"This is the story of the Shapeless Shape's journey, and a struggle we all experience from childhood to adulthood: the challenge of finding a place where our talents, uniqueness, and creativity can shine. The illustrations are brought to life through colorful, wooden pieces and the entire book is designed for adults & kids of any age or gender to see themselves in the story."--

A fairy tale, a history book, a call to action to shape our future! Shapeless Shapes is a graphic novel about identity, belonging, history, xenophobia, freedom, racism, discrimination, injustice, activism, citizenship & statelessness. In a world full of shapes, some shapes are erased and made shapeless. Why? How? And will they fight back?

“Sleeplessness gets the Susan Sontag illness-as-metaphor treatment in this pensive, compact, lyrical inquiry into the author’s nighttime demons.” —Kirkus Reviews In 2016, Samantha Harvey began to lose sleep. She tried everything to appease her wakefulness: from medication to therapy, changes in her diet to changes in her living arrangements. Nothing seemed to help. The Shapeless Unease is Harvey’s darkly funny and deeply intelligent anatomy of her insomnia, an immersive interior monologue of a year without one of the most basic human needs. Original and profound, and narrated with a lucid breathlessness, this is a startlingly insightful exploration of memory, writing and influence, death and the will to survive, from “this generation’s Virginia Woolf” (Telegraph). “Captures the essence of fractious emotions—anxiety, fear, grief, rage—in prose so elegant, so luminous, it practically shines from the page. Harvey is a hugely talented writer, and this is a book to relish.” —Sarah Waters, New York Times–bestselling author “Harvey writes with hypnotic power and poetic precision about—well, about everything: grief, pain, memory, family, the night sky, a lake at sunset, what it means to dream and what it means to suffer and survive . . . The big surprise is that this book about ‘shapeless unease’ is, in the end, a glittering, playful and, yes, joyful celebration of that glorious gift of glorious life.” —Daily Mail “What a spectacularly good book. It is so controlled and yet so wild . . . easily one of the truest and best books I’ve read about what it’s like to be alive now, in this country.” —Max Porter, award-winning author of Lanny

The best guide to programming in Shapeless to be found anywhere in the galaxy. Learn how to write code that operates across different types and runs entirely at compile-time using the Shapeless library in Scala. This book demystifies Shapeless, unleashing its power to Scala programmers everywhere.

When all the shapes in the world disappear little dot must save the day!

Multi-award-winning, New York Times best-selling duo Mac Barnett and Jon Klassen deliver the final wry and resonant tale about Triangle, Square, and Circle. This book is about Circle. This book is also about Circle’s friends, Triangle and Square. Also it is about a rule that Circle makes, and how she has to rescue Triangle when he breaks that rule. With their usual pitch-perfect pacing and subtle, sharp wit, Mac Barnett and Jon Klassen come full circle in the third and final chapter of their clever shapes trilogy.

Victor Saad is an ordinary guy who took an extraordinary leap - quitting his job to create his own Master's program through 12 experiences in 12 months that, together, proved to be the most challenging, enlightening, and transformational year of his life. He invited others to leap with him, charging them with the question, "What risk would you take to change your life, your community, or your world for the better?" These are their stories.

From graphic designer?turned?fashion designer Natsuno Hiraiwa comes Shape Shape, an ingenious collection of signature vests, collars, blouses, tops, skirts, and shrugs that can all be worn in a variety of ways and that are created for sewists of all skill levels. Designs feature draping and fastening fabric cut from single flat cloth, artfully twisting fabric, and folding fabric in origami-like fashion. You'll find unique construction guidance, one-of-a-kind garments that are fit for all ages, as well as a pattern insert. Shape Shape offers everything you need to sew minimally constructed designs with maximum visual impact.

"What a strange and intense book this is! David Blair has a wild, restless imagination and he uses language like saw, a hammer, a velvet whip. He can write incredibly tender (and original) love poems and enfilading satirical poems, as well as many of the many other "kinds" of poems between those poles, and they all seem entirely at home, indeed, need to be in this book together. His music, his diction, his refusal to use (ever!) cliches, his syntax all drive his poems and their hearts forward. That is where his poems go: forward. He will be in the company of the best poets of his generation." --Thomas Lux "Nothing can remain horizontal or vertical for long" might as well be David Blair's mini ars poetica. A commitment to the pleasures and terrors of change, you might say. I have been reading Blair's poems for about ten years now--struck always by his unique pitch and tone, the tensile muscularity of his syntax and vibrational accents. His diction is totally unboxed. He reminds me a bit of August Kleinzahler or John Yau in this--a karaoke of urban hullabaloo sung slightly off the beat, all for the sake of swing....David Blair's acceptance of the world is signaled by his stylishness, provoked by the people and things he encounters. His brain knows that it's living in an animal body. And it moves among all these other minds and bodies in motion. Changed by the smallest of changes. Unbalanced but at ease. This poet's energy reminds me of Edwin Denby's comments about De Kooning's paintings from the 1930s: "He wanted everything in the picture out of equilibrium except spontaneously all of it...a miraculous force and weight of presence moving from all over the canvas at once." These poems wantthat, too. --David Rivard, /Boston Review/ "David Blair's work is both public and discreet, somewhere between black box theatre and a blind date with an utterly beguiling stranger. His poems are dinner parties, intimate and sumptuous, arranged with great care and yet full of unforeseen turns: the pope gives way to 'the first red coils of the peonies' and a the hair of a lost aviator becomes 'brown, fibrous light.' How refreshingly unlike contemporary poetry this book is; a pleasure. --D. A. Powell