The ability to construct a nuanced narrative or complex character in the constrained form of the short story has sometimes been seen as the ultimate test of an author's creativity. Yet during the time when the short story was at its most popular - the late nineteenth and early twentieth centuries - even the greatest writers followed strict generic conventions that were far from subtle. This expanded and updated translation of Florence Goyet's influential La Nouvelle, 1870-1925: Description d'un genre à son apogée (Paris, 1993) is the only study to focus exclusively on this classic period across different continents. Ranging through French, English, Italian, Russian and Japanese writing - particularly the stories of Guy de Maupassant, Henry James, Giovanni Verga, Anton Chekhov and Akutagawa Ry?nosuke - Goyet shows that these authors were able to create brilliant and successful short stories using the very simple 'tools of brevity' of that period. In this challenging and far-reaching study, Goyet looks at classic short stories in the context in which they were read at the time: cheap newspapers and higher-end periodicals. She demonstrates that, despite the apparent intention of these stories to question bourgeois ideals, they mostly affirmed the prejudices of their readers. In doing so, her book forces us to re-think our preconceptions about this 'forgotten' genre.

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This book proposes a study of a new postmodern prose fiction genre, the short-short story. Considerations of generic classifications and boundaries are followed by an historical overview and analysis of short fiction from the nineteenth to twenty-first centuries, especially under the influence of the Russian Anton Chekhov, who is regarded as the father of the modern short story. The postmodern short-short story is seen as emerging from this trend, a hybrid genre with characteristics of the narrative language of her prose genres such as the short story and the journalistic writing. The cluster of features, such as condensation, lack of character development, surprise endings, etc., which is seen as characteristic of the short-short story, are discussed, and ten examples are summarized and analyzed, including two traditional short stories for contrast. It is seen that the short-short story may be further broken into what is called “the new sudden fiction” and the even shorter and more radical “flash fiction.”

You always wanted to write short stories but you have no idea where to begin.Do you want to become better at writing fiction?Perhaps you find it hard to come up with ideas for a story or to devise a plot. Maybe you have difficulty developing your own style or is your dialogue rusty.N.A. Turner is here to help you navigate the land of short story writing from outlining your story to attracting readers. Every aspiring writer dreams of people reading his or her work. Short story writing is a way of both developing your writing style and to introduce your talent to potential readers. At the start of their career, the likes of Stephen King and Charles Bukowski made a name for themselves by writing and publishing short stories.Learn more about N.A. Turner's writing tips based on his experience and research.This guide teaches you: - How to write well-structured short stories- How to determine your theme- How to plot your story- How to create engaging, interesting characters- How to build a fictional world- How to write scenes and clear dialogue- How to get to that first draft and edit your story- How to publish your short stories in the current market- And much moreThis guidebook will show you a step-by-step process to successfully write and publish short stories. From developing an idea to attracting readers online. This comprehensive, step-by-step guide is all you need to get started.

NATIONAL BESTSELLER • A collection of stories by one of America’s most beloved and admired short-story writers that explores the passage of time and summons up its inevitable sorrows and hilarious pitfalls to reveal an exquisite, singular wisdom. • “Uncanny.... Moving.... A powerful collection.” —The Washington Post Here are people beset, burdened, buoyed; protected by raising teenage children; dating after divorce; facing the serious illness of a longtime friend; setting forth on a romantic assignation abroad, having it interrupted mid-trip, and coming to understand the larger ramifications and the impossibility of the connection ... stories that show people coping with large dislocation in their lives, with risking a new path to answer the desire to be in relation—to someone….

While Tom is at work in London, his wife Marina is left bored and alone in the small village where they live. She wishes for someone to do the housework for her and a strange thing happens. Her wish comes true; the Ironing Man enters her life, and everything begins to change for both Marina and Tom.

Inspired by an experiment on Twitter, these 300 moving stories are no bigger than a sentence or two, on themes like love, death, and family. In this one-of-a-kind collection, author Sean Hill has crafted hundreds of engaging stories that conjure an entire novel in just a sentence or two. Sometimes sad, often humorous and always creative, these tales touch on a wide range of life experiences from romance and family to death and sex. Nana rocked in her old wooden rocking chair. “Timmy, you have always been my favorite,” she said. He looked at her. “Nana, I’m Bobby.” Read your diary, discovered your secret. I thought I loved you, but now I’m not sure. Don’t know what to do, you look so human. Clowning was Daryl’s profession, cooking was his passion. Stella thought he was perfect. She liked to laugh and never learned to cook. Alex bought Sharon a ring for Valentine’s Day, which she sold to buy the gun that stopped him from loving her. In 2009, Sean Hill combined his love of writing and technology by creating @VeryShortStory, a Twitter feed where he interacts with his readers and shares his 140-character stories. Praise for Very Short Stories “Some are touching, some ring true, but most are laugh-out-loud funny.” —Seattle Times “The book is a treasure-trove of fascinating exploration into the craft of language and storytelling.” —Summit Daily “Story telling is his bag, pure and simple.” —Austin American Statesman “The best of the stories might rival Hemingway's classic six word story in their descriptive brevity and their ability to tell a complete and affecting tale.” —Short and Sweet NYC “Witty, well-crafted and always thought-provoking.” —Salt Lake Tribune

From flash fiction to mini-novelette, Fairlight presents twenty-four of its best short stories from some of the world's most talented new and emerging English language writers. Chosen from work sent to Fairlight over several years by writers around the globe, this anthology celebrates the art of the short story form: a vehicle with the power to delight, entertain or instantly transport the reader to another state, another world, another emotion. Twenty-four stories by twenty-four writers, including various award-winning short story authors, and Women's Prize-longlisted author Sophie van Llewyn.

Award-winning and best-selling author Junot Díaz guest edits this year's The Best American Short Stories, the premier annual showcase for the country's finest short fiction.