First Published in 2012. Routledge is an imprint of Taylor & Francis, an informa company.

So you want to make a documentary, but think you don't have a lot of time, money, or experience? It's time to get down and dirty! Down and dirty is a filmmaking mindset. It's the mentality that forces you to be creative with your resources. It's about doing more with less. Get started NOW with this book and DVD set, a one-stop shop written by a guerrilla filmmaker, for guerrilla filmmakers. You will learn how to make your project better, faster, and cheaper. The pages are crammed with 500 full-color pictures, tips from the pros, resources, checklists and charts, making it easy to find what you need fast. The DVD includes: * Video and audio tutorials, useful forms, and interviews with leading documentary filmmakers like Albert Maysles (Grey Gardens), Sam Pollard (4 Little Girls), and others * 50+ Crazy Phat Bonus pages with jump start charts, online resources, releases, storyboards, checklists, equipment guides, and shooting procedures Here's just a small sampling of what's inside the book: * Putting together a crew * Choosing a camera * New HDV and 24P cameras * Shooting in rough neighborhoods * Interview skills and techniques * 10 ways to lower your budget * Common production forms

Anthony Q. Artis is a 30-year veteran of the fi lm and TV industry whose features and TV shows have screened at the Tribeca Film Festival and the IFP Market, as well as on MTV and the Independent Film Channel. Anthony works professionally as a producer, director, and cinematographer at MightyAntMedia.com and has taught video production at New York University for two decades now. He is the author of the bestselling Shut Up and Shoot Documentary Guide (2014), The Shut Up and Shoot Freelance Video Guide (2011), and numerous fi lmmaking courses on LinkedInLearning.com . Accessible and comprehensive, this book is a great introduction on how to make movies and video projects with limited resources, time, or experience. Artis will teach readers the “Down and Dirty” filmmaking mindset, which forces fi lmmakers to be creative with their resources, do more with less, and result in a better, faster, and less expensive product. Drawing on more than 30 years of experience, Artis covers such wide-ranging topics as composition, lens choice, smartphone filmmaking, audio equipment, lighting and grip basics, and much more. With more than 500 full-color pictures, tips from pros, checklists, and case studies, readers will be well prepared to apply their knowledge to their shoots. Written by an indie filmmaker for indie filmmakers, this book is perfect for rookies, veterans, and students who want to maximize their budget while turning in top-quality work.

Outlines each step in creating documentaries, from conception to final film, and offers advice on capturing human behavior and recreating past events, with advice on how to get started in the field, a section on researching and developing a project, and current resources.

You have a strong vision for how your movie should look, but how do you find the perfect spot to shoot and how do you organize the complex logistics of such a shoot once you find that perfect location? In this comprehensive guide, industry veteran Kathy M. McCurdy provides everything you need to know to get out on location-from how to break down the script, public relations tips for successful location scouting, negotiating with property owners, permitting on public property, how to handle complaints, and even where to put the very unattractive port-a-potties. It also includes samples of all the different forms and contracts you'll need and breaks down everything from where to park the trucks to when you need police on the set. Filled with real-life examples and actual filming situations, Shoot on Location provides everything you need to know from scouting through the wrap. Delivers the universal step-by-step process for managing location shoots using industry standard guidelines and real-life examples from actual filming situations. Includes samples of all of the legal forms and contract necessary for shooting off the lot and covers everything from script breakdown, negotiation with property owners, and even where to put the porta-potties. Loaded with real tips and how-to's for every level of scouting, shooting, and wrapping-up.

Anthony Q. Artis is a 30-year veteran of the fi lm and TV industry whose features and TV shows have screened at the Tribeca Film Festival and the IFP Market, as well as on MTV and the Independent Film Channel. Anthony works professionally as a producer, director, and cinematographer at MightyAntMedia.com and has taught video production at New York University for two decades now. He is the author of the bestselling Shut Up and Shoot Documentary Guide (2014), The Shut Up and Shoot Freelance Video Guide (2011), and numerous fi lmmaking courses on LinkedInLearning.com . Accessible and comprehensive, this book is a great introduction on how to make movies and video projects with limited resources, time, or experience. Artis will teach readers the Down and Dirty filmmaking mindset, which forces fi lmmakers to be creative with their resources, do more with less, and result in a better, faster, and less expensive product. Drawing on more than 30 years of experience, Artis covers such wide-ranging topics as composition, lens choice, smartphone filmmaking, audio equipment, lighting and grip basics, and much more. With more than 500 full-color pictures, tips from pros, checklists, and case studies, readers will be well prepared to apply their knowledge to their shoots. Written by an indie filmmaker for indie filmmakers, this book is perfect for rookies, veterans, and students who want to maximize their budget while turning in top-quality work.

"The Art of Video Production, by Leonard Shyles, is a very thorough presentation of the techniques of professional television production, including electronic news-gathering, electronic film production and multicamer outside broadcast work." —MEDIA INTERNATIONAL AUSTRALIA "Len Shyles′ The Art of Video Production is a comprehensive text with descriptions of all of the necessary organizational, aesthetic, and technical elements a student needs to progress from a beginning level to an advanced level in one course. This book presents an over-arching sensibility that links media production with the processes of communication, provides many practical examples, and adds ′industry voices′ interviews that do a great job of telling about ways knowledge from the text may be applied in the real world. In short, Shyles′s book is a clear and comprehensive text for a complete course in video production." —Barbara Ruth Burke, University of Minnesota, Morris "Shyles writes with a clarity and simplicity that is often missing in textbooks. He is able to take complicated concepts and break them down so that anyone can understand them. Shyles adeptly includes not only the ′ancient history′ of early television production, but the new frontiers of HD and digital technology. The book also contains fascinating interviews with industry professionals, which students entering the workforce will find helpful. The Art of Video Production provides an excellent foundation for the video student, both technically and aesthetically." —Rick Ricioppo, Illinois State University, School of Communication The Art of Video Production is a veritable compendium of practical advice, insights, and tips for aspiring videographers. Deftly written, effectively organized..." —WISCONSIN BOOKWATCH The Art of Video Production emphasizes the enduring principles and essential skills of the communication process AND the new digital technologies that are necessary for creating effective video content. In this exciting, new book, author Len Shyles updates the latest developments in digital video production, while preserving the fundamentals. In a style that′s clear, comprehensive, and brief, The Art of Video Production shows you how to make air-quality television programs—with emphasis on both content and production values—so that you can get your points across. This user-friendly text explains the methods for writing, producing, directing, and editing successful television programs. The Art of Video Production also features six interviews with industry professionals (including network, freelance, and independent producers, directors, writers, and editors), offering practical advice for those planning careers in the field. These "Industry Voices" speak to the profound shift from analog to digital platforms, and offer invaluable insight about its impact. In addition, The Art of Video Production features: Strong emphasis on audience analysis concepts useful in all phases of the production process In-depth coverage of the nature of the digital shift, and its impact on the convergence of media and telecommunications industries Review questions, exercises, and professional pointers, designed to help you review and retain material Accompanying Instructor′s Resource CD-Rom An Instructor′s Resource CD contains chapter objectives, suggested activities, test questions, classroom handouts, a list of helpful Web sites, and more!

This is the only book that combines conceptual and practical instruction on creating polished and eloquent images for film and video with the technical know-how to achieve them. Loaded with hundreds of full-color examples, The Filmmaker's Eye is a focused, easy-to-reference guide that shows you how to become a strong visual storyteller through smart, effective choices for your shots. This book has struck a chord worldwide and is being translated into several languages After a short introduction to basic principles, a variety of shots are deconstructed in the following format: - Why It Works: an introduction to a particular type of shot - How It Works: callouts point out exactly how the shot works the way it does--the visual rules and technical aspects in action - Technical Considerations: the equipment and techniques needed to get the shot. - Breaking the Rules: examples where the "rules" are brilliant subverted

The fully revised edition of the most comprehensive and up-to-date reference on print production All graphic designers and illustrators must be familiar with the steps involved in preparing their work for publication. Now completely revised to reflect the latest technology and trends, A Guide to Graphic Print Production, Third Edition is the complete guide to the entire process of print production, from the early stages of conception and planning, to the technical stages of manufacturing and off-press processing. Structured around the graphic print production flow, essential material is included for all aspects of the process including coverage of computers, color management, layouts, digital images, image editing, prepress, paper, printing, finishing and binding, legal issues, environmental issues, and more. A practical reference to keep at your fingertips, this new edition: Covers the entire production process, from conception to manufacturing to archiving Covers new topics, such as variable data printing, sustainability, large/wide format printing, inks, and color management Is full color throughout, with updated images and screenshots Includes sidebars offering design tips, troubleshooting hints, and key points to consider for every stage of design Delivering information that reflects all aspects essential for understanding the ins and outs of digital printing, A Guide to Graphic Print Production, Third Edition is an ideal resource for students and professionals of graphic design, print production, production technology, and visual communication.

In this intellectually groundbreaking work, Timothy Murray investigates a paradox embodied in the book's title: What is the relationship between digital, in the form of new media art, and baroque, a highly developed early modern philosophy of art? Making an exquisite and unexpected connection between the old and the new, Digital Baroque analyzes the philosophical paradigms that inform contemporary screen arts. Examining a wide range of art forms, Murray reflects on the rhetorical, emotive, and social forces inherent in the screen arts' dialog with early modern concepts. Among the works discussed are digitally oriented films by Peter Greenaway, Jean-Luc Godard, and Chris Marker; video installations by Thierry Kuntzel, Keith Piper, and Renate Ferro; and interactive media works by Toni Dove, David Rokeby, and Jill Scott. Sophisticated readings reveal the electronic psychosocial webs and digital representations that link text, film, and computer. Murray puts forth an innovative Deleuzian psychophilosophical approach--one that argues that understanding new media art requires a fundamental conceptual shift from linear visual projection to nonlinear temporal fields intrinsic to the digital form.