Richard Leppert boldly examines the social meanings of music as these have been shaped not only by hearing but also by seeing music in performance. His purview is the northern European bourgeoisie, principally in England and the Low Countries, from 1600 to 1900. And his particular interest is the relation of music to the human body. He argues that musical practices, invariably linked to the body, are inseparable from the prevailing discourses of power, knowledge, identity, desire, and sexuality. With the support of 100 illustrations, Leppert addresses music and the production of racism, the hoarding of musical sound in a culture of scarcity, musical consumption and the policing of gender, the domestic piano and misogyny, music and male anxiety, and the social silencing of music. His unexpected yoking of musicology and art history, in particular his original insights into the relationships between music, visual representation, and the history of the body, make exciting reading for scholars, students, and all those interested in society and the arts.

This thorough volume solves the problem of sight reading on the guitar by teaching it through single line playing.

Independence without Sight or Sound covers the essential aspects of communicating and working with deaf-blind adults--individuals who have both vision and hearing loss. Written in a personal and informal style, it is filled with practical information for any professional who works with someone who is deaf-blind, such as how to talk with someone who is deaf-blind, how deaf-blind people can communicate with strangers and interact with people in public, and how they can overcome isolation and assert control over their own life. Written by an expert in orientation and mobility, this guide emphasizes adapting orientation and mobility techniques for deaf-blind travelers.

A drama about a New York cab driver is driven to obsession when he attempts to save a teenage prostitute and embarks on a violent rampage against a world of filth and corruption.

With a helicopter "whirring" through the air, a fire engine blasting its siren, a car honking, and a train whistling, it seems that everyone is in a hurry.

Media aesthetics have gained prominence with the dramatic advances in the digital technology of video and electronic cinema. In this dynamic field, Herb Zettl's Sight Sound Motion/Applied Media Aesthetics, Fifth Edition is more applicable than ever. This new edition of Sight Sound Motion continues to be the most comprehensive book on the market, not only describing the major aesthetic image elements - light and color, space, time-motion, and sound - but also presenting in-depth coverage on the creative ways that they are used in television and film. Zettl's thorough coverage of aesthetic theory and the application of that theory place this contemporary and highly relevant text in a class by itself. Richly illustrated, this edition features strong visuals that often draw on traditional art forms, such as painting, sculpture, and dance.

When Catwoman steals a Faberge egg, Batman helps two young detectives get it back

For 2000 years the Creator’s language lay dormant; for all intents and purposes – a Dead Language, a by-word associated with the forlorn plight of a People without an identity. Miraculously, following the pattern of the death, burial and resurrection of the Messiah, this “Living Word” rises, made to live again, on the 3rd day, our day, to become the standard to which the People of the Book must return in order to seek out and identify their Deliverer! The eternal stage has been set as the conflict of the ages rises to a crescendo, culminating in the greatest assault against The Sovereign King and those in Covenant with Him, that the world has ever seen. It is by no means an accident that an awakening is occurring. The return to the Ancient Paths and an even more Ancient Tongue leading a People to their destiny – a confrontation with the Anti-Messiah! The Apocalyptic weapons of this supernatural being, coupled with the intentional, mistranslated, prophetic declarations of a broken, annihilated, People, are about to be revisited as history records the restoration of this Ancient Pure language, its latent power in the hands of a Faithful Remnant, tipping the balance of Power! You are about to be introduced to the single, most powerful force in Creation – The Rainbow Language! ARISE O’ YAH AND LET YOUR ENEMIES BE SCATTERED! Psalms 68:1

This volume contributes to the study of ‘new’ sonic and visual sources and their intertextual relationship with the documentary, as well as traditional understandings of ‘text’, in the history of education. It both presents case studies of research and points to new avenues of further research. This volume arose from a joint conference of the History of Education Society, UK, and the Australian and New Zealand History of Education Society, held in 2016, on the theme ‘sight, sound and text in the history of education’. The conference drew together educational and media historians, as well as archivists and museum professionals, to examine methodological issues, and a range of examples of sensory and textual histories. The event from which this book arose showed that there is so much more to consider in this area. This book was originally published as a special issue of History of Education.