Prabha Sinha, an IT professional in Chennai, is plunged into a murky world of idol theft, murder, and betrayal after she gets a mysterious phone call one night from her old friend Sneha Pillai. As she races to find answers before the people she loves get hurt, she seeks the help of Jai Vadehra, a troubled young man with a tragic past, and the gorgeous DSP Gerard Ratnaraj of the Idol Wing, CID, whom she can't help but be drawn to. Their search takes them from Chennai's newsrooms and universities to the abandoned sepulchral shrine of a Chola queen in the heartland of Tamil Nadu, and nothing, and no one, is as they seem.

This is an edited volume of approximately 17 essays that deal with various types of spontaneous shrines and other, related public memorializations of death. The articles address events such as New York after 9/11; roadside crosses, and the use of 'Day of the Dead' altars to bring attention to deceased undocumented immigrants.

Cole and his friends finally reach the fourth of the five kingdoms, Necronum, land of the dead, where they confront unexpected dangers and meet new allies.

R. Andrew Chesnut offers a fascinating portrayal of Santa Muerte, a skeleton saint whose cult has attracted millions of devotees over the past decade. Although condemned by mainstream churches, this folk saint's supernatural powers appeal to millions of Latin Americans and immigrants in the U.S. Devotees believe the Bony Lady (as she is affectionately called) to be the fastest and most effective miracle worker, and as such, her statuettes and paraphernalia now outsell those of the Virgin of Guadalupe and Saint Jude, two other giants of Mexican religiosity. In particular, Chesnut shows Santa Muerte has become the patron saint of drug traffickers, playing an important role as protector of peddlers of crystal meth and marijuana; DEA agents and Mexican police often find her altars in the safe houses of drug smugglers. Yet Saint Death plays other important roles: she is a supernatural healer, love doctor, money-maker, lawyer, and angel of death. She has become without doubt one of the most popular and powerful saints on both the Mexican and American religious landscapes.

What if you really were transported to a fantasy world and expected to kill monsters to survive? No special abilities, no OP weapons, no status screen to boost your stats and no cheat mode. Never mind finding the dragon's treasure or defeating the Demon Lord, you only need to worry about one thing-how to stay alive. A group of teenagers wake up in a strange, fantastical land with creatures from myth and legend. They are given archaic weapons they don't know how to use and told to do their best. Convinced it has to be some kind of virtual reality RPG, all the people summoned form parties and set off on their adventures, leaving behind the people nobody wants in their group. Story of my life, thinks Colin. 'How to Avoid Death on a Daily Basis: Collection One' brings together the first three books in the series. Also contains the bonus short story 'The Glorious Princess.'

Scholars of popular Hindu religion in India have always been fascinated by oral texts and rituals, but surprisingly only few attempts have as yet been made to analyse the relationship between rituals and texts systematically. This book contributes to the filling of this gap. Focusing on the dynamics of a local (non-Brahmanical) ritual, its modular organisation and inner logic, the interaction between narrative text and ritual, and the significance of the local versus translocal nature of the text in the ritual context, the study provides a broad range of issues for comparison. It demonstrates that examining texts in their context helps to understand better the complexity of religious traditions and the way in which ritual and text are programmatically employed. The author offers a vivid description of a hitherto unnoticed ritual system, along with the first translation of a text called the Icakkiyamman-Katai (IK). Composed in the Tamil language, the IK represents a substantially longer and embellished form of a core versio which probably goes as far back as the seventh century C.E. Unlike the classical source, this text has been incorporated into a living tradition, and is being constantly refashioned. A range of text versions have been encapsulated in the form of a conspectus, which will shed light on the text's variability or fixity and will add to our knowledge of bardic creativity. Includes a film by the author on DVD.

This is the first extensive English-language study of Yasukuni Shrine as a war memorial. It explores the controversial shrine’s role in waging war, promoting peace, honoring the dead, and, in particular, building Japan’s modern national identity. It traces Yasukuni’s history from its conceptualization in the final years of the Tokugawa period and Japan’s wars of imperialism to the present. Author Akiko Takenaka departs from existing scholarship on Yasukuni by considering various themes important to the study of war and its legacies through a chronological and thematic survey of the shrine, emphasizing the spatial practices that took place both at the shrine and at regional sites associated with it over the last 150 years. Rather than treat Yasukuni as a single, unchanging ideological entity, she takes into account the social and political milieu, maps out gradual transformations in both its events and rituals, and explicates the ideas that the shrine symbolizes. Takenaka illuminates the ways the shrine’s spaces were used during wartime, most notably in her reconstructions, based on primary sources, of visits by war-bereaved military families to the shrine during the Asia-Pacific War. She also traces important episodes in Yasukuni’s postwar history, including the filing of lawsuits against the shrine and recent attempts to reinvent it for the twenty-first century. Through a careful analysis of the shrine’s history over one and a half centuries, her work views the making and unmaking of a modern militaristic Japan through the lens of Yasukuni Shrine. Yasukuni Shrine: History, Memory, and Japan’s Unending Postwar is a skilled and innovative examination of modern and contemporary Japan’s engagement with the critical issues of war, empire, and memory. It will be of particular interest to readers of Japanese history and culture as well as those who follow current affairs and foreign relations in East Asia. Its discussion of spatial practices in the life of monuments and the political use of images, media, and museum exhibits will find a welcome audience among those engaged in memory, visual culture, and media studies.

In 1947, a Bedouin shepherd literally stumbled upon a cave near the Dead Sea, a settlement now called Qumran, to the east of Jerusalem. This cave, along with the others located nearby, contained jars holding hundreds of scrolls and fragments of scrolls of texts both biblical and nonbiblical—in Hebrew, Aramaic, and Greek. The biblical scrolls would be the earliest evidence of the Hebrew Scriptures, or Old Testament, by hundreds of years; and the nonbiblical texts would shed dramatic light on one of the least-known periods of Jewish history—the Second Temple period. This find is, quite simply, the most important archaeological event in two thousand years of biblical studies. The scrolls provide information on nearly every aspect of biblical studies, including the Old Testament, text criticism, Second Temple Judaism, the New Testament, and Christian origins. It took more than fifty years for the scrolls to be completely and officially published, and there is no comparable brief, introductory resource. Core Biblical Studies fulfill the need for brief, substantive, yet highly accessible introductions to key subjects and themes in biblical studies. In the shifting tides of biblical interpretation, these books are designed to help students locate relevant meanings in conversation with the text. As a first step toward substantive and subsequent learning, the series draws on the best scholarship in order to provide foundational concepts and contextualized information on a broad scope of issues, methods, perspectives, and trends.

“Examines our evolving mourning rituals, specifically in relationship to cemeteries . . . a levelheaded report on the death care industry.” —Los Angeles Review of Books In modern society, we have professionalized our care for the dying and deceased in hospitals and hospices, churches and funeral homes, cemeteries and mausoleums to aid dazed and disoriented mourners. But these formal institutions can be alienating and cold, leaving people craving a more humane mourning and burial process. The burial treatment itself has come to be seen as wasteful and harmful—marked by chemicals, plush caskets, and manicured greens. Today’s bereaved are therefore increasingly turning away from the old ways of death and searching for a more personalized, environmentally responsible, and ethical means of grief. Is the Cemetery Dead? gets to the heart of the tragedy of death, chronicling how Americans are inventing new or adapting old traditions, burial places, and memorials. In illustrative prose, David Charles Sloane shows how people are taking control of their grief by bringing their relatives home to die, interring them in natural burial grounds, mourning them online, or memorializing them streetside with a shrine, ghost bike, or RIP mural. Today’s mourners are increasingly breaking free of conventions to better embrace the person they want to remember. As Sloane shows, these changes threaten the future of the cemetery, causing cemeteries to seek to become more responsive institutions. A trained historian, Sloane is also descendent from multiple generations of cemetery managers and he grew up in Syracuse’s Oakwood Cemetery. Enriched by these experiences, as well as his personal struggles with overwhelming grief, Sloane presents a remarkable and accessible tour of our new American way of death.

This book surveys the distinctions that underlie the unbound potential and existential risks of life expansion and radical modifications posed by a transhuman world. Humanness is in flux as human bodies are being hacked and altered in their quest for super wellness, super intelligence and super longevity. Now is the time to discuss how best to think about dealing with bodies that have been hacked to exceed natural physical limits or more technically, species typical functioning. Enter the advent of transhumanism to take uncertainty by the horns. According to transhumanists, death is unnecessary and medical conventions undermine the possibility to radically evolve. To biohackers, there is no need to wait to explore the risks that conventional medicine dares not. This book is of interest to anyone interested in tapping into this growing movement of modifying the human body as it is right now.