The Sidneys rank amongst the most influential families in early modern England, and can count amongst their number many leading lights of the Tudor and Stuart period. From the Elizabethan poet and soldier Philip, to the republican Algernon, the Sidney family were intimately bound up with the political, cultural and courtly life of early modern England. Taking a broadly chronological approach, this volume offers an overview of the Sidneys across several generations. By analysing various individuals and their writings, an intriguing new perspective is offered, not only on the culture of English politics, but also on the self-perception and ambitions of a leading renaissance family. During the Tudor period their long and fruitful (but sometimes problematical) association with the Dudley family in court and royal affairs is reassessed with regard to their relations with Edward VI, Mary I and Elizabeth I. During the Stuart period the Sidneys intimacy and loyalty to James I, Queen Anne and Charles I is contrasted to their more neutral (even hostile) attitudes to Charles II and James II. Against the backdrop of this shifting royal favour and religious and political upheaval, the Sidneys' political and domestic tactics used to preserve the family's reputation, estates and property are explored. The first book length study of the Sidney family's relationship with the English monarchy, this work will be welcomed by all those with an interest in English political and cultural history. Drawing upon both historical and literary sources it offers an absorbing insight into the self-perceptions of a leading renaissance family and how they adapted to the vicissitudes of the sixteenth and seventeenth century world.

Few families have contributed as much to English history and literature-indeed, to the arts generally-as the Sidney family. This two-volume Ashgate Research Companion assesses the current state of scholarship on family members and their impact, as historical and literary figures, in the period 1500-1700. Volume 1: Lives, begins with an overview of the Sidneys and politics, providing some links to court events, entertainments, literature, and patronage. The volume gives biographies to prominent high-profile Sidney women and men, as well as sections assessing the influence of the family in the areas of the English court, international politics, patronage, religion, public entertainment, the visual arts, and music. The focus of the second volume is the literary contributions of Sir Philip Sidney; Mary Sidney Herbert, Countess of Pembroke; Lady Mary Wroth; Robert Sidney, Earl of Leicester; and William Herbert, Earl of Pembroke.

Presented in two volumes, The Ashgate Research Companion to The Sidneys, 1500-1700 assesses the current state of scholarship on members of the Sidney family and their impact, as historical and/or literary figures, in the period 1500-1700. Volume 2: Literature, begins with an exploration of the Sidneys' books and manuscripts and how they circulated, followed by an overview of the contributions of family members -Sir Philip Sidney; Mary Sidney Herbert, Countess of Pembroke; Lady Mary Wroth; Robert Sidney, Earl of Leicester; and William Herbert, Earl of Pembroke - in the genres of prose romance, drama, poetry, psalms and prose. These essays outline major controversies and areas for further research, as well as conducting literary analysis.

The Oxford Handbook of Philip Sidney is the most comprehensive collection of essays on Sidney published to date. Written by an expert team of international specialists, its fifty chapters cover every aspect of Sidney's life, works, and the times in which he lived. It provides fresh interpretations of Sidney's career, texts, and legacy, drawing on the most recent historical and archival research and showcasing the range of critical approaches-historicist, formalist, postcolonial, post-humanist, presentist, materialist, economic, ecological, affective, queer, and zoocritical-which has opened up so many new perspectives in the study of Renaissance literature in recent years. Part I, 'Contexts', re-examines Sidney's life, family relations and friendship groups, his roles as courtier and patron, and the 'Sidney legend' which largely shaped these narratives round the political agendas of his day. Part II, 'Works', offers new, in-depth readings of Sidney's writings, including his poetry, prose, letters, and psalms. Part III, 'Literary Contexts', explores the pedagogic and practical contexts within which these writings were produced, including Sidney's own education, the humanist emphasis that literature teach and delight, newly evolving ideas of authorship, and the potentials presented by the circulation of his works in manuscript and print. Part IV, 'Sidney's Forms and Genres', drills down further into his literary texts, showing how they both drew from and contributed to new developments in the writing of sonnets, lyric, pastoral, romance, fiction, and drama within the larger sphere of the European literary Renaissance. Part V, 'Sidney's Poetic Craft', illuminates Sidney's distinctive skills as a poetic maker, revealing his attention to detail by providing minute analyses of his prosody, his interest in song, his sentence structure, and his unique conception of style. Part VI, 'Sidney and His Times', embeds Sidney within his period, providing individual chapters on his active engagement with its religion, philosophy, logic, rhetoric, politics, with Europe, the colonies, maps, money, class, gender, the passions, animals, visual culture, music, clothes, architecture, and gardens. Finally, Part VII, 'Reception', investigates Sidney's enduring legacy as his works continued to be read and re-written by later generations, shaping the course of the English literary tradition to come.

The 1590s have long been considered as having had a distinct character, separate from the remainder of Elizabeth’s reign. This book provides a reassessment of the politics and political culture of this significant period.

From the exemplary to the notorious to the obscure, this comprehensive and innovative encyclopedia showcases the worthy women of early modern England. Poets, princesses, or pirates, the women found in these pages are indeed worth knowing and this volume will introduce many female figures to even the most established scholars in the field. The book is well illustrated and liberally sprinkled with quotations either by or about the women in the text.

The letters of Dorothy Percy Sidney, Countess of Leicester, dating predominantly from about 1636 until 1643, cover a wide range of issues and vividly illustrate her centrality to her illustrious family's personal and public affairs. These c.100 letters are here for the first time fully transcribed and edited. The edition includes a biographical and historical introduction, setting the context of the Sidneys' family and political activities at the time of Dorothy's marriage to Robert in 1615 and then tracing the major events and involvements of her life until her death in 1659. A key to the cipher used in the letters to disguise identities of individuals is also supplied. Following the introduction is the complete text of each of Dorothy Percy Sidney's letters to her husband, Robert, second Earl of Leicester, and to and from William Hawkins, the Sidney family solicitor, along with several others, including letters from Dorothy to Archbishop Laud and the Earl of Holland. Her husband's account of her last moments in 1659, and testamentary directions relating to her will, are also included. The letters are arranged in chronological order and supported by a series of footnotes that elucidate their historical context and briefly to identify key individuals, places, political issues and personal concerns. These notes are further supported by selective quotations from Dorothy's incoming correspondence and other related letters and documents. A glossary supplies more detailed information on 'Persons and Places.' Dorothy Percy Sidney's letters eloquently convey how, even with her undoubted personal potency and shrewd intelligence, the multifaceted roles expected of an able and determined aristocratic early modern Englishwoman-especially when her husband was occupied abroad on official business-were intensely demanding and testing.

Dissent and Authority in Early Modern Ireland: The English Problem from Bale to Shakespeare examines the problems that beset the Tudor administration of Ireland through a range of selected 16th century English narratives. This book is primarily concerned with the period between 1541 and 1603. This bracket provides a framework that charts early modern Irish history from the constitutional change of the island from lordship to kingdom to the end of the conquest in 1603. The mounting impetus to bring Ireland to a "complete" conquest during these years has, quite naturally, led critics to associate England’s reform strategies with Irish Otherness. The preoccupation with this discourse of difference is also perceived as the "Irish Problem," a blanket term broadly used to describe just about every aspect of Irishness incompatible with the English imperialist ideologies. The term stresses everything that is "wrong" with the Irish nation—Ireland was a problem to be resolved. This book takes a different approach towards the "Irish Problem." Instead of rehashing the English government’s complaints of the recalcitrant Irish and the long struggle to impose royal authority in Ireland, I posit that the "Irish Problem" was very much shaped and developed by a larger "English Problem," namely English dissent within the English government. The discussions in this book focuse on the ways in which English writers articulated their knowledge and anxieties of the "English Problem" in sixteenth-century literary and historical narratives. This book reappraises the limitations of the "Irish Problem," and argues that the crown’s failure to control dissent within its own ranks was as detrimental to the conquest as the "Irish Problem," if not more so, and finally, it attempts to demonstrate how dissent translate into governance and conquest in early modern Ireland.

During the Elizabethan era, writers such as Shakespeare, Spenser, Sidney, Daniel, and others frequently expounded on mercy, exploring the sources and outcomes of clemency. This fresh reading of such depictions shows that the concept of mercy was a contested one, directly shaped by tensions over the exercise of judgment by a woman on the throne.

This book explores modalities and cultural interventions of translation in the early modern period, focusing on the shared parameters of these two translation cultures. Translation emerges as a powerful tool for thinking about community and citizenship, literary tradition and the classical past, certitude and doubt, language and the imagination.