The Singer and the Scribe brings together studies of the European ballad from the Middle Ages to the twentieth century by major authorities in the field and is of interest to students of European literature, popular traditions and folksong. It offers an original view of the development of the ballad by focusing on the interplay and interdependence of written and oral transmission, including studies of modern singers and their repertoires and of the role of the audience in generating a literary product which continues to live in performance. While using specific case studies the contributors systematically extend their reflections on the ballad as song and as poetry to draw broader conclusions. Covering the Hispanic world, including the Sephardic tradition, Scandinavia, The Netherlands, Greece, Russia, England and Scotland the essays also demonstrate the interconnections of a European tradition beyond national boundaries.

When you’ve lost everything you love, how do you fight the darkness? Ava left Istanbul with a new identity, new name, and new magic she could barely control. Laid low by Malachi's sacrifice, she searches for help from the fabled Irina. But will the secretive women of the Irin race welcome or shun her? Ava's origins are still a mystery, and her powers are darker than any they've encountered before. The Irin world hangs in the balance. And as the children of angels battle their own demons, ancient rivalries among the Fallen threaten to wreak havoc on earth. And thousands of miles away, a warrior wakes with no memory of his identity or his people. Stumbling through the twisted schemes of fallen angels, he must find a way back to the one thing he remembers. A single voice calls him: “Come back to me." The Singer is the second book in the Irin Chronicles, a contemporary fantasy series by Elizabeth Hunter, eleven-time USA Today bestselling author of the Elemental Legacy.

Hidden at the crossroads of the world, an ancient race battles to protect humanity, even as it dies from within. To the outside world, Ava Matheson is a successful travel photographer from a privileged background. But Ava's spent a lifetime battling voices in her mind she can't understand, and her fractured family has convinced her she'll never belong. Malachi is an Irin scribe, descended from an angelic race and sworn by blood and magic to defend humanity from the Grigori, the sons of fallen angels who could ravage the world. A chance meeting in Istanbul will change both Ava and Malachi's destinies forever. Their attraction should be impossible, but it could also be the only thing that will keep them alive. The Scribe is the first book in the Irin Chronicles, a contemporary fantasy series by Elizabeth Hunter, seven-time USA Today bestselling author of the Elemental Legacy. Loved this book! It had great intrigue and romance. It was sexy, well-written and suspenseful. …I was gripped from the very beginning, enticed by adventures in faraway places. —Vilma Iris Book Blog

A photographic look into the world of vinyl record collectors—including Questlove—in the most intimate of environments—their record rooms. Compelling photographic essays from photographer Eilon Paz are paired with in-depth and insightful interviews to illustrate what motivates these collectors to keep digging for more records. The reader gets an up close and personal look at a variety of well-known vinyl champions, including Gilles Peterson and King Britt, as well as a glimpse into the collections of known and unknown DJs, producers, record dealers, and everyday enthusiasts. Driven by his love for vinyl records, Paz takes us on a five-year journey unearthing the very soul of the vinyl community.

This book is the first major study of the Gaelic song tradition in an area which was the main center of literature in Leath Chuinn (the northern half of Ireland) from the end of the 17th century to the middle of the 19th century. Written in English, it gives text, source music, and the translation of 54 songs - mainly vision poems, laments, courtly love songs and the songs of the people. The collection includes material from recently discovered music manuscripts, which are reconnected here to their original texts. The catalogue section includes facsimile copies of unpublished dance tunes. As both a researcher and traditional singer, Ní Uallacháin gives a unique insight into her native Gaelic song tradition.

Best friends Rumpus, Tai, Phil, and Phlox are thrilled for the chance to make their first real mural, but when they fall into the world of their own epic painting, they suddenly have to face down the piranha-pistol-packing Wildhares, cattlefish stampedes, and buzzing battlebees of their own creation. Even if they survive, how will they ever find their way back home? Giddyup with the Scribble Squad as they ride into a very weird, very wild Old West! * With over a hundred full-color illustrations by nationally renowned street artist Donald "Scribe" Ross

Discusses the oral tradition as a theory of literary composition and its applications to Homeric and medieval epic.

Written texts of the Iliad and the Odyssey achieved an unprecedented degree of standardization after 150 BCE, but what about Homeric texts prior to the emergence of standardized written texts? Orality, Textuality, and the Homeric Epics sheds light on that earlier history by drawing on scholarship from outside the discipline of classical studies to query from three different angles what it means to speak of Homeric poetry together with the word "text". Part I utilizes work in linguistic anthropology on oral texts and oral intertextuality to illuminate both the verbal and oratorical landscapes our Homeric poets fashion in their epics and what the poets were striving to do when they performed. Looking to folkloristics, part II examines modern instances of the textualization of an oral traditional work in order to reconstruct the creation of written versions of the Homeric poems through a process that began with a poet dictating to a scribe. Combining research into scribal activity in other cultures, especially in the fields of religious studies and medieval studies, with research into performance in the field of linguistic anthropology, part III investigates some of the earliest extant texts of the Homeric epics, the so-called wild papyri. By looking at oral texts, dictated texts, and wild texts, this volume traces the intricate history of Homeric texts from the Archaic to the Hellenistic period, long before the emergence of standardized written texts, in a comparative and interdisciplinary study that will benefit researchers in a number of disciplines across the humanities.

This book, first published in 1958, aims to describe Greek art and poetry within this ambiguous period of ancient history (often referred to as the Greek ‘Dark Ages’), and to explore the possibilities of learning about Mycenaean civilisation from its own documents and not only from archaeology. Specifically, Webster utilises Michael Ventris’ decipherment of Linear B in 1952 – which proved that Greek was spoken in the Mycenaean world – to determine the general contours of aesthetic development from Mycenae to the time of the written composition of the Homeric epics. Because they record Mycenaean civilisation in Mycenaean terminology, while Homer was writing in Ionian Greek at the beginning of the polis civilisation, they show how much in Homer is in fact Mycenaean. Further, where it is clear that these Mycenaean elements cannot have survived until Homer’s time, they tell us something about the poetry which connected the two.