His style is realistically forthright and uninhibited, his prose crisp, and, at times, tremendously vivid' Walkabout A shiralee is a swag, a burden, a bloody millstone – and that's what four-year-old Buster is to her father, Macauley. He takes the child on the road with him to spite his wife, but months pass and still no word comes to ask for the little girl back. Strangers to each other at first, father and daughter drift aimlessly through the dusty towns of Australia, sleeping rough and relying on odd jobs for food and money. Buster's resilience and trust slowly erode Macauley's resentment, and when he's finally able to get rid of her, he realises he can't let his shiralee go. In evocative prose that vividly conjures images of rural Australia, The Shiralee reveal and understanding of the paradoxical nature of the burdens we carry, creates a moving portrait of fatherhood, told with gruff humour and a gentle pathos.

Murray Tepper would say that he is an ordinary New Yorker who is simply trying to read the newspaper in peace. But he reads while sitting behind the wheel of his parked car, and his car always seems to be in a particularly desirable parking spot. Not surprisingly, he is regularly interrupted by drivers who want to know if he is going out. Tepper isn’t going out. Why not? His explanations tend to be rather literal: the indisputable fact, for instance, that he has twenty minutes left on the meter. Tepper’s behavior sometimes irritates the people who want his spot. (“Is that where you live? Is that car rent-controlled?”) It also irritates the mayor—Frank Ducavelli, known in tabloid headlines as Il Duce—who sees Murray Tepper as a harbinger of what His Honor always calls “the forces of disorder.” But once New Yorkers become aware of Tepper, some of them begin to suspect that he knows something they don’t know. And an ever-increasing number of them are willing to line up for the opportunity to sit in his car with him and find out. Tepper Isn’t Going Out is a wise and witty story of an ordinary man who, perhaps innocently, changes the world around him. BONUS: This edition contains an excerpt from Calvin Trillin's Quite Enough of Calvin Trillin.

Fred Scully searches for his pregnant wife, who disappears without an explanation, leaving him with Billy, his seven-year-old daughter.

Teen Time, Bandstand, Dig Richards, Johnny O'Keefe, Sing, Sing, Sing, Col Joye & The Joy Boys, The Delltones, Sydney Stadium, Saigon ... some of the names to be found in Behind The Rock, the refreshing frank reminiscences of Australian rock musicians, Jon Hayton and Leon Isackson. Based on personal diaries, Behind The Rock is a humorous and honest account of life in the Australian rock'n'roll scene from its birth in 1956 to the mid-sixties (and Beyond). With the changing fortunes of the band, the R'Jays, the authors take us behind-the-scenes of Festival Records, 'live' television, stadium concerts and dances, band tours in Australia, New Zealand and war-torn Vietnam and the world of adolescent sex, fans and 'band vultures', bungling managers, and hard-living and heart-broken rock stars. A no-holds-barred, eyewitness story, Behind The Rock is a vital document for understanding the history of 'Oz Rock'.

Beatrice Davis, 1909-1992, was general editor at Angus and Robertson the main Australian publishing company from 1937 to 1973. There she discovered and published such writers as Thea Astley, Miles Franklin, Patricia Wrightson, Xavier Herbert and Hal Porter becoming a literary tastemaker in the process. A central figure in Australian literature – ‘respected, feared, courted and berated.’ Originally published to great acclaim in 2001, A Certain Style introduced this stylish and formidable woman to thousands of readers and told a history of books and publishing in twentieth-century Australia. This reissue has a new introduction and updates throughout as the author presents a compelling account of a contradictory woman and her times.

This book explores the puzzling phenomenon of new veiling practices among lower middle class women in Cairo, Egypt. Although these women are part of a modernizing middle class, they also voluntarily adopt a traditional symbol of female subordination. How can this paradox be explained? An explanation emerges which reconceptualizes what appears to be reactionary behavior as a new style of political struggle--as accommodating protest. These women, most of them clerical workers in the large government bureaucracy, are ambivalent about working outside the home, considering it a change which brings new burdens as well as some important benefits. At the same time they realize that leaving home and family is creating an intolerable situation of the erosion of their social status and the loss of their traditional identity. The new veiling expresses women's protest against this. MacLeod argues that the symbolism of the new veiling emerges from this tense subcultural dilemma, involving elements of both resistance and acquiescence.

What is it about the Australian outback? For nearly two centuries, narratives of outback journeys have been suffused with the aura of death. Why? It is not just that the desert is big, dry, hot and apparently empty. The outback is Australia’s “mythological crucible,” and journeys there have become rites of passage. It is where settler Australians go to die and perhaps be reborn. This book explores the landscape of this evolving national mythology. It argues that a more conscious engagement with the process of symbolic death and rebirth is needed for Australians to enter into a deeper understanding of themselves and their relationship to the land and its Indigenous people.

Set against the shifting social and political backdrop of a nation throwing off the shackles of one war yet faced with the instability of the new world order, Reel Men probes the concept of 1950s masculinity itself, asking what it meant to be an Australian man at this time. Offering a compelling exploration of the Australian fifties, the book challenges the common belief that the fifties was a 'dead' era for Australian filmmaking. Reel Men engages with fourteen Australian feature films made and released between 1949 and 1962, and examines the multiple masculinities in circulation at this time. Dealing with beloved Australian films like Jedda (1955), Smiley (1956), and The Shiralee (1957), and national icons of the silver screen including Chips Rafferty, Charles 'Bud' Tingwell, and Peter Finch, Reel Men delves into our cultural past to dismantle powerful assumptions about film, the fifties, and masculinity in Australia.

She was a virgin and he got her pregnant.Now Australian millionaire Jack McKinnonwants to marry Maggie. Maggie isn't about to let her life be takenover, however good Jack makes her feel!Only can she really take a stand nowshe's carrying Jack's baby…?