Entries provide the likely sources for a name; describe historical and mythological backgrounds; examine Shakespeare's presentation of a character or place; and suggest various interpretations of a name. Each entry contains line citations to William Shakespeare: The Complete Works, edited by Wells and Taylor, Oxford University Press, 1986.

Entries provide the likely sources for a name; describe historical and mythological backgrounds; examine Shakespeare's presentation of a character or place; and suggest various interpretations of a name. Each entry contains line citations to William Shakespeare: The Complete Works. A guide to the historical, mythological, fictional, and geographic references that appear in Shakespeare's complete plays and poems, covering every name, proper adjective, official title, literary and mystical title, and place name.

Compiled by the general editor of The Oxford Shakespeare, and one of the best-known authorities on the playwright's works, this dictionary offers up-to-date information on all aspects of Shakespeare, both in his own time and in later ages. The wide-ranging entries cover Shakespeare's plays, as well as everything from famous actors, writers, and directors connected with Shakespeare, to theatres, historical figures and places of particular interest relating to his life and work. The dictionary also includes box features of passages on Shakespeare by other famous authors, from Dr Johnson and Jane Austin to Bernard Levin and Virginia Woolf. Ideal reference for the student, actor, or director, and fascinating browsing for the general reader interested in Shakespeare's life and work.

Entries provide the likely sources for a name; describe historical and mythological backgrounds; examine Shakespeare's presentation of a character or place; and suggest various interpretations of a name. Each entry contains line citations to William Shakespeare: The Complete Works. A guide to the historical, mythological, fictional, and geographic references that appear in Shakespeare's complete plays and poems, covering every name, proper adjective, official title, literary and mystical title, and place name.

This is a comprehensive reference guide examining the language employed by Shakespeare to represent women in the full range of his poetry and plays. Including over 350 entries, Alison Findlay shows the role of women within Shakespearean drama, their representations on the Shakespearean stage, and their place in Shakespeare's personal and professional lives.

Listed is every name, proper adjective, official title, literary and musical title, and place name which appears in the text of the complete plays and poems of William Shakespeare. There is also a cross-reference of common editorial spellings which were not used in the edition which served as the standard.

A vital resource for scholars, students and actors, this book contains glosses and quotes for over 14,000 words that could be misunderstood by or are unknown to a modern audience. Displayed panels look at such areas of Shakespeare's language as greetings, swear-words and terms of address. Plot summaries are included for all Shakespeare's plays and on the facing page is a unique diagramatic representation of the relationships within each play.

Gathers entries about Shakepeare's life and plays, and actors, operas, and organizations associated with his work

‘What’s in a name? That which we call a rose/By any other name would smell as sweet.’ So says Juliet in the balcony scene from Romeo and Juliet but, originally published in 1978, Murray Levith shows just how wrong Juliet was. Shakespeare was extremely careful in his selection of names. Not only the obvious Hotspur or the descriptive Bottom or Snout, but most names in Shakespeare’s thirty-seven plays had a more than superficial significance. Beginning with what has been written previously, Levith illustrates how Shakespeare used names – not only those he invented in the later comedies, but those names bequeathed to him by history, myth, classical literature, or the Bible. Levith moves from the histories through the tragedies to the comedies, listing each significant name play by play, giving the allusions, references, and suggestions that show how each name enriches interpretations of action, character, and tone. Dr. Levith examines Shakespeare’s own name, and speculates upon the playwright’s identification with his characters and the often whimsical naming games he played or that were played upon him. A separate alphabetical index is provided to facilitate the location of individual names and, in addition, cross references to plays are given so that each name can be considered in the context of all the plays in which it appears.

A study of manuscript annotations in a curious copy of John Baret's ALVEARIE, an Elizabethan dictionary published in 1580. This revised and expanded second edition presents new evidence and furthers the argument that the annotations were written by William Shakespeare. This ebook contains text in color, and images. We recommend reading it on a device that displays both.