By the middle of the nineteenth century, the most common method of photography was the daguerreotype—Louis Jacques Mandé Daguerre’s miraculous invention that captured in a camera visual images on a highly polished silver surface through exposure to light. In this book are presented nearly eighty masterpieces—many never previously published—from the J. Paul Getty Museum’s extensive daguerreotype collection.

A young Mayor’s assistant gets caught between Tammany Hall gangsters and her childhood nightmares in this mystery set in Depression Era New York. New York City, 1936.It’s been six months since Lane Sanders was appointed Mayor Fiorello “Fio” La Guardia’s new personal aide, and the twenty-three-year-old is sprinting in her Mary Janes to keep up. Managing endless revitalization efforts while combating the Tammany Hall political machine makes for long, unpredictable days. But the non-stop pace is a welcome distraction from the childhood memories that haunt her dreams—and the silver gun she’ll never forget. When Lane is attacked and threatened by one of the city’s most notorious gangsters, even the mayor can’t promise her safety. Corrupt city officials are using her as a pawn against Fio for disgracing their party in the prior election. But that doesn’t explain why her assailant wielding the same silver gun from her nightmares. Balancing a clandestine love affair and a mounting list of suspects, Lane must figure out how the secrets of her past are connected to the city’s underground crime network—before someone pulls the trigger on the most explosive revenge plot in New York history.

It will be essential reading for anyone interested in arts and culture in the city.

"First published in hardcover by The Vendome Press in 2008"--Copyright page.

Acquiring contemporary art is about passion and lust, but it is also about branding, about the back story that comes with the art, about the relationship of money and status, and, sometimes, about celebrity. The Supermodel and the Brillo Box follows Don Thompson's 2008 bestseller The $12 Million Stuffed Shark and offers a further journey of discovery into what the Crash of 2008 did to the art market and the changing methods that the major auction houses and dealerships have implemented since then. It describes what happened to that market after the economic implosion following the collapse of Lehman Brothers and offers insights and art-world tales from dealers, auction houses, and former executives of each, from New York and London to Abu Dhabi and Beijing. It begins with the story of a wax, trophy-style, nude upper-body sculpture of supermodel Stephanie Seymour by Italian artist Maurizio Cattelan, which sold for $2.4 million to New York über-collector and private dealer Jose Mugrabi, and recounts the story of a wooden Brillo box that sold for $722,500. The Supermodel and the Brillo Box looks at the increasing dominance of Christie's, Sotheby's, and a few über dealers; the hundreds of millions of new museums coming up in cities like Dubai, Abu Dhabi, and Beijing; the growing importance of the digital art world; and the shrinking role of the mainstream gallery.

The most authoritative publication in nearly fifty years on the subject of conserving paintings on canvas. In 2019, Yale University, with the support of the Getty Foundation, held an international conference, where nearly four hundred attendees from more than twenty countries gathered to discuss a vital topic: how best to conserve paintings on canvas. It was the first major symposium on the subject since 1974, when wax-resin and glue-paste lining reigned as the predominant conservation techniques. Over the past fifty years, such methods, which were often destructive to artworks, have become less widely used in favor of more minimalist approaches to intervention. More recent decades have witnessed the reevaluation of traditional practices as well as focused research supporting significant new methodologies, procedures, and synthetic materials for the care and conservation of paintings on fabric supports. Conserving Canvas compiles the proceedings of the conference, presenting a wide array of papers and posters that provide important global perspectives on the history, current state, and future needs of the field. Featuring an expansive glossary of terms that will be an invaluable resource for conservators, this publication promises to become a standard reference for the international conservation community. The free online edition of this open-access publication is available at getty.edu/publications/conserving-canvas. Also available are free PDF and EPUB downloads of the book.