Anna Redsand was sixteen when she heard her mother say of two women who’d been discovered to be lovers, “They’re living in sin. They should see a doctor.” She knew in that moment that she would have to leave the security and intimacy of family, church, and home―the only world she had ever known. As that world faded, so too did everything that had been religious or spiritual inside her. The journey was to find what she’d lost—or replace it. Was there a faith community that could accept Anna as a lesbian, a doubter, and someone committed to social justice? To Drink From the Silver Cup is the story of Anna Redsand’s quest. It took her from a devout missionary life in the Navajo Nation into the shame and exile of being unwanted in the homeland, and then beyond through the uncharted territory of different religious, spiritual, and political directions. Always striving for authenticity, continuing to long for home, forty years after taking leave, Anna embarked on a deliberate experiment to see if return was possible―or whether too much had changed in her and too little in the church. In the past, most memoirs about conflicts between fundamentalist Christianity and sexuality have been written by gay men. Few, if any, have come to the same resolution that To Drink From the Silver Cup does. This is a unique and memorable story with resonance for both seekers and those who have never challenged their held beliefs.

In 1096, Anna, a German Catholic girl, and Leah, a German Jewish girl, strike up a remarkable friendship and make surprising discoveries about each other.

Today the town of Furryville's a very noisy place, crammed with crowds of creatures getting ready for a race. The air is filled with honking horns and engines revving up, as racers take their places for the Silver Serpent Cup!

From New York Times bestselling author Karen Hawkins comes another "mesmerizing fusion of the mystical and the everyday" (Susan Andersen, New York Times bestselling author) in her Dove Pond series--and this time Ava's famous tea leaves spell trouble ahead. Ava Dove--the sixth of seven daughters of the famed Dove family, and owner of Ava's Landscaping and Specialty Gourmet Tea--is frantic. Just as she is getting ready to open her fabulous new tearoom, her herbal teas have gone wonky. Suddenly, the tea that is supposed to help people sleep is startling them awake with vivid dreams; the tea that infuses romance back into tired marriages is causing people to blurt out their darkest secrets; and the tea that helps people find happiness is making them spend hours staring into mirrors. Meanwhile, living four doors down the road from Ava, sixteen-year-old Kristen Foster's life has just crashed down around her. After her mother's death, Kristen's grandmother Ellen has arrived in town to sweep Kristen off to a white mansion on a hill in distant Raleigh. But Kristen has had enough 'life changes' and is desperate to stay with her friends in her beloved hometown of Dove Pond. But to do so means Kristen must undertake a quest she's been avoiding her entire life--finding her never-been-there-for-her father. With the help of an ancient herbal remedy book found in her attic by her sister, Ava realizes that Kristen holds the key to fixing her unstable tea leaves. So Ava throws herself into Kristen's search, even convincing Kristen's grandmother Ellen to help, too. Together, the three embark on a reluctant but magical journey of healing, friendship, and family that will delight fans of Alice Hoffman, Kate Morton, and Sarah Addison Allen.

The twelve monumental silver-gilt standing cups known as the Aldobrandini Tazze constitute perhaps the most enigmatic masterpiece of Renaissance European metalwork. Topped with statuettes of the Twelve Caesars, the tazze are decorated with marvelously detailed scenes illustrating the lives of those ancient Roman rulers. The work’s origin is unknown, and the ensemble was divided in the nineteenth century and widely dispersed, greatly hampering study. This volume, inspired by a groundbreaking symposium at The Metropolitan Museum of Art, examines topics ranging from the tazze’s representation of the ancient world to their fate in the hands of nineteenth-century collectors, and presents newly discovered archival material and advanced scientific findings. The distinguished essayists propose answers to critical questions that have long surrounded the set and shed light on the stature of Renaissance goldsmiths’ work as an art form, establishing a new standard for the study of Renaissance silver.

Many Christians and Jews believe that their faiths developed independently from each other, and that their religions are distinct, even antagonistic towards each other. A Portable God dramatically departs from the idea that the birth of Judaism and Christianity are two separate, unrelated events. Judaism and Christianity's origins are not seen as following a linear, chronological process that places the Israelites in the beginning, followed by the Jews, and finally the Christians. On the contrary, A Portable God shows that both Judaism and Christianity emerge from the same religious tradition--that of ancient Israel--at the same time. By telling the common story of Jewish and Christian origins, A Portable God shows Jews and Christians as siblings, rather than as parent and child, showing that the similarities between Judaism and Christianity far outweigh their differences, ultimately fostering appreciation for the shared heritage of Judaism and Christianity.