Perhaps the preeminent contemporary scholar of southern letters, Fred Hobson is adept at cutting through the many myths and self-illusions spun about the South and exposing a far more intriguing reality. In his inaugural collection of essays, Hobson offers both an astute and deeply personal take on American and southern life. He touches on history, literature, religion, family, race, and sports as he ponders various famous and obscure biographical and autobiographical figures. Rife with stimulating writing and thought, The Silencing of Emily Mullen informs, moves, and entertains all at once. Hobson's own great-grandmother inspires the title essay, in which he investigates the whispered family rumor that Emily Mullen Gregory committed suicide by jumping down a well in the late nineteenth century. Besides the facts of Mullen's death, Hobson inquires into the plight of southern middle-class women's lives generally in that era. A happier female relative animates another absorbing chapter: Hobson's great aunt who left the benighted South with the intent of bringing enlightenment to China as a missionary and teacher from 1909 to 1941, and who became both friend and critic of Madame Chiang Kai-shek. Ruminative appraisals of H. L. Mencken, W. J. Cash, progressive journalist Gerald W. Johnson, social critic James McBride Dabbs, man of letters Louis D. Rubin, Jr., African American author Mary Mebane, novelist Richard Ford, and twentieth-century southern literature add incrementally to the collection's overall intellectual pleasures. Hobson's concluding three pieces take a more intimate turn. He reflects on his connection to the hills of North Carolina, the impact the book The Mind of the South had on him, and the love of college basketball he shared with his father. The Silencing of Emily Mullen captures both the richness and deficiencies of the South within the American society at large. It is a book that makes for exceptionally rewarding and enjoyable reading.

Exploring fiction, film and art from across the USA, South America, Asia, Europe and Australia, New Suburban Stories brings together new research from leading international scholars to examine cultural representations of the suburbs, home to a rapidly increasing proportion of the world's population. Focussing in particular on works that challenge conventional attitudes to suburbia, the book considers how suburban communities have taken control of their own representation to tell their own stories in contemporary novels, poetry, autobiography, cinema, social media and public art.

The Southern journalist was more likely to be a Romantic and an intellectual. The region's journalism was personal, colorful, and steeped in the classics. This title suggests that the South's journalism struck a literary pose closer to the older English press than to the democratic penny press or bourgeois magazines of the urban North.

In the South today, the sight of a Latina in a NASCAR T-shirt behind the register at an Asian grocery would hardly draw a second glance. That scenario, and our likely reaction to it, surely signals something important--but what? Here some of the region’s most respected and readable observers look across the past century to help us take stock of where the South is now and where it may be headed. Reflecting the writers’ deep interests in southern history, politics, literature, religion, and other matters, the essays engage in new ways some timeless concerns about the region: How has the South changed--or not changed? Has the South as a distinct region disappeared, or has it absorbed the many forces of change and still retained its cultural and social distinctiveness? Although the essays touch on an engaging diversity of topics including the USDA’s crop spraying policies, Tom Wolfe’s novel A Man in Full, and collegiate women’s soccer, they ultimately cluster around a common set of themes. These include race, segregation and the fall of Jim Crow, gender, cultural distinctiveness and identity, modernization, education, and urbanization. Mindful of the South’s reputation for insularity, the essays also gauge the impact of federal assistance, relocated industries, immigration, and other outside influences. As one contributor writes, and as all would acknowledge, those who undertake a project like this “should bear in mind that they are tracking a target moving constantly but often erratically.” The rewards of pondering a place as elusive, complex, and contradictory as the American South are on full display here.

How does one begin to understand the idea of a distinctive southern way of life—a concept as enduring as it is disputed? In this examination of the American South in national and global contexts, celebrated historian Charles Reagan Wilson assesses how diverse communities of southerners have sought to define the region's identity. Surveying three centuries of southern regional consciousness across many genres, disciplines, and cultural strains, Wilson considers and challenges prior presentations of the region, advancing a vision of southern culture that has always been plural, dynamic, and complicated by race and class. Structured in three parts, The Southern Way of Life takes readers on a journey from the colonial era to the present, from when complex ideas of "southern civilization" rooted in slaveholding and agrarianism dominated to the twenty-first-century rise of a modern, multicultural "southern living." As Wilson shows, there is no singular or essential South but rather a rich tapestry woven with contestations, contingencies, and change.

“Why should a particular game, played with a round ball by twenty-year-olds in short pants often hundreds of miles away, mean so much to me, since I seem to have so little to gain or lose by its outcome?” Fred Hobson thus begins Off the Rim, his narrative of college basketball and society, of growing up and not growing up. He seeks the answer to this question by delving into the particulars of his own experience. Growing up in a small town in the hills of North Carolina where basketball was king, he became a rabid UNC basketball fan (like many others) at the tender age of thirteen during the Tar Heels’ “magical” 32–0 national championship season in 1956–1957. He starred as a high school basketball player and lived a dream by “walking on” the highly successful 1961–1962 Carolina freshman team. That was also the year Dean Smith was elevated to head coach of the Heels. Hobson observed firsthand Coach Smith’s difficult early days before he became the winningest coach in college basketball. Forced to find a substitute for his beloved sport after not making the varsity his sophomore year, Hobson turned to the romance of books, both reading and writing them. Changing his major to English, he discovered the joys of William Faulkner and Richard Wright, Robert Penn Warren, Flannery O'Connor, and H. L. Mencken, and made a career teaching American literature. This is a book about basketball that is more than a book about basketball. It is, in the beginning, a depiction of a part of the South that departs from the usual idea of Dixie, a look into the culture, religion, and politics of the Carolina hills. It is a portrait of the people who made up the South, including the author’s parents, who both were and were not conventional southerners. Finally, in some respects, it is the story of a boyhood that never ends, relived each year during basketball season in the frantic, tortured life of a fan. Although Hobson’s story is largely about the Tar Heels—and about other things related to growing up in the South of the 1950s—what he says about basketball, childhood, and adulthood also holds true for those who find themselves in emotional bondage to Hoosiers or Bulldogs or Ducks, to Wolverines, Gophers, Badgers, and various other species of Upper Midwestern low-lying ground fauna, to Blue Devils or Blue Demons, to Tigers, Wildcats, Cougars, and all other breeds of cat.

The result of meticulous scholarship and decades of careful collecting to create a body of reliable information, this definitive, full-length biography of the enigmatic Confederate poet presents a close examination of the man behind the myth and separates Lost Cause legend from fact."--Jacket.

By the twentieth century, North Carolina’s progressive streak had strengthened, thanks in large part to a growing number of women who engaged in and influenced state and national policies and politics. These women included Gertrude Weil who fought tirelessly for the Nineteenth Amendment, which extended suffrage to women, and founded the state chapter of the League of Women Voters once the amendment was ratified in 1920. Gladys Avery Tillett, an ardent Democrat and supporter of Roosevelt's New Deal, became a major presence in her party at both the state and national levels. Guion Griffis Johnson turned to volunteer work in the postwar years, becoming one of the state's most prominent female civic leaders. Through her excellent education, keen legal mind, and family prominence, Susie Sharp in 1949 became the first woman judge in North Carolina and in 1974 the first woman in the nation to be elected and serve as chief justice of a state supreme court. Throughout her life, the Reverend Dr. Anna Pauline "Pauli" Murray charted a religious, literary, and political path to racial reconciliation on both a national stage and in North Carolina. This is the second of two volumes that together explore the diverse and changing patterns of North Carolina women's lives. The essays in this volume cover the period beginning with women born in the late nineteenth and early twentieth centuries but who made their greatest contributions to the social, political, cultural, legal, and economic life of the state during the late progressive era through the late twentieth century.

This book charts the changing complexion of American culture in one of the most culturally vibrant of twentieth-century decades. It provides a vivid account of the major cultural forms of 1960s America - music and performance; film and television; fiction and poetry; art and photography - as well as influential texts, trends and figures of the decade: from Norman Mailer to Susan Sontag; from Muhammad Ali's anti-war protests to Tom Lehrer's stand-up comedy; from Bob Dylan to Rachel Carson; and from Pop Art to photojournalism. A chapter on new social movements demonstrates that a current of conservatism runs through even the most revolutionary movements of the 1960s and the book as a whole looks to the West and especially to the South in the making of the sixties as myth and as history.

The Oxford Handbook of the Literature of the U.S. South brings together contemporary views of the literature of the region in a series of chapters employing critical tools not traditionally used in approaching Southern literature. It assumes ideas of the South--global, multicultural, plural: more Souths than South--that would not have been embraced two or three decades ago, and it similarly expands the idea of literature itself. Representative of the current range of activity in the field of Southern literary studies, it challenges earlier views of antebellum Southern literature, as well as, in its discussions of twentieth-century writing, questions the assumption that the Southern Renaissance of the 1920s, 1930s, and 1940s was the supreme epoch of Southern expression, that writing to which all that had come before had led and by which all that came afterward was judged. As well as canonical Southern writers, it examines Native American literature, Latina/o literature, Asian American as well as African American literatures, Caribbean studies, sexuality studies, the relationship of literature to film, and a number of other topics which are relatively new to the field.