and mediating the complexities and contradictions associated with being "Swahili" in colonial and postcolonial Kenya. The result is a musical anthropology of Kenyan Swahili subjectivity that reframes longstanding questions about Swahili identity while contributing to broader discussions about identity and citizenship in Africa and the Indian Ocean world.

Newfoundlanders have long and lustily sung their folksongs, and the tradition remains strong today. Despite modern influences, the old songs persist, mixed with new songs that are composed to record the events of our time. This is the first major collection of Newfoundland folksongs compiled and edited by native Newfoundlanders. It concentrates on songs of local composition largely ignored by earlier collectors and presents a significant number of songs never before published. For most of the last decade Lehr and Best have been travelling around the island recording the voices and favourite songs of anyone, young and old, who would perform. Recordings took place in family kitchens, on stage heads, and in trap stores while the singer knitted twine or repaired lobster pots, aboard ships at anchor or en route to some small deserted harbour. Humming engines, blowing oilstoves, or clattering supper dishes provided accompaniment. The 120 songs collected here by Lehr and Best have been transcribed by Pamela Morgan and illustrated by Elly Cohen. Some recall the distant past of a long and rich seafaring tradition; others tell of such recent tragedies as the displacement of outport people and the sinking of the Ocean Ranger. The selection represents the state of the folk-song in Newfoundland today; in some part it documents what is lost and forgotten, but it also celebrates what has survived, and thrives.

"Collingwoood (1806-1908), Fellow of the Linnean Society, sailed as surgeon and naturalist on board HMS 'Rifleman' and 'Serpent' 1866-1867 under Cdr. Bullock on an extensive Admiralty surveying voyage of exploration in the China Seas. His research centred on marine zoology but his account of ports and harbours, people and customs of the China coast, Hong Kong and Canton, Formosa, Singapore, Sarawak, Manila and their natural history are particulary detailed. Appended is an extensive vocabulary of the native language of Sau-O Bay on Formosa's east coast, south of Keelung."--Abebooks website.

The book is a collection of inspirational poems, that have gotten him through hard times and celebrations.